The images I create are sometimes colorful, sometimes radical and raw—but I always aim for them to be authentic and honest.
I made a short montage from dance and music projects I’ve been fortunate to work on. Collaborating with dancers and musicians is something I deeply love, and I’m incredibly grateful for every creative journey it brings.
A huge thank you to everyone who has trusted me and shared these moments along the way. I feel lucky to be working with such wonderful people and excited for everything still to come! 🙏🎥✨
Projects in the Video:
Nadika Mohn in « Intro Vertiert »
Yule Post in « Potential »
Selina Koch in « Life is Beautiful »
Lize in « Histoir sans Tete »
Dominik Schatz in « Skate to Dive »
Daniel Arroyo in « Solidarity »
Emmanuel Austin in « Tanzania »
Luah Marques in « TT16 »
Lina Maro in « Mantis »
Roger Reckless and Mal Eleve in « Alliance Antirasiste »
Daniel Tiedemann in « Surf »
Cecile Mauduit in « Carte Blanche »
Frau Gonnermann in « Rollator »
Delia Froehlich in « Costa Board »
Anka Broschk in « Studio Haussmann »
Sickless in « Einstuerzende Neubauten »
Rashmi Torres in « Reve »
Jonas Scheck in « How to Dress »
I believe people are at their most beautiful when they allow themselves to be vulnerable, and I’m deeply thankful to all those who share that vulnerability with me. I admire that and do my best to give the same in return.
#portrait #portraitphotography #behindthelens
The fourth wall gives life to art, but breaking it gives life to the audience. ✨
Take a look at my website to see “Everybody is Famous” and “The Fourth Wall”, two series I shot in 2010 in New York. 📸 These were part of my first photography exhibition and marked the beginning of my 15-year journey in photography.
👉 Link in bio to explore more.
tomorrow comes the album “fête mieux” from @fauzene — and i was lucky to create their album cover.
some months ago @theeauson and @allan_besset wrote me that they liked my work and wanted me to imagine the cover. i’m always happy when i have the freedom to create an image for a sound — and the budget to make something unique that fits the group’s personality.
after listening to their music i created three ideas. i already had a favourite, and when we met and i showed them the propositions, i was very happy they trusted this one.
the real end-of-the-world security suits cost around 6000€ each, so we didn’t have the budget for that. i asked my sister, who is a stylist, if she could create them — and after some tries they turned out even better than the originals. i put lights inside to give them this mysterious look for shooting after sunset. with theo i experimented how to have “ice cream” on the mountain for hours without melting — we ended up with coloured potato mash.
then the day came. we climbed for three hours the mountain we had scouted before, carrying quite a lot of stuff — which helped for the slightly tired faces they should have in the pictures. we prepared the ice cream, the lights, the camera, my sister placed the costumes, and we shot for some hours before hiking back down in the night.
the best photos are often not the ones made for the photo, but the ones that serve as memory. and this one will stay a good one. surrounded by good people, in a good moment.
thanks to my sister @annadollmann for making these costumes real.
and thanks to @fauzene for the trust and the moment we shared.
tomorrow comes the album “fête mieux” from @fauzene — and i was lucky to create their album cover.
some months ago @theeauson and @allan_besset wrote me that they liked my work and wanted me to imagine the cover. i’m always happy when i have the freedom to create an image for a sound — and the budget to make something unique that fits the group’s personality.
after listening to their music i created three ideas. i already had a favourite, and when we met and i showed them the propositions, i was very happy they trusted this one.
the real end-of-the-world security suits cost around 6000€ each, so we didn’t have the budget for that. i asked my sister, who is a stylist, if she could create them — and after some tries they turned out even better than the originals. i put lights inside to give them this mysterious look for shooting after sunset. with theo i experimented how to have “ice cream” on the mountain for hours without melting — we ended up with coloured potato mash.
then the day came. we climbed for three hours the mountain we had scouted before, carrying quite a lot of stuff — which helped for the slightly tired faces they should have in the pictures. we prepared the ice cream, the lights, the camera, my sister placed the costumes, and we shot for some hours before hiking back down in the night.
the best photos are often not the ones made for the photo, but the ones that serve as memory. and this one will stay a good one. surrounded by good people, in a good moment.
thanks to my sister @annadollmann for making these costumes real.
and thanks to @fauzene for the trust and the moment we shared.
tomorrow comes the album “fête mieux” from @fauzene — and i was lucky to create their album cover.
some months ago @theeauson and @allan_besset wrote me that they liked my work and wanted me to imagine the cover. i’m always happy when i have the freedom to create an image for a sound — and the budget to make something unique that fits the group’s personality.
after listening to their music i created three ideas. i already had a favourite, and when we met and i showed them the propositions, i was very happy they trusted this one.
the real end-of-the-world security suits cost around 6000€ each, so we didn’t have the budget for that. i asked my sister, who is a stylist, if she could create them — and after some tries they turned out even better than the originals. i put lights inside to give them this mysterious look for shooting after sunset. with theo i experimented how to have “ice cream” on the mountain for hours without melting — we ended up with coloured potato mash.
then the day came. we climbed for three hours the mountain we had scouted before, carrying quite a lot of stuff — which helped for the slightly tired faces they should have in the pictures. we prepared the ice cream, the lights, the camera, my sister placed the costumes, and we shot for some hours before hiking back down in the night.
the best photos are often not the ones made for the photo, but the ones that serve as memory. and this one will stay a good one. surrounded by good people, in a good moment.
thanks to my sister @annadollmann for making these costumes real.
and thanks to @fauzene for the trust and the moment we shared.
