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Pluto #characterdesign #conceptart #illustration #character #digitalart

Apocalypse(korea) . . . #drawing #painting #illustration #illustrator #characterdesign #conceptart #design #characterconceptart #digitalpainting #digitaldrawing #animation #doodle #애니메이션 #fashion #그림 #매일그림 #그림스타그램 #일러스트 #디자인 #게임그래픽 #컨셉아트 #캐릭터디자인 #그림연습 #캐릭터컨셉아트

Astro Boy . . . #drawing #painting #illustration #illustrator #characterdesign #conceptart #design #characterconceptart #digitalpainting #digitaldrawing #animation #doodle #애니메이션 #fashion #그림 #매일그림 #그림스타그램 #일러스트 #디자인 #게임그래픽 #컨셉아트 #캐릭터디자인 #그림연습 #캐릭터컨셉아트 #아톰 #mightyatom #astroboy

여귀(厲鬼)란 불행하고 억울한 죽음을 당했거나, 제사를 지낼 후손을 남기지 못하고 죽어 전염병과 같은 해를 일으킨다고 여겨지는 귀신이다. 조선에서는 역병이 돌 때면 그 원인을 여귀에게서 찾았다. 역질은 사나운 귀신이 있는 것과 흡사하기에 역려(疫癘)라 하였고, 귀신이 돌아갈 곳이 없게 되면 귀려가 되니, 천지에 부정한 기운이 있으면 귀려가 여기에 의지하여 해를 입히게 된다 하였다. 이에 궁중에서는 매년 섣달 그믐, 구나(驅儺) 의식을 행하였다. 마귀와 잡신을 쫓아내는 의미로 민가에서도 베풀었으며, 축과 미의 해에 소음이 겹치게 되면 온역이 더욱 성행한다 하였고, 화운에 속하는 해에 형혹성이 밝게 빛나면 온 세상에 역병이 돈다 하였다. 만력 임자년, 관북에 역병이 돌았다. 처음에 육진에서부터 시작하여 남쪽으로 옮아가면서 심해져 죽은 자가 천 단위로 헤아려졌으며, 가을에서 겨울이 되고 계축년 봄이 되자 팔도에 그러지 않은 곳이 없었다. — Yeogwi (厲鬼) are ghosts of those who suffered unjust or wretched deaths — those who could not receive proper ancestral rites, or who died without leaving descendants. They were believed to cause plagues and other calamities among the living. In Joseon, when epidemics broke out, their cause was attributed to yeogwi. It was said that pestilence resembled the work of fierce spirits, hence the term yeongnyo (疫癘). When spirits had nowhere to return, they became gwiryo (鬼癘), and if impure energy filled heaven and earth, they would cling to it and inflict harm upon the people. To counter this, the royal court performed the Guna (驅儺) ritual each year on the last day of the twelfth lunar month. The rite was meant to drive out demons and evil spirits, and was held not only in the palace but in common households as well. It was believed that in the years of Chuk and Mi, when the energies of soeum overlapped, plagues would grow especially severe — and that when Mars shone bright in a year governed by the fire cycle, pestilence would sweep across the entire world. In the Imja year of the Manryeok era, a plague broke out in the northern provinces. Beginning in the six garrisons of Yukjin, it spread southward, worsening as it went, until the dead were counted in the thousands. From autumn into winter, and through the spring of the Gyechuk year, no corner of the eight provinces was left untouched. . . . #여귀구나 #conceptart #darkfantasy #컨셉아트 #다크판타지

숙정문은 조선 태조 5년인 1396년에 세워진 문으로 일명 북대문이라고도 불린다. 한양도성 사대문의 이름에는 음양오행사상이 깊이 반영되어 있다. 풍수지리적으로 북쪽은 음(陰)을 의미했고, 북문을 열어두면 나라의 음기가 세진다 하여 애초에 왜소하고 좁게 짓고 닫아두는 것이 관례였다. 숙정문도 사람의 출입이 거의 없는 산 속에 지어진 탓에 성문으로서의 기능은 사실상 하지 않았다. 그마저도 1413년, 풍수학자 최양선이 이 문이 지맥을 손상시킨다며 상소를 올렸고, 이후 소나무로 길까지 막았다. — Sukjeongmun was built in 1396, the fifth year of King Taejo’s reign, and is also known as Bukdaemun, or the North Great Gate. The names of the four main gates of the Hanyangdoseong were deeply influenced by the principles of yin-yang and the Five Elements. In feng shui, the north was associated with yin. Because it was believed that leaving the northern gate open would strengthen the yin energy of the state, it was customary for such gates to be built small and narrow, then kept closed. Sukjeongmun was also located deep in the mountains, where few people passed, and as a result it virtually never functioned as a city gate. Even then, in 1413, the geomancer Choe Yang-seon submitted a memorial claiming that the gate damaged the flow of the land’s energy. Afterward, the road was blocked with pine trees. . . . #여귀구나 #conceptart #darkfantasy #컨셉아트 #다크판타지

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Storyboard for YUNA ”ICE CREAM“ PRODUCTION : RIGEND CREATIVE(@rigend.film ) DIRECTOR : SEHOON JEON(@22_ban ) PRODUCER : CHAERIN HONG, YELLY LINE PRODUCER : JAEHYEON LEE A.D. : BOM LEE, JEONGYEON LEE DOP : ANDY IERE KIM 1ST : JUYOUNG AN 2ND : ILHO BAE DIT : JISEONG HAN 3RD : YUSUN YUN GAFFER : JUNEHEE PARK BEST BOY : JEONGWOOK KIM 2ND : DOOHYUN CHOI, JAEHOON LEE 3RD : YEONGBEOM JI, SUHAN KIM, YURIM CHOI, JINYOUNG BAEK, CHANGHEYON LEE ART DIRECTOR : NOMESS ART TEAM LEASER : JUNGSIK LEE, CHAEJEONG KIM, JIHYUN PARK, HYOJIN OH, SEOYOUNG LIM, TAEMIN KIM ART TEAM : GWANGHYEON GO, JUHWAN GO, JUNGKYUN KIM, WHEEDONG KIM, GICHAN LEE, YONGYEON CHO, SUNGMIN LEE JIMMY JIB : KITAE KIM 1ST : JUNGHYEON BING 2ND : JAESUNG LEE 3RD : CHIHOON OH, HYUNSUNG KIM MOVEMENT DIRECTOR : YUBINA CHE PRODUCTION ASSISTANT : WONSUNG YOON, MIRIM LEE, YONGHYUN KIM, TAEWON KIM, YUNSUNG JANG, SEONGJIN CHOI, YONGBAE KIM, JIHO KIM, TAEIN JUNG STORYBOARD : SOOYEON LEE [POST] EDIT : SEHOON JEON POST PRODUCER : JUNA JANG POST PRODUCTION : RIG.(@ri9.ri9.ri9 ) AI ARTIST : JEONGHOON YEOM OPENING TITLE : HEYEONJU JANG COLLAGE & AI : SEHOON JEON 2D MOTION : SUEY BEAUTY CLEAN : JD3C VFX PRODUCTION(ROTOSCOPE) : THE LAST VFX(TLV STUDIO) DI : LUCID COLOUR COLORIST : JIYUN YEOM DI CREW : EUNSEO CHOI, HYERYEONG KIM, DAIN KIM DI PRODUCER : ONEW KIM DI MANAGER : HEEJIN PARK SOUND : YOUNGNAM SONG

Metropolis

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Concept Art for BABYMONSTER ’SUPA DUPA LUV’ M/V 🟠PRODUCTION BY STUDIO GA.ZE DIRECTED BY SOZE EXECUTIVE PRODUCER | CHANGHWAN PARK PRODUCER | HWAJIN LEE, HYUNWON LEE ASST DIRECTOR | HANSOL JOO, HANBUM KIM, JIHYUN OH LINE PD | KYOUNGJIN LEE P.A TEAM LEADER | HEECHAN LEE TEAM MEMBER | SUNGCHAN KU, YOUWON AN, MYUNGDONG LEE, MINYEONG LEE, SEUNGAH CHOI, JINHYUK CHOE DIRECTOR OF PHOTOGRAPHY | ANDY IERE KIM 1ST A.C | JUYOUNG AN 2ND A.C | JISEONG HAN D.I.T | YOONJI CHOI 3RD A.C | SEOUNGEUN PARK, GWANYEOL YOO GAFFER | JONGHWAN OH (HIGHLIGHT) 1ST | SEONGHUN PARK 2ND | JAEUNG YOON, HEEJAE YOON, DAEYOUNG PARK 3RD | SEUNGHYEOK YEOM, SUMIN KIM, YUSEONG HAN, JIWON SON PRODUCTION DESIGNER | Mu:E ART DIRECTOR | JINSIL & BONA ASST ART DIRECTOR | DABIN PARK, A-YEONG CHOI (Mu:E) ART TEAM MANAGER | ILHO HEO(Mu:E), SUNGSIK OH ART TEAM | YOUNGHUN JIN, YONG KIM, EUNSEOB CHOI, JINHO CHANG ACTING DIRECTIONㅣCHE YUBINA JIMMY JIB OPERATOR | YOUNGU JI 1ST | JINHO YOU 2ND | SEUNGJUN YOU 3RD | GWANGHYUN YOU VJ | SEONGGANG JEON (J SHOW) EDIT | SOZE STORYBOARD I SOOYEON LEE COLORIST | CHANGBEEN YU (THEPOSTLAB) DI ASSISTANT | SEOWOO KANG, YEREUM YANG VFX HEAD SUPERVISOR | CHANHYUNG CHUN [VFX PART. 1] VFX ARTIST | CHANHYUNG CHUN, YUJUNG JANG, YERIM LEE, JUHA PARK VFX PRODUCER | YUJUNG JANG, YERIM LEE, JUHA PARK FX ARTIST | AQUON 3D MODELING ARTIST | VIIAYEON 3D RIGGING ANIMATION | HEEMIN LEE 3D CLOTH SIMULATION | JIYOON MYEONG 2D KEY & ROTOSCOPING | CHAEYEONG IM, JUNGHWAN KIM, MINHEE LEE, DODAM CG, THE LAST VFX MATCHMOVE | JOONSUN PARK [VFX PART. 2] VFX SUPERVISOR | KUNWOO PARK 2D ARTIST | MINJOO JO [VFX PART. 3] HEIMLICH VFX STUDIO VFX SUPERVISOR | JIHO JEON, YOUNGWOONG KIM UNREAL ENVIRONMENT ARTIST | GUNYOUNG YOON In collaboration with TrendsetterVFX FX ARTIST | GUNWOO KANG DIRECTING ASSISTANCE | HANI SEO [VFX PART. 4] VFX STUDIO l YALLUSION VFX SUPERVISOR | SANGWON PARK 3D ARTIST | HYUNKYUNG LEE, JIEUN CHOI AI VFX | SEUNGYU LEE AI ARTWORK | TAEWON KANG, JEONGHWAN KIM 2D CLEANING | YEONJAE JUNG ANIMAL TALENT AGENCY | PET FOCUS CHILD ACTORㅣJIAN BAEK MAKE UP | EUNBIN HA MAKE UP ASST | MINSEO YI STYLING / DUHYUN JUNG STYLING ASST / MINJUNG KIM

Storyboard for BABYMONSTER ’SUPA DUPA LUV’ M/V 🟠PRODUCTION BY STUDIO GA.ZE DIRECTED BY SOZE EXECUTIVE PRODUCER | CHANGHWAN PARK PRODUCER | HWAJIN LEE, HYUNWON LEE ASST DIRECTOR | HANSOL JOO, HANBUM KIM, JIHYUN OH LINE PD | KYOUNGJIN LEE P.A TEAM LEADER | HEECHAN LEE TEAM MEMBER | SUNGCHAN KU, YOUWON AN, MYUNGDONG LEE, MINYEONG LEE, SEUNGAH CHOI, JINHYUK CHOE DIRECTOR OF PHOTOGRAPHY | ANDY IERE KIM 1ST A.C | JUYOUNG AN 2ND A.C | JISEONG HAN D.I.T | YOONJI CHOI 3RD A.C | SEOUNGEUN PARK, GWANYEOL YOO GAFFER | JONGHWAN OH (HIGHLIGHT) 1ST | SEONGHUN PARK 2ND | JAEUNG YOON, HEEJAE YOON, DAEYOUNG PARK 3RD | SEUNGHYEOK YEOM, SUMIN KIM, YUSEONG HAN, JIWON SON PRODUCTION DESIGNER | Mu:E ART DIRECTOR | JINSIL & BONA ASST ART DIRECTOR | DABIN PARK, A-YEONG CHOI (Mu:E) ART TEAM MANAGER | ILHO HEO(Mu:E), SUNGSIK OH ART TEAM | YOUNGHUN JIN, YONG KIM, EUNSEOB CHOI, JINHO CHANG ACTING DIRECTIONㅣCHE YUBINA JIMMY JIB OPERATOR | YOUNGU JI 1ST | JINHO YOU 2ND | SEUNGJUN YOU 3RD | GWANGHYUN YOU VJ | SEONGGANG JEON (J SHOW) EDIT | SOZE STORYBOARD I SOOYEON LEE COLORIST | CHANGBEEN YU (THEPOSTLAB) DI ASSISTANT | SEOWOO KANG, YEREUM YANG VFX HEAD SUPERVISOR | CHANHYUNG CHUN [VFX PART. 1] VFX ARTIST | CHANHYUNG CHUN, YUJUNG JANG, YERIM LEE, JUHA PARK VFX PRODUCER | YUJUNG JANG, YERIM LEE, JUHA PARK FX ARTIST | AQUON 3D MODELING ARTIST | VIIAYEON 3D RIGGING ANIMATION | HEEMIN LEE 3D CLOTH SIMULATION | JIYOON MYEONG 2D KEY & ROTOSCOPING | CHAEYEONG IM, JUNGHWAN KIM, MINHEE LEE, DODAM CG, THE LAST VFX MATCHMOVE | JOONSUN PARK [VFX PART. 2] VFX SUPERVISOR | KUNWOO PARK 2D ARTIST | MINJOO JO [VFX PART. 3] HEIMLICH VFX STUDIO VFX SUPERVISOR | JIHO JEON, YOUNGWOONG KIM UNREAL ENVIRONMENT ARTIST | GUNYOUNG YOON In collaboration with TrendsetterVFX FX ARTIST | GUNWOO KANG DIRECTING ASSISTANCE | HANI SEO [VFX PART. 4] VFX STUDIO l YALLUSION VFX SUPERVISOR | SANGWON PARK 3D ARTIST | HYUNKYUNG LEE, JIEUN CHOI AI VFX | SEUNGYU LEE AI ARTWORK | TAEWON KANG, JEONGHWAN KIM 2D CLEANING | YEONJAE JUNG ANIMAL TALENT AGENCY | PET FOCUS CHILD ACTORㅣJIAN BAEK MAKE UP | EUNBIN HA MAKE UP ASST | MINSEO YI STYLING / DUHYUN JUNG STYLING ASST / MINJUNG KIM