Deepchild “Baller (Hardspace edit) getting some love from homie Richie Hawtin here…
Now available on green vinyl and digital formats on the mighty Hardspace imprint x
Link in bio.
Hardspace - H009 (12‘‘ transparent green vinyl) (w/ full cover print)
Out 06.03.2036
1 - DJ Assault - U Can't See Me (Hardspace Mix)
2 - Myles Serge - Trans Milenio (Hardspace Mix)
3 - Jad & The - Deep Dark Grimey Dancefloor Moment (Hardspace Mix)
4 - Deepchild - Baller (Hardspace Mix)
LINK IN BIO!
I'm here just trying to teach critical AI theory as end-days colonialist warlords gorge themselves on whatever resources they can find using the most cursed, extractive horrors known to man.
Meanwhile my feed is filled with self-actualised millennials selling supplements and self-regulating using fitness apps.
And so it goes.
I want poetry back, from rivers to seas.
Deepchild "After The Flood"
New work coming soon.
Explorations of slop and hauntologial reflections on the end of an age.
*All models used are “redundant” early data sets, run locally offline and are not cloud / data-centre dependent.
#teachingAI #latecapitalism #SDTurbo.
Deepchild "After The Flood"
New work coming soon.
Explorations of slop and hauntologial reflections on the end of an age.
*All models used are “redundant” early data sets, run locally offline and are not cloud / data-centre dependent.
#teachingAI #latecapitalism #SDTurbo.
Deepchild "After The Flood"
New work coming soon.
Explorations of slop and hauntologial reflections on the end of an age.
*All models used are “redundant” early data sets, run locally offline and are not cloud / data-centre dependent.
#teachingAI #latecapitalism #SDTurbo.
Deepchild "After The Flood"
New work coming soon.
Explorations of slop and hauntologial reflections on the end of an age.
*All models used are “redundant” early data sets, run locally offline and are not cloud / data-centre dependent.
#teachingAI #latecapitalism #SDTurbo.
Deepchild "After The Flood"
New work coming soon.
Explorations of slop and hauntologial reflections on the end of an age.
*All models used are “redundant” early data sets, run locally offline and are not cloud / data-centre dependent.
#teachingAI #latecapitalism #SDTurbo.
There’s an artist we really want you all to discover:
@momen.jarad
An upcoming musician from Gaza, Palestine.
We’ve been hooked on his music, so we decided to create a mix of his new songs because we truly believe his sound deserves to be heard by more people.
Despite everything happening around him, he’s still creating and sharing his art — and that alone deserves real support.
Go follow him, stream his tracks, and help amplify his music.
And to all producers, DJs, and artists out there: jump on his music.
Remix it, collaborate, experiment with it.
In solidarity
@olivesofgaza
(Thank you @scheherazadephotography for translating the words into English)
Names Not Designed to Fit My Mouth.
---
The room is filled with names not designed to fit my mouth.
Shizhou, Xiang, Yuxuan, Rui.
They cluster anxiously, tethered and whispering into apps which filter and sift my bastard tongue. Hieroglyphs of trees and scars, temples and rivers appear on screen and I wish I understood what these machines seem to understand about what it is I am talking about.
These children behind screens, though….
Halfway-adults. Jewels.
Jade, Amethyst, Sapphire.
Marx flashes on screen and Europe floods Beijing. Nvidia pulses and sings in speculation and somewhere Žižek splutters and swears and yet there really, really, really are no remaining means of production in this class. No proletariat, no reformation, no god-damned Joseph Smith, no ghosts of Thatcher or a smugly demented Reagan. No John Maynard Keynes, no General Motors, no undrinkable waters of Babylon, Lake Michigan, plastic strewn Joshua Tree.
Regina Tang renders and posts a “sad girl” on a bridge. You see, your English is better than you think! Look what you made! The figure stands defiant and small, data probably scraped from Chinese Reddit.
I render images of with 3 eyes, deformed noses. Bars of soap. Loaves of bread. Industrial level mutations. Teratomas. Chernobyl. I want the model to break and want to believe that it still can.
I believe that behind the code there is still poetry and perhaps even a kind of love amidst the horror and loss of it all.
Hardspace - H009 (12‘‘ transparent green vinyl) (w/ full cover print)
Out 06.03.2036 on Hardspace
For the ninth installment of his Hardspace series, Len Faki once again dives into his personal vault to present four reworks that bridge the gap between raw funk and modern, high-impact club dynamics. True to the project’s ethos, Faki has selected tracks that have been reshaped through his specific sonic signature to maximize their energy on today’s dancefloors.
A1. DJ Assault - U Can’t See Me (Hardspace Mix) The release opens with a relentless edit of Detroit legend DJ Assault. Faki takes the raw Ghetto-tech energy of the original and embeds it into a massive, modern framework. While the iconic vocal hook retains its street-level grit, the Hardspace update provides a significantly tighter groove and a powerful low-end presence, propelling the track from the warehouse straight into the present.
More info on our website link in bio.
