“What feels different about internet cinema, at least for me, is who the films are made with.”
@dansdansrev on Monad 5, Open Secret, and what it’s like making internet cinema in 2025.
More at enter-bliss.com
MAYA SPANGLER // STOLEN BESOS // BOOK LAUNCH & PHOTO EXHIBITION // OPENING WEDS JUN18 7-11PM
GALLERY SADE LOS ANGELES // 204 S AVE 19 LA CA 90031
ONVIEW EVERY SAT&SUN 7-11PM + BY PRIVATE VIEWING APPOINTMENT AT ALL OTHER TIMES TIL SUNDAY JUNE 29TH
INQUIRIES & PRIVATE VIEWING APPOINTMENTS VIA DM OR
[email protected]@stolenbesos #MAYASPANGLER #STOLENBESOS @sadelosangeles #gallerysadelosangeles
#THANKYOUS
@enter__bliss@drinklunar@drinkparch@ette.spirits@maybackyooo@zacgracie
#XOSADE
The Charli XCX stimulus package, @emilyggallan concocts an in flight entertainment experience, and A Matter of Life and Death
Enter Bliss: image solutions for all your needs. Read more in link.
HOP NGUYEN for Enter bliss
Enter bliss presents a photo feature by Hop Nguyen, the New York based photographer and image maker from Saigon, Vietnam.
Available on enterbliss.xyz
image of @10cust
styled by @yip_degouti126o16
TENSHIOUKOKU x ENTER BLISS
Enter bliss presents a series of collaborations with artists on the theme of “SUBCULTURAL TECHNOLOGIES”
tenshioukoku (angel kingdom) is a media artist/DJ creating in a range of mediums, bridging the realms of re-enchantment societal phenomenon = disenchantment, mysticism, technology, and Japanese subculture.
Work description: e-infrastructure, fur, floppy disks with data
These sculptural works exhibited at the group exhibition “≋wave≋ internet image browsing,” created by artists with a new sense inspired by the post internet art.
ALICE BUCKNELL for Enter bliss
THE ALLUVIALS
CHAPTER 7: FIRE WALK WITH ME
Malibu is on fire, again, and this time the neon pink-tinged synthetic vapor clouds of private water company Aquarius offer no relief. But firsts and lasts are kind of the same thing, right? The end bends back on itself to become a new beginning. A forest fire creates a clearing. As Federico Campagna and Jack Halberstam would put it, the ending of one world makes space for another. The final level of The Alluvials is something I’ve been thinking about a lot in terms of ecological grief and Bo Ruberg’s idea of permalife (a challenge to ‘permadeath’ games). It’s impossible to die in permalife worlds, impossible to lose them. But to continue playing as the planet continues burning is maybe the hardest challenge. Here the game is the landscape, revealing itself to you as a world falls apart. You play as wildfire.
Alice Bucknell’s video game work “The Alluvials” Level 7 is presented as a downloadable PC game with an accompanying text titled “An Engine of Ongoingness”.
level description by Alice Bucknell
Y7 for Enter bliss
Expanding on their work in @flashartmagazine on the #corecore trend on TikTok, Y7 write:
NOTES TOWARDS A THEORY OF HYPERIMPOSITION
available now on enterbliss.xyz
