Thrilled with a win for Butter at the annual ABCD book cover design awards π Such a fantastic line up of covers, congrats to everyone who was shortlisted! Big shout out to Julian Humphries and the @4thestatewilliamcollinsdesign team for their support π§
Cover design for Trad Wife, a skin-crawling feminist horror with a strange yellow mist, an influencer who isnβt all she seems, and a wig made out of human hairβ¦ out this week βοΈπ±
This book is still haunting me, Samanta Schweblin's writing really gets under your skin. Designs for the reissue of her debut work, and the paperback release of Good and Evil and Other Stories. Photographs expertly sourced by Milena @archiveweaver . Out next Month π π
New work for the incredible short story collection from Louise Hegarty. I loved being immersed in these weird and wonderful worlds, which often invite you to experience the writing like a game. It was great to collaborate with artist @minho.jung.art who expertly bought to life my slightly wacky pixelated troll idea. π Publishing in May
Loved looking at stunning images of Iceland for the cover of this beautiful memoir from @hannahkentwrites , published yesterday from @picadorbooks π€
New cover design for A Private Man by @c_est_qui77 . I was stunned by this book - every sentence was a joy to read. Incredible work from @archiveweaver in sourcing the photograph, which perfectly captures the emotional turmoil between the characters. Out in February next year ππ
Loved designing all the tasty extras for the special editions of The Art of a Lie, the incredible new novel from @laurashepherdrobinson - a twisty historical thriller that begins in an 18th century confectionary shop π¦π
Congratulations to @plestia.alaqad on the publication of The Eyes of Gaza - the unique and important voice of a young Palestinian journalist in the midst of the horror. This is an absolute must-read and Iβm proud to have played a small part in its publication.
Design and illustration for The Eights by @joannamillerauthor which published yesterday πThis was a joy to work on, inspired by 1920s poster designs and the beautiful buildings of Oxford π