Das Ensemble Recherche sucht eine*n Cellist*in (freiberufliche TĂ€tigkeit â ab Januar 2027) als Mitglied im Ensemble! đ»
Haben wir dein Interesse erweckt? Klick auf den Link in unserer Bio (Muvac), um die vollstÀndige Ausschreibung zu lesen!
Die Einladungen zu den Probespielen versenden wir Anfang Juli.
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Ensemble Recherche is looking for a cellist (freelance status â starting January 2027) as a member of the ensemble! đ»
Interested? Check out the link in our bio (Muvac) for more information!
We will send out the invitations to the auditions at the beginning of July.
Neue Musik braucht Freunde! đŻđŻđŻ
Gestern hat unser Freundeskreis die Gelegenheit, hinter die Kulissen zu schauen - bei der Vorbereitung unseres 2. Abokonzerts mit der Komponistin und Santurspielerin @farnaz_modarresifar . Farnaz hat ihr Instrument vorgestellt, und danach konnten wir gemeinsam PlĂ€tzchen, GlĂŒhwein und Tee genieĂen đđ·đ«
Unser Freundeskreis 𧥠begleitet unsere Arbeit und ermöglicht durch ihre UnterstĂŒtzung in Form von Rat, Tat und Geld auĂergewöhnliche Projekte, KompositionsauftrĂ€ge, CD-Produktionen oder Education-Konzerte.
Mitglieder unseres Freundeskreises bekommen durch besondere Veranstaltungen wie Probenbesuche und behind-the-scenes-tours einen besonderen Einblick in unsere Arbeit. Sie bekommen einen persönlichen Kontakt zu unseren Musiker*innen und erleben auch die Arbeit bedeutender Komponist*innen von heute mit.
Wenn Sie die Arbeit des Freundesvereins unterstĂŒtzen möchten, freuen wir uns sehr ĂŒber eine Mitgliedschaft im Verein oder eine Spende (link in Bio!) đ§Ą
Applications are open for the Ensemble-Akademie Freiburg 2026! đŁ
đïžThe academy takes place from 7 to 12 September 2026
đIn Freiburg im Breisgau - Ensemblehaus
â ïžThe deadline for applications is 15th June 2026
đ„ïžApplications are made via MUVAC
Follow: @ensemble_akademie_freiburg
Academy Week
Ensemble Performance of Early and Contemporary Music đ¶đ”
Ensemble Recherche teachers:
Adam Woodward (violin)
Sofia von Atzing (viola)
Ă sa Ă kerberg (cello)
Anja Clift (flute)
Eduardo Olloqui (oboe)
Shizuyo Oka (clarinet)
Klaus Steffes-HollÀnder (piano)
Christian Dierstein (percussion)
#masterclass #earlymusic #contemporarymusic #freiburgimbreisgau
Rehearsal for Freiburg propaganda project with @ensemblerecherche upcoming this Friday! Yet your skin⊠is a collaboration performance with composer @yuheng_chenn , artist @maya__erin@nao____usami ! This performance is an enactment of urgency, addressing planetary crisis and the post-Anthropocene condition. The performance begins with whispers of various animals and the fragmented murmurs of organic matter, created through human gestures. These quiet voices are glitched, expanded, amplified, and eventually broken through digital intervention, gradually forming an undulating sonic mass.
Freiburg, 08.05.2026, 20:00h, Lokhalle Freiburg!
A peek into our concert PROPAGANDA, with âYet Our Skin Is Merely the Reshaped Oceanâ by @yuheng_chenn and @maya__erin !
This piece creates a fabricated sense of urgency in the post-Anthropocene, where organic planetary matter intertwines with simulated post-human forms.
Rather than concealing reality, these manipulations serve as a probe into what kinds of residues or radiations of todayâs political and cultural aestheticsâreshaped or distorted, traces that may themselves be continually warped by human interventionâ might persist after the disappearance of the human.
The title is inspired by Kobo Abe. Yet Our Skin Is Merely the Reshaped Ocean suggests: Though the future is a product of every present that precedes it, tomorrow does not belong to today.
Supported by @musikfonds.de , Kunststiftung NRW and Freunde des Ensemble Recherche e.V.
Freiburg, 08.05.2026, 20:00h, Lokhalle Freiburg!
Rehearsals underway for our concert PROPAGANDA, with âYet Our Skin Is Merely the Reshaped Oceanâ by @yuheng_chenn and @maya__erin !
This piece creates a fabricated sense of urgency in the post-Anthropocene, where organic planetary matter intertwines with simulated post-human forms.
Rather than concealing reality, these manipulations serve as a probe into what kinds of residues or radiations of todayâs political and cultural aestheticsâreshaped or distorted, traces that may themselves be continually warped by human interventionâ might persist after the disappearance of the human.
The title is inspired by Kobo Abe. Yet Our Skin Is Merely the Reshaped Ocean suggests: Though the future is a product of every present that precedes it, tomorrow does not belong to today.
Supported by @musikfonds.de , Kunststiftung NRW and Freunde des Ensemble Recherche e.V.
A small glimpse into one of the collaborations featured in our concert PROPAGANDA.
@tam.emiller and @studiofischerelsani â The Big Regret
âFischer & el Saniâs latest video work The Big Regret (2026) proclaims the end of social media and calls for a return to, and reactivation of, supernatural abilities such as telepathy through âBrain Balancingâ â a form of telecommunication without technical devices, which Fischer & el Sani had already developed in their 1995 video work Be Supernatural as an ironic response to the technology hype of the early 1990s.
Nina Fischer & Maroan el Sani
The Big Regret, 4K, 19 min., 2026
Copyright the artists and VG Bild-Kunst, Bonn 2026â
Note: The video is AI-generated!
Fake videos, synthetic voices, manipulated images â the tools of modern propaganda are more convincing than ever before. In collaboration with video artists from @udkberlin , works have been created that use these means not only for deception, but also as a way of analysing our society.
We are delighted to welcome you on 8 May at 8:00 pm at Lokhalle Freiburg â Theater PAN OPTIKUM!
FREIBURG! FREITAG 08. MAI, 20.00H, LOKHALLE! Link in Bio!
Im digitalen Zeitalter hat Propaganda neue, wirkmĂ€chtige Formen angenommen. KĂŒnstliche Intelligenz und synthetische Medien erzeugen tĂ€uschend echte Imitationen realer Personen â mit enormem Manipulationspotenzial. Deepfakes sĂ€en Zweifel, unterwandern RealitĂ€t und gefĂ€hrden demokratische Ăffentlichkeit. Mit dem Projekt Propaganda reagiert das Ensemble Recherche kĂŒnstlerisch auf diese PhĂ€nomene.
đ¶ Tanz: Lachenmann â When Sound Becomes Body
Rachel Oidtmann @racheloidtmann captures the mesmerizing encounter between Ensemble Recherche @ensemblerecherche and Emi Miyoshiâs SHIBUI Kollektiv @shibuikollektiv in her text response âBegegnungen unterm Baldachinâ: âZitternde KlĂ€nge schwirren durch den Raum ⊠und plötzlich sind sie tatsĂ€chlich da: Vierbeinige, krabbelnde, scheinbar halslose Wesenâ â a moment where music and dance transcend conversation and create something entirely new.
Read her full reflection on how Lachenmannâs compositions and the dancersâ movements intertwine, blur, and ultimately merge into a âKlang-Körper-Kunstâ: tanznetz-freiburg.de/tanztexte/begegnungen-unterm-baldachin
A project of Tanzschreibzirkel by Tanznetz Freiburg in cooperation with E-WERK Freiburg @ewerkfreiburg
Edited by: ThaddĂ€us Maria Jungmann @thusneldamariajungmann & Jutta KrauĂ
đž: Marc Doradzillo
#TanzLachenmann #contemporarydance #DanceWriting #FreiburgPremiere #ichbintanzszenebw
