An other one of those chilled out filming days with @jamiedavisfilms and @oskmuzik in the beautiful British countryside. No budget but loads of big ideas as usual! It was a very fun little shoot!
We should also not forget of the technicalities of this shoot. We used the GFX100 Mark II with the always beautiful Cooke SP3 lenses lent to us by the beautiful people at @cookeoptics with the help of the special adapter made by @buckland.andy !
We also used a second hand Kinect, some cheap backdrop, flash light and photography prism from Amazon.
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Enjoy!
Shot a very cool, dynamic music video with this talented bunch featuring beautiful Britain! The end result will come soon! Some of the best shots been captured by the awesome Cooke SP3s!
@jamiedavisfilms@_oscii_@oskmuzik@_.cijo@cookeoptics
Back in August, we shot a short film called “72 Hours.” I’ve been wanting to share some of the faces behind it, as a way of showing respect and gratitude to the people who gave their time, energy, and heart to make our little idea into something real.
These photos only capture part of the team (and I’m sorry to anyone missing), but every single person gave more than I could have asked for. What moves me most is how much of this work was done purely out of passion, without recognition or reward, just for the love of creating.
It felt important to me to capture not just the film we made, but the people who made it possible.
This is the daylight themed selection.
Used the brilliant Cooke SP3 32mm lens for all of them. @cookeoptics
Back in August, we shot a short film called “72 Hours.” I’ve been wanting to share some of the faces behind it, as a way of showing respect and gratitude to the people who gave their time, energy, and heart to make our little idea into something real.
These photos only capture part of the team (and I’m sorry to anyone missing), but every single person gave more than I could have asked for. What moves me most is how much of this work was done purely out of passion, without recognition or reward, just for the love of creating.
It felt important to me to capture not just the film we made, but the people who made it possible.
Used the brilliant Cooke SP3 32mm lens for all of them. @cookeoptics
Appreciating the opportunity Greig gave me by allowing me to sneak into these amazing sets while filming Dune Part II. American Cinematographer was kind enough to upload some of the documentation I did for Greig with my photos in it. Time passes by quick. Read the full article here: /articles/dune-part-two-greig-fraser-afterfilming
Appreciating the opportunity @greigfraser_dp gave me by allowing me to sneak into these amazing sets while filming Dune Part II. American Cinematographer was kind enough to upload some of the documentation I did for Greig with my photos in it last October. Time passes by quick. Read the full article here: /articles/dune-part-two-greig-fraser-afterfilming
