die Keure Printing

Waar papier spreekt, krijgt mode een nieuwe dimensie. Invloeden, texturen en verhalen samengebracht in één tastbare eerste editie. ✨ [ENG & FR] Dit magazine vertaalt de ziel van Enfant Terrible naar print: van rauwe creativiteit en gedurfde editorial shoots tot de stille elegantie die @driesvriesacker zo herkenbaar maakt. Voor het eerst komt hun wereld, normaal digitaal, volledig tot leven op papier. We kozen voor hoogwaardig Fedrigoni-papier, verdeeld over drie unieke papiersoorten. Eén ervan valt op door zijn dualiteit: langs de ene kant diep mat, langs de andere kant opvallend glanzend. Een perfecte spiegel van contrast en karakter. 🪞 De gestreken Arena-pagina’s versterken de helderheid van de beelden, terwijl een groene katern achteraan de vormgeving doorbreekt en een gelaagd slotstuk vormt met tekst en catalogusfragmenten. Met drie verschillende covers wordt dit eerste fysieke nummer een object op zich: een verzameling van stijl, materiaal en vakmanschap. 📖Een project via @diekeureprinting ,gedrukt door INNI group. 📄 Papier door @fedrigoni_benelux

Waar woorden tekortschieten, spreken beelden. Chaos en natuur gevangen in analoge momenten. ✨ [ENG & FR in comments] Dit boek vertaalt die innerlijke reis naar papier: van Italiaanse vergezichten en zoemende hommels tot massieve rotsen en vulkanen die hun eigen verhaal uitspuwen. Het is een visuele weerspiegeling van een periode waarin de tijd leek stil te staan en de wereld even in adem pauzeerde. Gedrukt op Arena Natural Rough, waarbij de ruwe textuur en warme natuurlijke tint het analoge karakter versterken. De Sirio Colour Cacao softcover en het Fedrigoni Arena binnenwerk maken de ervaring volledig tastbaar, een boek dat je niet alleen bekijkt, maar ook voelt. Door de gelaagdheid in beelden ontstaat een intieme dialoog tussen landschap en emotie. 📖 Een project via @diekeureprinting , gedrukt door INNI group. 📄Papier door @fedrigoni_benelux

Er is een plek in het noorden van Europa waar het licht danst tussen goud en blauw. ❄️ De adembenemende fotografie van Hanneke Van Camp vormt het hart van Sápmi, Living Landscapes, aangevuld met de poëtische tekst van Arne Bormans. [ENG & FR in comments] Sápmi, Living Landscapes vertaalt die ervaring naar papier, gedrukt door INNI Group op Munken Lynx Rough. Het ongestreken, extra tactiele oppervlak en de natuurlijke witte tint van het papier geven de beelden hun volle uitstraling en versterken het natuurlijke gevoel van papier. Door het bijzondere ontwerp, met afwisselend langere en kortere pagina’s, beleef je twee werelden in één boek. Afhankelijk van hoe je bladert, ontvouwt zich een warme, gouden reis of een koele, blauwe ontdekking. Een ode aan de kracht van licht, natuur en het Scandinavische friluftsliv, gerealiseerd in zorgvuldig drukwerk en een bewuste materiaalkeuze die het landschap tastbaar maakt. 📖Een project via @diekeureprinting , gedrukt door INNI group. 📄 Papier door @arctic_paper_benelux #drukwerkdurft #livinglandscapes #innigroup

Welkom Piet, Karel, Philippe en Laurens bij INNI group! De vertrouwde gezichten van Die Keure kan je vanaf nu terugvinden in de Industrielaan 5 in Heule 👋🏼✨ Welcome Piet, Karel, Philippe and Laurens to INNI group! The familiar faces of Die Keure can now be found at Industrielaan 5 in Heule 👋🏼✨ Bienvenue à Piet, Karel, Philippe et Laurens chez INNI group ! Les visages familiers de Die Keure vous accueillent désormais à Industrielaan 5 à Heule 👋🏼✨

Curtain call for die Keure Print. Thank you for many years of trust, creativity and books. THE END As many of you have heard, the Print division of die Keure is closing. It has been a remarkable ride — made possible by the trust of so many: designers, museums, galleries, publishers, government institutions, private clients, and friends from across the world. To all of you: thank you. It has been an honour to share in your projects, your creativity, and your belief in the printed book. The last book — fittingly titled The Last Book (published by @jointsloose ) — rolled off press on 29 August, and on Friday 5 September our in-house bindery saw its very last titles pass through the shrink wrap tunnel. Many have already been in touch — whether to retrieve archive files or simply to share a few words. That remains possible this week, and to a more limited extent next week as well. From 15 September most of us will have closed the door behind us, with just a few colleagues staying on until the final day, 19 September. The publishing houses of die Keure will carry on, but the presses fall silent. And yet, not all threads are cut: some of us will linger in the world of ink and paper, for the love of print is too fierce to abandon. It was a beautiful ride. 🙏❤️ — die Keure Print

PETER HEDEGAARD 1929-2008 / Monograph published by The Rocket Press in 2019 / Biographical essay by Chantal Condron : foreword by Nigel Prince : photography by Paul Tucker : design by Jonathan Stephenson : printing by die Keure Printing, Bruges / @chantalcondron @paultuckerstudio @diekeureprinting / @rocketgallery #TheRocketPress #JonathanStephenson #ChantalCondron #NigelPrince #PaulTucker : cover photo 1971 @ikongallery #PeterHedegaard #1960s #colourfield #minimalism / Copies available from @rocketgallery

Today is one of those milestones that marks a turning point: we present for the first time in Logroño the Concéntrico book, published with Park Books and now available for purchase. It is the result of more than two years of work edited by Nick Axel and Javier Peña Ibáñez, brought to life through the brilliant design of Estudio Casao–Terrazas. A collective journey that gathers a decade of ideas, projects, and shared dreams about public space. Every page has been made possible thanks to the dedication of so many people and teams: Published by: Park Books Edited: Nick Axel and Javier Peña Ibáñez Art direction and design: Estudio Casao–Terrazas Image processing: Dexter Pre-Media Printed by: die Keure, Belgium Translation and proofreading: Polisemia Thank you to everyone who has walked this path with us. Today we celebrate this book as an open space connecting us with everything still waiting to be imagined. This book has been supported by the Ministry of Culture of the Government of Spain and made possible with the collaboration of Garnica and LIF. ESP Hoy es uno de esos días que marcan un antes y un después: presentamos por primera vez en Logroño el libro de Concéntrico, publicado con Park Books y ya disponible a la venta. Es el resultado de más de dos años de trabajo editado por Nick Axel y Javier Peña Ibáñez, y cobra forma gracias al magnífico diseño de Estudio Casao–Terrazas. Un recorrido coral que recoge una década de ideas, proyectos e ilusiones compartidas en torno al espacio público. Cada página ha sido posible gracias a la complicidad de tantas personas y equipos: Publicado por: Park Books Editado por: Nick Axel y Javier Peña Ibáñez Dirección artística y diseño: Estudio Casao–Terrazas Procesamiento de imagen: Dexter Pre-Media Impresión: die Keure, Bélgica Traducción y revisión: Polisemia Gracias a todas y todos los que habéis caminado con nosotros hasta aquí. Hoy celebramos este libro como un espacio abierto que nos conecta con todo lo que aún está por imaginar. Este libro ha contado con el apoyo del Ministerio de Cultura del Gobierno de España y la colaboración de Garnica y LIF. #booksbooker

Hot off the Press! Presenting the first images of @james_a_rosen ’s ‘Aphasia’. Pre-order your copy here or on our site. Photos by @heeren_van_galant 144 Pages, 21.6 x 29.2 mm ISBN 978-1-988689-15-9 Cloth over Board, Foil Stamping English & French Design & Curation by Ian Sternthal Printed @diekeureprinting

We’re proud to have printed the stunning publication for Sharjah Biennial 15: Thinking Historically in the Present – a project by @sharjahart , designed with utmost care and vision. This edition is a true celebration of craft and concept. In line with the refined aesthetic of the design, we tinted the book block edges in a custom grey — perfectly matching the Satogami Charcoal cover and endpapers, a beautiful choice from @takeopaper . Inside, the book invites readers into a tactile and layered reading experience. Through an intuitive interplay of materials, the designer alternates between rough, bulky uncoated Munken Print White paper (@arctic_paper ) and elegant transparent Golden Star K sheets (@fedrigoni.paper ). This thoughtful structure allows thumbnail-sized images to appear almost like whispers on the uncoated paper, while the captions float above them on translucent pages — a poetic balance of opacity and clarity. It was a pleasure collaborating on this remarkable object with the team and the ever-dedicated Moez from @bao_books . A project where material, design, and message resonate in perfect harmony. ✨👏✨

If you’re in New York City on Tuesday, April 22, come to Pace to celebrate the launch of the “Tony Smith Architecture Catalogue Raisonné” and accompanying publication “Against Reason: Tony Smith, Architecture, and Other Modernisms,” which will be released by MIT Press on April 29. These serve as the final publications in a four-volume catalogue raisonné project that I’ve edited for MIT Press and the Tony Smith Foundation. Tuesday, April 22, 6–8 p.m., with remarks at 6:30 p.m. Pace Gallery 540 West 25th Street New York, New York Please RSVP: [email protected] or DM me along with your address.I’ll pass it on. *RSVP required* The architecture catalogue has important contributions on Smith’s architecture by authors John Keenen, Christopher Ketcham, and Cynthia Davidson offering surprising insight for many readers into the breadth of Smith’s work and interests in architecture and design. While the catalogue presents the full extent of identified production in architecture by Smith, “Against Reason” for architecture has newly commissioned essays and visual arts projects by Mario Gooden, Christopher Ketcham, Marta Kuzma, Peter L’Official, R.H. Quaytman, and Jas Rault. Their contributions from a wide range of disciplines and perspectives—from American studies, architecture, and art history to theory, design, and visual art—place Smith’s architectural design work in dialogue with contemporary culture. We released the sculpture volumes in fall 2024. I edited a comparable “Against Reason” for Smith’s sculpture. That book explores the ongoing vitality of the artist Smith with commissioned essays and projects by Judith Barry, Tom Burr, Saim Demircan, Mario Gooden, Jenni Sorkin, and Yann Chateigné Tytelman who examine Smith both in the art historical canon and through his continued influence. It’s been a long yet rewarding journey working with many brilliant minds and thoughtful contributors to the books. We will celebrate the publications of all four books—recognizing the authors and contributors with whom I’ve had the honor to work—plus the amazing team at MIT Press and designers James Goggin and Shan James of Practice who made it possible. Onward.

Exciting! — advance copies of the two architecture publications of the Tony Smith Catalogue Raisonné Project to be released by MIT Press on April 29. The “Tony Smith Architecture Catalogue Raisonné,” which I edited with Sarah Auld, director of the Tony Smith Estate, along with writers and historians John Keenen, Christopher Ketcham, and Cynthia Davidson, is the second (after sculpture) in a series of catalogues to fully document the extraordinary breadth of architectural and artistic production by American artist Tony Smith (1912–1980). The “Tony Smith Architecture Catalogue Raisonné” presents the full extent of identified production in architecture by Smith. Lavishly illustrated and beautifully produced, designed by the great folks at Practise and printed by the good people at Die Keure, the catalogue raisonné spans Smith’s influential intellectual and creative pursuits in the field. It is the first volume to offer a complete record of Smith’s architectural output and is the most comprehensive documentation to date of Smith’s built and unbuilt works. Combined with a companion book titled “Against Reason: Tony Smith, Architecture, and Other Modernisms,” which I edited, these two books devoted to architecture are part of the Tony Smith Catalogue Raisonné Project “Against Reason” gathers newly commissioned essays together with visual arts projects by practitioners and critics, including Mario Gooden, Christopher Ketcham, Marta Kuzma, Peter L’Official, R.H. Quaytman, and Jas Rault. Their contributions from a wide range of disciplines—from American studies, architecture, and art history to theory, design, and visual art—place Smith’s architectural design work in dialogue with contemporary culture, expanding perspectives on the artist’s canonical work and offering fresh twenty-first-century insights. I am grateful to have had the opportunity to work with these amazing individuals—so many people involved—and MIT Press. Book available for pre-order. Stay tuned for news about an upcoming book launch in New York in April! @mitpress @practisetheory @tonysmithfoundation @keenenriley @diekeureprinting @passaiko @quaytman_quaytman @apostropheoh @vdupreeh

Publishing includes the fine art of printing. For ‘Fuse: 30yrs of making noise’ we collaborate with @diekeureprinting in Bruges, specialising in high-end art books, commercial quality printing and magazines on art, photography, architecture, fashion, music and lifestyle. The book releases December 6. Pre-order now on Afterclub.be Video by @jente.waerzeggers