GLAM research : Artist-Run Centres
In the diagram below, line AB and line GH intersect at point D
Miguel da Conceicao, Devon Knowles, Claude Zervas
Curated by: Jonathan Middleton
@jonathanmiddleton@devoneknowles@clzerv
6 September-11 October 2008
Or Gallery ARC, Vancouver, Canada
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@aka_kka
GLAM research: Banners, Poster Design
BC Gay and Lesbian Archives
https://searcharchives.vancouver.ca/bc-gay-and-lesbian-archives
Celebration ‘90 : gay games III and cultural festival : Vancouver, Canada : Aug 4-11. 1990
Item : 2018-020.5670 - Celebration ‘90 banners at the Celebration Centre, B.C. Place
AM1675-S3-: 2018-020.1394
AM1675-S4-F27-: 2018-020.5670
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@aka_kka
GLAM research: Poster Design
BC Gay and Lesbian Archives: Posters
https://searcharchives.vancouver.ca/bc-gay-and-lesbian-archives
Come and celebrate with us : La St-Jean Baptiste at the Dufferin Hotel : Wed. June the 24
1988
AM1675-S3-: 2018-020.1449
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@aka_kka
GLAM research: Poster Design
BC Gay and Lesbian Archives: Posters
https://searcharchives.vancouver.ca/bc-gay-and-lesbian-archives
Hot time in the city : Saturday, July 15th at Streets, Hotel Dufferin : fundraiser for celebration ‘90 gay games III and cultural festival
AM1675-S3-: 2018-020.1049
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@aka_kka
GLAM research: Public Art.
Peter Gazendam @peter_gazendam
A Long Conversation (for Oona)
2017
438 Terminal Avenue. Columbia College. Vancouver.
Photo: Blaine Campbell
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@kim_kennedy_austin
For my final post I am sharing this image of a pictograph created by ancestors of the Owen’s Valley Paiute and Shoshone people. I took this photo in a remote area of the Volcanic Tablelands in California during the fall of 2016. I was on a two week trip around the desert to collect rocks and paint. These pictographs are aged at 1,000-8,000 years and are a stunning example of mark making and drawing. I kept thinking of the similarities to Guston’s quality of line and how he is considered modern but this type of expression was considered anthropology for so long. Around 500 meters from here is another large pictograph that indigenous people in the area say is a depiction and map of the cycle of the thirteen moons.
Thanks for letting me share my favorite images over the past couple of weeks. @patrick_dunford
Aitor Lajarin-Enchina
Wild Horses
Acrylic on Canvas
40 x 60 inches
2025
Courtesy the Denver Art Museum and David B. Smith Gallery. (Includes three detail views)
This landscape by Aitor Lajarin-Enchina is one painting I could look at forever. It is as good an example of the continued vitality and relevance of landscape painting as you can find.
There are so many details one can pick out of this painting on repeated viewings. The freeway snaking back into the mountains is a favorite as are the patterns of stars and small meteors dotting the sky. It is a contemporary depiction of the landscape of the West with its combination of what we think of as natural elements like wild horses blending into and adjusting to the built human environment. Aitor lives in Fort Collins, a small city in Colorado.
Emelie Robertson
Winter Sun Through Maples
12 x 9 inches
Oil on Paper
At what point does a passage of paint or even a single brush mark become a branch?
Kingmeata Etidooie
Untitled works
(1976-1980 roughly)
These pieces are examples of the work of the Inuit artist Kingmeata Etidooie, (1915-1989) who depicted the changing world around her with vibrant colors and bold forms. While her prints have been known for some time her drawings were only recently exhibited for the first time in Worlds on Paper, curated by Emily Laurent Henderson.
In the exhibition catalogue, Henderson talks about how the selection process of which drawings were to be made into prints at this time was controlled by white government ‘experts’ brought into the community. Drawings that did not meet collectors expectations of what subjects and form Inuit art ‘should’ have were not included.
So only now with this exhibition in 2025 are we seeing the full range of creativity in Kinngait at that time.