Featuring urban landscapes, documentary images, experimental self-portraits, and photographs of New York’s subway and graffiti scenes of the late 1970s,
@elmuseo ’s 'Sophie Rivera: Double Exposures' showcases the work of groundbreaking photographer Sophie Rivera (1938–2021), offering a long-overdue reevaluation of Rivera’s contributions to photography and Nuyorican visual culture.
One of ‘Double Exposures’ themes center on Rivera’s engagement with New York City’s subway system. Her apartment in Morningside Heights looked directly onto the tracks of the 125th Street station, a proximity which deeply informed her practice.
Taken through her living room window, many of the images capture subway cars fully covered in tags—graffiti artists’ stylized signatures. Others show more abstract, almost poetic palimpsests of tags inscribed onto subway windows. On the platforms and in the trains, Rivera’s portraits of subway riders reveal a diverse cross-section of New Yorkers that reflects the communal spirit of the subway. These include tender couples and families, as well as quirky costumed figures. Series such as “Men at Work” (c.1970’s) honor the workers painting the 125th Street Viaduct, taken in the mid-1970s.
For Rivera, trains served as vehicles for exploring different subjects such as urban infrastructure, labor, and personal encounters, as well as a space for formal experimentation.
Catch Sophie Rivera: Double Exposures at
@elmuseo through August 2, 2026!
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Sophie Rivera, Untitled, ca. 1970s-1980s. Gelatin silver print, 14 5/8 x 14 1/2 in. Estate of Martin Hurwitz
Sophie Rivera, Untitled, c. 1982. Gelatin silver print. Estate of Martin Hurwitz
Untitled, mid-1970s, from the series "Men at Work." Gelatin silver print, 10 3/8 x 7 in. Estate of Martin Hurwitz
Installation view of Sophie Rivera: Double Exposures, April 23 - August 2, 2026, at El Museo del Barrio, New York, 2026. Photograph by Matthew Sherman/Courtesy of El Museo del Barrio, New York.