Introducing the last group of artists who will be screening at UNBUILD on 15th of May.
@p.a.t.l.y.m.a.n
Pat Lyman, Monson Motor Lodge, June, 1964, 2025, 4’
A forensic analysis of 7 seconds of footage. Deconstructing the image in parallel to the methods used to hide the history it presents.
@eugenia_grammen
Eugenia Grammenou, en-to-ma, 2026, 08’13’’
In the video performance en-to-ma, a hybrid creature reads Judith Butler while digital insects interrupt the narration. Vocal disruptions and glitches fragment the narrative and image, reflecting instability, distortion, and contested social realities.We live in an era striving to achieve freedom and respect for all beings. Yet, interruptions by centers of power within the historical continuum often produce setbacks, where conservative and illiberal worldviews reappear.
@gostynski
Julia Gostynski, Catalogue of Swallowed Images, 2025, 9’10’’
The bored spectator leaves the cinema. Her memory hard-drive is full. While walking through the city she asks herself “where do images go when I swallow them?”.
@japerspn
James Parker, Don Agustin Bardi, 2026, 3’59’’
A video that emphasizes dissociation between bodies in tango, allowing viewers to focus on the nuances of the movement.
📽️ Please join us on Friday 15th of May, 7:00-9:30PM, at the Cinema within Goldsmiths University, SE14 6NW.
🎟️ RSVP tickets - link in Bio
#deepfocus #movingimage #artistfilmandvideo #freeeventlondon
