@dataspacetime will be
@anthologyfilmarchives Monday, July 24th, 8:30 pm
LATER EXPERIMENTS IN VIDEO FEEDBACK:
21st-century works find the artists extending and expanding the experiments of their predecessors in ingenious ways, either by shooting with a modified video camera (Ian Helliwell), filming televisual feedback loops with a Super-8mm camera (Guillaume Vallée), showcasing the internet’s capacity for new kinds of feedback (LoVid’s INFINITELY UNRESOLVED), or exploring the potentialities of entirely new kinds of digital and computer-generated feedback (Mike Stoltz and Lisa Gwilliam & Ray Sweeten).
PROGRAM:
Ian Helliwell LIGHT ACTIVATION FEEDBACK 2010, 2.5 min, digital
Ian Helliwell PROTEAN FEEDBACK 2016, 5.5 min, digital
Ian Helliwell MULTIFORM FEEDBACK 2022, 5 min, digital
Robert Beatty CRACKED SCREEN TEST 2016, 3.5 min, digital
Guillaume Vallée SELF-TALK WITH NOTHINGNESS 2017, 4 min, Super-8mm-to-digital
Guillaume Vallée WHAT IS BEYOND THE HELLRAISER? 2017, 2.5 min, Super-8mm-to-digital
Mike Stoltz TOMORROW: IT’S NOT TOO LATE TO JOIN 2022, 7.5 min, digital
Lisa Gwilliam & Ray Sweeten (DataSpaceTime) SURFACE TENSION 2017, 3 min, digital
Lisa Gwilliam & Ray Sweeten (DataSpaceTime) ORTS 2023, 4 min, digital
Lisa Gwilliam & Ray Sweeten (DataSpaceTime) STATIC ECHO 2023, 9.5 min, digital
Billy Roisz HAPPY DOOM 2022, 3 min, digital
LoVid INFINITELY UNRESOLVED 2019, 7 min, digital
Total running time: ca. 65 min.
@anthologyfilmarchives