Evelina Domnitch

Blown away by John’s Blow “Venus and Adonis” (1687) masterfully performed by the young virtuosi of The Hague Royal Conservatory. We are so lucky to have them at our doorstep! @adam.harrata @despinakelesidousoprano

💫 So thrilled to be among this stellar cast for the closing roundtable event of the "Deep Fields" exhibition at Centre Wallonie-Bruxelles Paris, curated by Félicie d’Estienne d’Orves and Olivier Schefer, in collaboration with Stéphanie Pécourt. 🎤 The roundtable features two specialists in cosmology and astrophysics, Jean-Pierre Luminet and Thomas Hertog, artists Evelina Domnitch and Dmitry Gelfand, and the exhibition's curators, artist Félicie d’Estienne d’Orves and philosopher Olivier Schefer. Moderation by Annick Bureaud, art critic and curator of art and technoscience and co-founder of "Venus Conversations 2024-2034". As part of the evening, Lily Hibberd will present the performance "7,4 milliards d’années depuis Vénus" created with the support of her initiative "Venus Conversations 2024-2034". 📆 Deep Fields – Art and astrophysics Roundtable 7pm, 24 March 2026 Theatre, Centre Wallonie-Bruxelles Paris 46 rue Quincampoix 75004 Paris Free, reservations essential /conference-deep-fields "Venus Conversations: 2024-2034" team: @Lily.Hibberd , Annick Bureaud @anikburo , @ClaudiaSchnugg , and @decalab_agency Natacha Duviquet. #cwb_paris #artandscience #venusconversations #astrophysics #performanceart Captions 1. Table-ronde, Centre Wallonie-Bruxelles Paris, view of "ER=EPR" by Evelina Domnitch & Dmitry Gelfand, 2017. Installation: water, laser, sound. 2. "7,4 milliards d’années depuis Vénus," Lily Hibberd, 2026. Performance and video. Image: Earth and the Moon from 63.6 million km. NASA OSIRIS-REx, 2018. Credit: NASA. 3. "7,4 milliards d’années depuis Vénus," Lily Hibberd, 2026. Image: "Earthrise". NASA Apollo 8 Mission, 1968. Credit: NASA/Bill Anders. 4. "VÉNUS, URANUS", Félicie d’Estienne d’Orves, light metre series, 2016. Steel, LED, electronics, variable duration, 113 x 4 x 3 cm. 5. "ER=EPR," Evelina Domnitch & Dmitry Gelfand, 2017. Installation: water, laser, sound. 6. "7,4 milliards d’années depuis Vénus," Lily Hibberd, 2026. Image: Earth and Venus from the International Space Station, 2019. Credit: NASA. 7. "7,4 milliards d’années depuis Vénus," Lily Hibberd, 2026. Image: Earth and its moon from 1.44 billion km. NASA.

LIVE 27/03 at SPRINGTIJ festival 🌱✨ The NL-based duo Evelina Domnitch and Dmitry Gelfand, originally from Belarus and Russia, create challenging audiovisual installations deeply rooted in scientific—often nuclear and chemical—theory and techniques. As a viewer, their work can sometimes almost be experienced as an alchemical séance. This cross-pollination of art and science has already earned the duo several international awards. In Force Field, acoustically levitated water droplets resonate, vaporise and reassemble into spheroids, toroids and oscillating polygons while spinning nearly devoid of shear. The performance simultaneously taps into the 3-dimensionality of sound, elusive physicality of water, and rotational dynamics of celestial and subatomic bodies.

Pre-sales are now open: Pletterij.nl 2 halls, 5 acts. SPRINGTIJ festival 2026 🌱✨

This spring, Evelina Domnitch @edomnitch presents her installation ER=EPR at Centre Wallonie-Bruxelles @cwb_paris in Paris. The work forms part of Deep Fields, an exhibition that explores the boundaries of physics and human perception. The exhibition brings contemporary artists into dialogue with key figures from, among others, the Light and Space movement, landscape art and the ZERO group. Deep Fields runs from 23 January to 26 March 2026. Domnitch’s participation is supported in part by the Stroom SPOT Scheme for Individual Exhibitions. [NL] Evelina Domnitch @edomnitch toont dit voorjaar haar installatie ER=EPR bij Centre Wallonie-Bruxelles @cwb_paris in Parijs. Het werk is onderdeel van Deep Fields, een tentoonstelling die de grenzen van de natuurkunde en ons waarnemingsveld onderzoekt. In de tentoonstelling gaan hedendaagse kunstenaars in dialoog met sleutelfiguren uit o.a. de Light and Space-beweging, landschapskunst en de Zero-groep. Deep Fields is te zien van 23 januari t/m 26 maart 2026. Domnitch’s deelname wordt mede mogelijk gemaakt door de Stroom Regeling SPOT Individuele tentoonstelling. #StroomDenHaag #Stroom #PoweredbyStroom #EvelinaDomnitch #CentreWallonieBruxelles

L'obra ER=EPR (2017) de Evelina Domnitch (@edomnitch ) & Dmitry Gelfand, ara es pot veure al Centre Wallonie Bruxelles | Paris (@cwb_paris ) dins de l'exposició col·lectiva “Deep Fields”, comissariada per @feliciedestiennedorves i Olivier Schefer, en sinergia amb Stéphanie Pécourt (@stefpecourt ) Quan “Deep Fields” baixi el teló ER=EPR passarà a quedar baix custòdia i cura del NEWART centre. Amb la col·laboració de William Basinski (@musex1 ), Jean-Marc Chomaz i LLIGO. Amb el suport de @stroom_den_haag , LLIGO, Isabel De Sena, @fulcrumarts , @fondation_carasso ____________________________ La obra ER=EPR (2017) de Evelina Domnitch & Dmitry Gelfand, ahora puede verse en el Centre Wallonie Bruxelles | Paris, dentro de la exposición colectiva “Deep Fields”, comisariada por Félicie d’Estienne d’Orves y Olivier Schefer, en sinergia con Stéphanie Pécourt. Cuando “Deep Fields” baje el telón ER=EPR pasará a quedar bajo custodia y cuidado del NEWART centre. Con la colaboración de William Basinski, Jean-Marc Chomaz y LIGO. Con el apoyo de STROOM (Den Haag), LIGO, Isabel De Sena, Fulcrum Arts, Fondation Carasso. __________________________ ER=EPR (2017) by Evelina Domnitch & Dmitry Gelfand can currently be seen at Centre Wallonie Bruxelles | Paris, as part of the group exhibition “Deep Fields”, curated by Félicie d’Estienne d’Orves and Olivier Schefer, in synergy with Stéphanie Pécourt. When “Deep Fields” comes to a close, ER=EPR will be placed under the care and stewardship of the NEWART centre. With the collaboration of William Basinski, Jean-Marc Chomaz, and LIGO. With the support of STROOM (The Hague), LIGO, Isabel De Sena, Fulcrum Arts, Fondation Carasso.

As the solar storm unfolds we’re anticipating the opening of DEEP FIELDS @cwb_paris ! With the artworks 1. Corps noir (Black Body) by Ann Veronica Janssens and 2. Trou Noir (Black Hole) by Jean-Pierre Luminet

Looking forward to starting 2026 in Paris with a marvellous exhibition DEEP FIELDS, curated by @feliciedestiennedorves , @oliviershafer and @stefpecourt at @cwb_paris — with many incredible artists and art legends! Our performance Force Field will round off the vernissage on January 23rd. Come and join us at the edge of the Universe!

A preview of a new installation we’re developing, with incidental music by our beloved William Basinski @musex1 For a full video visit our youtube channel (link in bio)! A laser sheet illuminates the surface of a shallow pond, on which bubbles are continuously landing. Unlike other light sources, the laser’s coherent emission gets trapped inside a bubble’s skin and may carve out filamentous pathways along which the light propagates unperturbed. The latter phenomenon is called branched flow, and it occurs in a vast range of interactions between waves and matter. From light refracted by living tissue and tsunami waves in shallow waters to the gravitational lensing of light by galactic clusters and pulsar-generated microwaves in ionised interstellar clouds, branched flow emerges on every scale of the physical world. In Irisations, the branched flow of light can be experienced with the naked eye, as well as a variety of opto-fluidic dynamics reflected off a bubble’s molecule-thin membrane.

A transcendental moment in the “Garden of Brokenness” performed by maestro @musex1 at the Biennale de Musica, 4 grand pianos, 3 percussionists accompanied by #serenissima

Happy birthday to a dear friend @honorharger , reunited under the desert Sun!