Firstly I’d like to thank everyone who has checked out the tools and reached out to thank me. It’s been inspiring to see and hear that it’s not just me who’s felt subscription fatigue.
I’ve been delving deeper into the unfair practices of how some apps are built. The dark patterns employed to trick us into spending more and staying engaged, especially with regard to children. Guilt prompts when you try to cancel. Streaks designed to punish a missed day. Bright reward loops that teach kids the app matters more than the thing it’s supposed to help with. These aren’t bugs. They’re business models.
I built these tools with families like my own in mind. A potty training app shouldn’t need your email. A baby tracker shouldn’t sell your child’s sleep data. A first aid guide shouldn’t sit behind a paywall when someone’s panicking.
I’ve added four new tools and version numbers for updated tools, live now on the landing page.
I’ve been building free tools that don’t need your data, your money, or an App Store.
37 tools. No accounts. No tracking. No subscriptions. No ads. Works offline. Installs to your Home Screen.
It started when my daughter asked me to tune her ukulele and the top app wanted £5.99 a week. So I built my own. Then I kept going.
Tuners, timers, breathing exercises, invoicing, document scanning, budgeting, ambient sound, blood pressure logging, and more. All free, all private, all yours.
If you’re tired of paying for things that should be free, giving up your data for something that runs on your own phone, or downloading an app that works fine until it asks you to subscribe, this is what I’ve been building instead.
kintools.net
Comment “Kin” for a link.
This one is 'Come Again Clash Dub' by dBridge and it was released on Rupture LDN. For the full podcast check link in bio.
#drumandbass #dnb #podcast #electronicmusic
5 absolute classics from Exit Records extensive back catalogue 💿
Catch Exit boss @dbridge alongside @fixate_music@itoamusic@spmc and more at @exitrecordsuk this Saturday at Volks
1. Fixate - What Goes Around
2. dBridge & Calibre - Ponderosa
3. Itoa - Oh No ft. なかむらみなみ
4. Workforce – Your Moves
5. Dub Phizix, Skeptical & Strategy - Marka
Saturday 16th May — London 📍
We’ve got something very special lined up.
We’ve teamed up with Polygon for an intimate immersive listening experience inside an incredible 360° Spatial Audio venue in the heart of Soho.
Expect deep listening, full immersion, and a one-of-a-kind atmosphere.
Tickets are extremely limited due to the size of the venue.
Sign up via the link in our bio to purchase tickets.
Viernes 15 de Mayo , San Isidro at LFO
Link: https://es.ra.co/events/2398289
Darren White —dBridge— es uno de los
DJ y artistas en directo más innovadores de la música electrónica. A lo largo de sus más de 30 años
de carrera, se ha mantenido como una fuerza impulsora detrás de la
evolución del drum & bass, la música bass experimental y la
estética más amplia de los 170 BPM. Como miembro fundador de
Future Forces Inc., Renegade Hardware, Bad
Company UK, y más tarde como coartífice del
movimiento Autonomic, contribuyó a crear múltiples épocas de
música de club que siguen influyendo en productores y DJ
de todo el mundo.
Sus sesiones de DJ son conocidas por su precisión, profundidad
emocional y fluidez narrativa, entretejiendo texturas futuristas,
ritmos entrecortados y su característico sentido del espacio.
Se mueve con naturalidad entre el drum & bass, el halftime,los híbridos con influencias techno, los pasajes ambientales, un estilo perfeccionado a lo largo de años como cabeza de cartel en clubes
como Fabric, Berghain y en sus residencias en Exit Records
por todo el Reino Unido y Europa.
Vrika es el alias de Fernando Blanco, socio de Onyro y cofundador de Espacio Perpendicular. Técnico de sonido especializado en postproducción para televisión y publicidad, compagina su trabajo con una línea artística centrada en la creación musical y el diseño sonoro.
Su sonido se mueve entre el ambient/drone, el techno con texturas, el techno psicodélico y los broken beats, construyendo sesiones inmersivas cargadas de bajos pesados, tensión y atmósferas orgánicas. A través de máquinas analógicas y procesamiento digital, desarrolla sets crudos y cambiantes, a medio camino entre la presión del club y la exploración experimental.
Ha formado parte del proyecto Rerrr junto a Víctor Aguado, actuando en espacios como Matadero Madrid o el COAM, y también del colectivo CALMA, enfocado en la difusión de música ambient en el centro de arte Zapadores.
Full lineup has been announced for Signal Festival at The Cause, London, on 22nd August 2026 and we’re honoured to be hosting the Gallery stage which is stacked full of talent.
Ticket link in bio…
• Always You - Pleasure District •
I’ve done a fair few remixes of late which has been fun. Thought I’d release some Autonomic leaning music.
Comment “Always” for link
Comment “360”
On the 16th of May, Exit will be holding an intimate 360 spatial listening experience in Soho London. We’re be playing mine and Joe Sevens LP, Radical Apathy and an unreleased LP “That Life” by myself and
Madison Willing.
We will also be doing a Q&A.
Comment “360” for a link to register and purchase tickets.
Heading over to EU to play my version of events
Catch me at the following:
9th May - Abyss at Open Ground, Wuppertal
13th May - Nuits Sonores, Lyon @
15th May - Espacio Perpendicular, Madrid
16th May - 360 Spatial Audio event, Secret location, London
16th May - Volks, Brighton
17th May - Fold, London
ABYSS returns to Open Ground for a full venue activation exploring low frequency ritual, ambient immersion, and sound system communion. Moving between breathwork, gong resonance, dub architecture and deep listening hypnosis, the night holds a continuous passage through embodiment and altered perception.
The evening starts with Spectral Radiance Breathwork, a closed pre program session guided by Harman Holiday and Darwin. Limited to 35 participants, this intimate workshop weaves Conscious Connected Breathwork with immersive sound and live resonance, creating a grounded entry point into the experience.
From there, ABYSS follows a continuous arc rather than a sequence of isolated sets. The lobby opens at 19:30 for arrival, with the program beginning at 20:00. Guests are encouraged to enter from the start to experience the full trajectory of the night.
Attendees are guided in with Kā’s live gong synthesis, followed by an opening concert from Harman Holiday. This dissolves into an ambient set from dBridge before expanding outward through the full spectrum of the lineup.
In the Lobby, Ground Tactics operate throughout the night, offering spontaneous one-on-one activations with the audience. These short encounters focus on somatic co-regulation through touch, sound, and attention, incorporating tuning forks and subtle physical guidance to bring awareness back into the body.
