We offer discounted rates for activist groups, community organisations and smaller unions. In the link in bio is a brief breakdown of our rates, based on an average number of days – however this would be evaluated for each project after an initial, informal chat (free of charge!)
The rates are broken down into tiers based on the size and staffing of the organisation and whether there is access to long-term funding or not. We are trialling this formula at the moment, so feel free to contact us with any questions or feedback.
We balance our freelance design work with other part-time and volunteering work, so we might not always be able to take on new projects, especially those with a tight turnaround time. But we will aim to provide suggestions/alternatives if we are not able to design something for you.
To get in touch please email [email protected]
Some details to include in your email are: – details about your organisation – type of project (see list of services) – deadline – budget ( e.g. for design, for printing, for site maintenance)
If you are considering changing your website platform from Wix in solidarity with Palestine you can email us to organise a free online consultation.
We can provide specific info and resources to help make the change.
You can find out more about the boycott of Wix here:
bdsmovement.net/Guide-to-BDS-Boycott
boycottwix.org/
We’ve recently worked with a few clients to get them off the Wix platform and are keen to share what we’ve learnt. As there are so many options for changing platform and there are already a number of simple guides around we felt it would be beneficial to provide some more specific assistance to those wanting to move platform. We are offering up to an hour consult on this for free or to just be in touch via email — keen to open up the conversation on ethical technology use with others.
Brand new ID and website for @alchemyfilmandarts inspired by gridded paper and stationery ✏️🗒️ Just in time for the 16th edition of the Alchemy Film and Moving Image Festival. 30 April – 3 May, Hawick, Scottish Borders (tickets now on sale!)
Last summer we worked with @monitorbooks on Coal by Remi Graves @shadebutter . We also supported with binding and finishing. The poems are typeset in NaN Serf from @nan_xyz .
In the words of Monitor Books:
BLACKFRIARS BRIDGE, 1905. A Black Cherokee man is arrested and charged as a ‘wandering lunatic’. In the City of London asylum, he is photographed; looking directly at the camera, he insists and refuses. He dies in the asylum one year later.
In the absence of Paul Downing’s own account, Remi Graves writes from and into the trans archive, presenting a sequence of poems and experiments mapping resonances between selves across historical records. Through river crossings and library passes, chance meetings and visitations, coal is a document that interrogates what we do with the scattered fragments of a life.
Published 15 July 2025. Photos by Liam Chilton.
Towards the end of last year we worked with @monitorbooks on Tremble by Fatema Abdoolcarim @fatemaabdoolcarim . We designed and typeset the pamphlet and also supported on the letterpress printing of the covers and binding. The poems are typeset in Lyon Text from @commercialtype .
In the words of Monitor Books:
Tremble, Fatema Abdoolcarim’s debut collection of poems, is an intimate and involving sequence on fertility and faith. A memoir in verse, these poems relate encounters with the animal other, the uncertain, but always echoing the tender rituals of family, food, prayer. Abdoolcarim thinks through what it means to care – and to mother – at a time where atrocity makes those systems of loving seem out of reach. Tremble traces the sensual and unknown spaces of desire, creating a hopeful lyric in spaces of private and global loss.
Published 30 October 2025. Photos by Liam Chilton.
We’ve been working with @monitorbooks on the odd poetry pamphlet for a while now, beginning with stewarding by Sean Roy Parker @fermentalhealth . For this pamphlet we worked with the artist closely, incorporating hand rendered elements in the typesetting and plant dyed covers. We also supported with binding and finishing. The poems are typeset in Timezone from @elias_hanzer .
In the words of Monitor Books:
stewarding maps the joyful and embodied ways we can resist the structures that control our food, housing, and socialisation. We begin in an abandoned school, previously the union headquarters for a coal board, which became a legal guardianship, now condemned. We witness acts of communing between human inhabitants, composting worms, microbes in fermentation, and learn working class histories along the way. Here, complex networks emerge and thrive, disrupting the monolithic power of corporate extraction. Sean Roy Parker’s debut collection of poetry is a generous account of hopeful ways to eat and ways to live.
Published 22 November 2024. Photos by Liam Chilton.
Programme for EAF (Edinburgh Art Festival) 2025, the UK’s largest annual festival of visual art. In our third year designing the festival’s identity, we used mossy and rocky textures as backgrounds and a fuzzy or spiky version of @205tf Exposure as the 2025’s typeface.
Late last year we worked with @gasworkslondon on a couple of printed booklets to promote their work during Frieze week and beyond. The Editions fold out booklet wraps around the Support Us pamphlet. Both pieces feature the work of several Gasworks commissioned and resident artists.
Cover images: Pio Abad Inventory (Some Are Smarter than Others) 2014 (Editions) and Riar Rizaldi Mirage, 2024 (Support Us).
Earlier this year, Gasworks asked us to redesign the signage throughout their building, which houses a gallery space, shop, participation space, offices, kitchen, 3 toilets and 13 artist studios.
The brief required us to improve the accessibility of the space, developing signage to produce a more easily navigable building. We also updated their ID with a more contemporary typeface and a colour palette which subtly compliments the surrounds but remains clear and legible to visitors new and old.
@gasworkslondon
Photos by @steff_jamieson
