Join us at 19:00 this Thursday for a conversation with @jennyannakall
We’ll be talking about her latest exhibition, Making of Temporary Memory Palaces, as well as her creative process.
Entrance is free, and the event will be in English.
Some pieces by @jennyannakall on view for The Making of Temporary Memory Palaces
1. Night Sandwich, bread, family photo
2. Making of Temporary Memory Palaces, photo, paper, vegetation samples from Tskaltubo
3. Flow, wood, oil pastel, wood glue
4. Memory of directions, marble stone
5 (top). Petroglyph, marble stone, steel
5 (bottom). A very long corridor, wood, oil pastel, wood glue, seeds
6. Dream house, wood, wood glue, oil pastel
Pasmur Rachuiko @pasmur.r (b. 1986, Rostov-on Don) has been painting since 2012, applying a subjectivist pantheon of symbolic characters and pop culture memes, self-portraiture occupying a key role.
Rachuiko often places himself in the context of issues surrounding gender, social and national identity.
In addition to painting, the artist carries out performances using locally-foraged foods as a medium, including snails and nettles.
Works by the artist are held in private and museum collections in Coldrerio and Zurich (Switzerland), London (UK), Milan (Italy), Kyiv (Ukraine), Tallinn and Narva (Estonia), Vienna (Austria), Paris (France), Berlin (Germany), New-York, San Francisco and Philadelphia (USA), Moscow and St. Petersburg (Russia).
Rachuiko currently works in Paris and Tbilisi.
Dissolution is participating for the second time at the fourth edition of Tbilisi Art Fair, 11-14 April 2024 at Expo Georgia. We are showing five young Georgian artists.
Salomeya Bauer @artist_salomeya_bauer
Nino Eliashvili @ninoeliashviliio
Natia Sapanadze @natia_sapanadze
Ketevan Varshanidze @kettevan.v
Lasha Tchrelashvili @lasha.tchrelashvili
First image: Works by Salomeya Bauer (right) and Nino Eliashvili are visible.
Second image: Works by Nino Eliashvili, Ketevan Varshanidze (left) and Salomeya Bauer (right) are visible.
Third image: You Can Stop Playing Anytime by Natia Sapanadze
Fourth image: Places by Ketevan Varshanidze
Bakhrom Alimov (b. 1994) works and lives in Tbilisi. Originally from Moscow, he grew up in in an Uzbek family during a time of great economic and cultural upheaval in Russia.
He had a troubled childhood, describing his home as a place he preferred not to be, spending most of his time outside with other troubled kids.
This free childhood led to Bakhrom’s introduction to graffiti and street art, his creative origins. He was writing graffiti both in Russia and abroad, once even landing himself in a Prague jail cell.
When he returned to Moscow, he encountered an emerging electronic music scene and became completely immersed, organizing events and continuing his street art career.
Bakhrom posits that his generation, the kids running around on Moscow streets in the early aughts, grew up with a Soviet-era value system in an ever-changing capitalist Russia. Many in this generation felt abandoned by their parents and the state, leaving them with no choice but to carve their own path.
Bakhrom later focused his practice on painting. His latest series are about self, paradoxical desires, irony, chronic skepticism and spontaneity.
Enjoyed today’s studio visit with @bakhrom_alimov_
His style borders on the classical and the contemporary, addressing issues in the alternative scenes of several cities where he lived. I think we’re going to see more of him in the near future.
#contemporaryart
Jinoos Misaghi (b. 1989, Tehran, Iran) conveys a unique confusion in her work. She tackles the subjects of uncertainty, movement, gender and home. Human figures are portrayed confronting a labyrinth designed by the artist, a multifaceted and fragmented world that becomes an excuse for revealing thousands more pervasive possibilities than the artist perceives while crafting the painting itself.
Her work has been exhibited in Iran, the UAE and Turkey and is in collections worldwide. Misaghi lives and works in Eskişehir, Turkey.
