JAPANESE CINEMA DOUBLE FEATURE:
SATURDAY 2ND MAY 6PM
SHOZIN FUKUI â RUBBERâS LOVER [1996].
A nasty industrial cyberpunk flick, shot on 16mm film, in the vein of âTetsuo the Iron Manâ. An independent, self funded, experimental art-house film in the spirit of the âJishu Eigaâ movement.
Film screening and conversation with Hirofumi Uchino also known as Defektro, a freeform industrial noise artist whose background involved working on âRubberâs Loverâ and was a part of the underground Tokyo art scene of the late â80s and â90s.
SATURDAY 2ND MAY 8PM
TAKASHI NOMURA â A COLT IS MY PASSPORT [1967].
Classic hard boiled yakuza crime noir with a spaghetti western anti-hero swagger, starring the man with cheeks that stick out like bullets (Joe Shishido) later reprising a similar role again that same year âMassacre Gunâ and âBranded to Killâ, all for Nikkatsu Corporation.
Film screening with introduction by independent filmmaker Brendan Dennerley, whose background includes a PhD in Japanese cinema of the 1960s and what he refers to as the âdegradation of the Japanese filmsâ â the rise of sensationalist exploitation films and franchises.
#JAPANESECINEMA
#BLACKANDWHITE
#INDUSTRIALNOISE
#CYBERPUNK
#NOIRE
HEAR YE, HEAR YE!
On the 19th sundown of April, we invite you to attend our ritual of transmutation. We will begin the evening with ambient, before descending into a chthonic realm of improvisations never before fathomed by mortal ears.
Featuring sounds by:
@vagueposting.music@defektro@manticora.doll + @defcux@alexioooooz and @s.k.u_zine (as Regn)
@vivisection93
Accompanied by a live performance courtesy of @juni.pptx
Flyer designed by @eye_dent_
Generously hosted at Stadium Rockdale. Highly limited access, RSVP link live now (you know where).
The new album "Perpetual Motion Machines" is now available on Bandcamp! 100 tracks focused on mechanical sounds, recorded over a four-year period. Total mechane noise madness!
/album/perpetual-motion-machines-1-5
#industrialnoise
#machinesound
#experimentalmusic
It was a super event with all the great acts! Enjoyed playing with @evil.riki and @aidaneccleshall . Thank you @backstagemusicau and the team for making this event happen!!!
Artist Highlight | Retrofuture Experimental Music Laboratory
Led by Hirofumi Uchino (@defektro ), alongside @evil.riki and @aidaneccleshall , this project imagines a future as it might have been envisioned decades ago. A hypothetical research presentation in sound.
Using early electronic instruments including theremin, vacuum tube oscillators, and synthesizers from the early 1970s, the trio combine analogue electronics with resonant metal sheets as both sound source and reverberation system.
Hirofumi Uchino is an Australian-based Japanese artist with a 30-year practice spanning noise performance, sound objects, and installations. His work is defined by raw machine energy, junk metal textures, and a relentless curiosity for sonic materiality.
Children of the Resistors
@theoxfordartfactory | FEB 01
6PM - 10PM`
@defektro@evil.rik
@
Image Descriptions
Image 1 - Black and white photograph of a solo musician standing at a table of electronics, striking or manipulating an instrument amid cables and stark stage lighting.
Credit: Eric Dodson
Image 2 - A performer in a gallery space adjusts a suspended metal rod amid hanging panels and colored light projections, surrounded by electronic equipment.
Credit: Jared Underwood
#ExperimentalMusic #NoiseArt #ElectronicMusic
![JAPANESE CINEMA DOUBLE FEATURE:SATURDAY 2ND MAY 6PMSHOZIN FUKUI â RUBBERâS LOVER [1996].A nasty industrial cyberpunk flick, shot on 16mm film, in the vein of âTetsuo the Iron Manâ. An independent, self funded, experimental art-house film in the spirit of the âJishu Eigaâ movement.Film screening and conversation with Hirofumi Uchino also known as Defektro, a freeform industrial noise artist whose background involved working on âRubberâs Loverâ and was a part of the underground Tokyo art scene of the late â80s and â90s.SATURDAY 2ND MAY 8PMTAKASHI NOMURA â A COLT IS MY PASSPORT [1967].Classic hard boiled yakuza crime noir with a spaghetti western anti-hero swagger, starring the man with cheeks that stick out like bullets (Joe Shishido) later reprising a similar role again that same year âMassacre Gunâ and âBranded to Killâ, all for Nikkatsu Corporation.Film screening with introduction by independent filmmaker Brendan Dennerley, whose background includes a PhD in Japanese cinema of the 1960s and what he refers to as the âdegradation of the Japanese filmsâ â the rise of sensationalist exploitation films and franchises.#JAPANESECINEMA#BLACKANDWHITE#INDUSTRIALNOISE#CYBERPUNK#NOIRE](https://sp1.picnob.com/p/pt_6747441067545563692765_0_cb5c6639466f8961ff33774a6ace9659.jpg?o=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&h=2cd0ff5416ece88a9b749f4f5b4c93d1)
