Lotte Møller

Conectamos pessoas em todo o mundo. Nesta nossa missão, recebemos Lotte Møller, de Berlim para o Rio de Janeiro ✈️, para uma residência artística. 🎨 Lotte busca reencontrar a cena de arte contemporânea da cidade, expandindo seu conhecimento e visando a uma linha curatorial ainda mais diversa. 🔗 Seu objetivo? Estreitar laços e promover um intercâmbio cultural frutífero entre Rio e Berlim, apresentando projetos baseados no Rio em Berlim e vice-versa, sempre pensando em maneiras social e ambientalmente sustentáveis de fazer isso acontecer. Historiadora de arte e curadora independente, Lotte se destaca por seu inovador espaço expositivo não comercial, que, com apenas 5m², se dedica a instalações site-specific e edições limitadas de pôsteres: 'die raum' (@die_raum ) 📷 Foto de Igor Brautović #ArteContemporanea #IntercambioCultural #Curadoria #Berlim #Rio #ArteSustentavel #Cultura #dieRaum

Please join us for the opening of ‘Small Green Knife’ by Cecilie Skov on Thursday from 6 pm! On view daily from 12 pm – 2 am Duration: May 1 – June 28 Opening April 30, 18 h The show is accompanied by a text by Hannah Regel - below a small excerpt. For the text in full please visit ‘Eighteen Maxims of Neatness and Order’ 1. It’s one of those nights in late spring where being coatless in the dark feels emancipatory, and my friend Jacob and I are standing in an alleyway that serves as the smoking area of a pub. ‘You’d make a terrible mother,’ he tells me. ‘Excuse me?’ ‘Because you never know where your bag is.’ ‘What do you mean?’ ‘Well—Where is it now?’ 2. The first time I take my laptop to a cafe to write after giving birth I feel lightheaded. It’s warm where I’m sitting by the window so I take my jumper off. Then, feeling exposed, put it back on. I take it off and on a second time, fussing now, feeling watched by everyone. I think: I am like a tortoise without its shell. 3. My friend Cecilie, a sculptor, asks me to write a text for her solo exhibition and sends me her research on envelopes and pockets, folds and cracks. Among them is a pamphlet from the V&A museum, dedicated to women’s pockets. It cites a text from 1819 titled Eighteen Maxims of Neatness and Order, by the perfectly named Theresa Tidy. (…) The exhibition is made possible with the support of @statenskunstfond #grossererlffoghtsfond #hielmstiernerosencroneskestiftelse

YOU MISSED IT - - - opens tonight at @die_raum in Berlin.

You Missed It —— a new solo project by Mads Lynnerup at @die_raum in Berlin. It opens this Saturday Feb 7. -18-20:00. If you are around please stop by. Thank you to the Danish Arts Foundation for their generous support! #dieraum #danishartfoundation #performance #berlin

Still some time left to enjoy Julie Stavad’s installation To Swallow Prey Larger Than My Head! September  12  2025 — January  18 2026 On view daily 12 — 2 h (noon to after midnight) ‘eagerly you lift your hands from the kitchen table as if smearing cream into the air your toes pull the rest of your body towards the ceiling a tiny silver coin sits between your buttocks’ @juliestavad #juliestavad Made possible with the generous support of @statenskunstfond @nycarlsbergfondet #beckettfonden #denhielmstiernerosencroneskestiftelse Photos: @jan_windszus_photography Poster: #plaintype @latenztiger Special thanks to our model @leabaur

Nesta 4ª feira 12/11 o SomaRumor: Encontro Latino Americano de Arte Sonora recebe em Niterói o duo de arte sonora dinamarquês Vinyl-terror &-horror @vinylterrorandhorror para uma maratona de atividades onde aprensentará seu trabalho em diferentes formatos palestra no IACS Campus Gragoatá e instalação/performance no Centro de Artes UFF em Icaraí. Confira a programação: - 14h - ARTIST TALK "Sculptural Modifications of Vinyl in Sound Art" Local: IACS UFF - Campus Gragoatá * Palestra será em inglês - 19h - SHOW "Shhh" Local: Centro de Artes UFF em Icaraí * Instalação e performance com set de vinis preparados + abertura do grupo SOMA @_soma_lab VINYL-TERROR&-HORROR trabalha na intersecção entre arte sonora e artes visuais. Conhecido pelos seus cativantes concertos com toca-discos e pelas suas instalações sonoras imersivas, humorísticas e pós-apocalípticas o duo explora os discos de vinis a partir de uma perspetiva escultural, usando o tocador e os discos de vinis como agentes composicionais que levam a resultados inesperados. Partindo da materialidade dos discos, o duo faz colagens dos vinis que são fisicamente recortados, quebrados e colados bem como reconstrõem os turntables com múltiplas agulhas. O duo explora sonoramente uma vasta gama de gêneros musicais de culturas diversas, criando uma combinação não hierárquica que mistura música clássica com hip hop, ópera com brega, folk com musica instrumental, além de efeitos sonoros de filmes de terror, sonoridades de pássaros com flauta pã, etc. Neste vasto universo o duo tece narrativas e paisagens que recriam uma cinemática sônica fantástica. REALIZAÇÃO: @iacs_uff @ppgca_uff @centrodeartesuff @somarumor @_soma_lab PATROCÍNIO/SPONSOR: @statenskunstfond @goetheinstitut_rio @artmusicdenmark @goetheinstitut

12 NOV 19h Centro de Artes UFF R. Miguel de Frias, 9 - Icaraí, Niterói O IV SomaRumor recebe o duo Vinyl-terror & -horror, formado pelas artistas Camilla Sørensen e Greta Christensen, dinamarquesas residentes em Berlim. O duo apresenta dois trabalhos. A instalação "Shhh" e a celebrada performance com discos de vinis preparados com abertura do Grupo SOMA. A instalação sonora "shhh" usa um veículo, compressor de ar e uma tela. A peça aciona o compressor de ar ao aparecer o gesto de "shhh" no vídeo. O ar é liberado do pneu do veículo com a trilha sonora do clipe, sendo o pneu em seguida reinflado pelo compressor, repetindo o processo. A obra brinca com a técnica de "Foley" — a reprodução artificial de sons para filmes, ironicamente considerada realista — ao subverter as expectativas do público em relação a objetos familiares e seus sons, enfatizando como o significado é construído pelo deslocamento visual, auditivo e pelo timing da ação. Vinyl-terror & -horror trabalha na intersecção entre arte sonora e artes visuais, conhecido pelos seus cativantes concertos com toca-discos e pelas suas instalações sonoras imersivas, humorísticas e pós-apocalípticas. Na performance sonora a dupla explora os discos de vinis a partir de uma perspetiva escultural, usando o tocador e os vinis como agentes composicionais que levam a resultados inesperados. Partindo da materialidade dos discos, o duo faz colagens dos vinis que são fisicamente recortados, quebrados e colados bem como reconstrõem os turntables com múltiplas agulhas. O duo explora uma vasta gama de gêneros musicais de culturas diversas, criando uma combinação não hierárquica que mistura música clássica com hip hop, ópera com brega, folk com musica instrumental, além de efeitos sonoros de filmes de terror, etc. Neste vasto universo o duo tece narrativas e paisagens que recriam uma cinemática sônica fantástica. Abertura Grupo SOMA, formado pelos músicos/artistas Pedro Rubak, Izabella Lessa, Anne Santos, Igor Dionísio e Hugo Pimentel. Realização: @centrodeartesuff @somarumor Patrocínio/Sponsor: @statenskunstfond @goetheinstitut_rio @artmusicdenmark @goetheinstitut Apoio: @ppgca @iacs_uff @_soma_lab

A little overview for those who missed Anton Steenbock’s ‘Fortuna Super Fruits’ on view from 15.06.– 03.09.2025 Installation views: 🔸 Skoll (Skalli) – beer can, aluminium 🔸 Sol – light box, Arduino, UV print 🔸 Loki – video loop 🔸 Baldr – aluminium slot machine, aluminium plant 🔸 The Three Norns – Urd, Verdandi, and Skuld – wall clocks, digital prints 🔸 Jörmungandr – plush snake, electric cables ‘In Fortuna Super Fruits, mythological imagination collides with the aesthetics of contemporary consumer culture. The exhibition interweaves references to Norse cosmology with the visual language of slot machines, inviting reflection on cycles of fate, control, and circularity.’ @noushin_afzali With the kind support from Berlin Senate / Culture Office Pankow @ba_pankow & @grieffelde Photos: @jan_windszus_photography @anton_steenbock #antonsteenbock #fortunasuperfruits #superluck #norsemythology #dieraum #casino #automatencasino #slotmachine

✨ Superluck Dinner ✨ Closing of the exhibition Fortuna Superfruits @ die Raum, 03.09 As the final event of the exhibition, on September 3rd we hosted a dinner entirely dedicated to the theme of luck: a sequence of dishes composed of ingredients and recipes that, in different cultures, are associated with fortune, or that are known to elevate serotonin and dopamine levels. The menu was served in several courses – on specially designed tableware and tablecloths. Everyday objects such as stainless-steel ashtrays and hand-painted cigarette spoons were repurposed into plates and cutlery, creating an aesthetic that echoed the atmosphere of slot machine arcades and gambling halls – a key motif also explored in the exhibition. The dinner was complemented by Bar Do Amanha by Oliva Bulas, offering personalized drinks crafted to attune to each guest’s emotions and states of happiness, gently shifted through carefully chosen ingredients. #Food #installationart #tableware #fooddesign #luck #casino

Come and join us Thursday for the opening of ‘To Swallow Prey Larger Than My Head’ by Julie Stavad! Opening on Thursday, September 11, from 18 h September 12 — November 21, 2025 On view daily 12 — 2 h Made possible with the kind support of @statenskunstfond @nycarlsbergfondet #beckettfonden #denhielmstiernerosencroneskestiftelse @juliestavad #juliestavad Poster design: #plaintype @latenztiger

We are delighted to invite you to the Super Luck Dinner! The closing event of Anton Steenbock’s exhibition Fortuna Super Fruits on Wednesday September 3 from 18 - 22 h! The evening will feature a special dinner dedicated entirely to the theme of luck: a composition of dishes and ingredients that are traditionally associated with good fortune in various cultures, as well as foods known to boost serotonin and dopamine levels. In addition, Oliver Bulas will host the Bar Do Amanha, preparing personalized drinks designed to enhance or shift moods and feelings of happiness according to each guest’s wishes. The dinner will be offered free of charge, but seats are very limited: only 20 places are available, and several have already been reserved. If you would like to join, please respond quickly and with a firm confirmation to secure one of the last spots. Even if you cannot join the dinner, we would still be very happy to see you at the exhibition event – and perhaps there might be an opportunity to share a plate or a drink. We are looking forward to boost some dopamine with you! Made possible with the kind support of @ba_pankow and @grieffelde @anton_steenbock #antonsteenbock @oliverbulas #bardoamanha

For those who missed Sally Osborn’s beautiful presentation as part of the show A Whole is a Part is a Whole in Kunstpunkt Berlin: A group of sculptural objects and photographs were concieved for the space in which clay objects were pressed together and pressed upon, thus incorporating the element of jeopardy directly into the material process. The chance result of those actions were made apparent in the exhibition. All images @joeclark.photo 1. 2. 3. 3a Contingent Negative Variation Ceramic glaze wood 4. 5. Readiness Potential Unglazed ceramic wood 6. View 7. Contingent on a subset Colour photograph, book board walnut 8. O - Wave E – Wave Ceramic, granite, black hardware 9. 10. 11. 12. Slow Surface Potential I & II III & IIII 13. View 14. Contingent on a subset II Colour photograph walnut Thanks to AG Kunstpunkt @giselawrede and @atrans for the invitation! A Whole is a Part is a Whole was a joint exhibition in Kunstpunkt Berlin by A TRANS, ZF Projektraum and die raum presenting Ellinor Euler, Antonia Stoyke and Sally Osborn With the kind support of Kunstpunkt Berlin and the Netzwerk Freier Projekträume und -initiativen Berlin #kunstpunktberlin #netzwerkfreierberlinerprojektraeume #freieszeneberlin #sallyosborn #dieraum @sally__osborn