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Dylan Richards

@databaseaesthetics

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Some impressions from our last concert of 2025 at @liveart.dk, Concert for Composer-Performer, conceptualised and curated by @databaseaesthetics and featuring @mic.h.ope in the role of the eponymous composer-performer.Supported by Dansk Komponist Forening/KodaKultur, Hoffmann & Husmanns Fond, William Demant Fonden, and Knud HΓΈjgaards Fond.Stay tuned for more sounds and sweet airs coming your way in 2026!#concertforcomposerperformer #concert #composer #performer #concerto
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Some impressions from our last concert of 2025 at @liveart.dk , Concert for Composer-Performer, conceptualised and curated by @databaseaesthetics and featuring @mic.h.ope in the role of the eponymous composer-performer. Supported by Dansk Komponist Forening/KodaKultur, Hoffmann & Husmanns Fond, William Demant Fonden, and Knud HΓΈjgaards Fond. Stay tuned for more sounds and sweet airs coming your way in 2026! #concertforcomposerperformer #concert #composer #performer #concerto
30 0
4 months ago
/Wed. 10.12.25 | 19:30 | LIVE ART ZINE, Copenhagen50kr. [at the door] s /, / ( ). / , / . /, & , , ΓΈ .#concertforcomposerperformer #concert #composer #performer #aarhus #concerto
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π—–π—Όπ—»π—°π—²π—Ώπ˜ 𝗳𝗼𝗿 π—–π—Όπ—Ίπ—½π—Όπ˜€π—²π—Ώ/𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗿 Wed. 10.12.25 | 19:30 | LIVE ART ZINE, Copenhagen 50kr. [at the door] π–’π—Žπ—‹π—‹π–Ύπ—‡π— π–±π–Ύπ—Œπ—ˆπ—‡π–Ίπ—‡π–Όπ–Ύ π—‰π—‹π–Ύπ—Œπ–Ύπ—‡π—s π–’π—ˆπ—‡π–Όπ–Ύπ—‹π— π–Ώπ—ˆπ—‹ π–’π—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π–―π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹, 𝖺 π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ίπ—‡π–Όπ–Ύ 𝗍𝗁𝖺𝗍 π—‹π–Ύπ–Ώπ—…π–Ύπ–Όπ—π—Œ π—ˆπ—‡ π—π—ˆπ— π—ˆπ—‡π–Ύ 𝖼𝖺𝗇 π—‚π–½π—‚π—ˆπ—†π–Ίπ—π—‚π–Όπ–Ίπ—…π—…π—’ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύ 𝖺 π–Όπ—ˆπ—‡π–Όπ–Ύπ—‹π—π—ˆ π–Ώπ—ˆπ—‹ 𝗍𝗁𝖾 π—‚π—‡π–Όπ—‹π–Ύπ–Ίπ—Œπ—‚π—‡π—€π—…π—’ 𝗉𝗋𝖾𝗏𝖺𝗅𝖾𝗇𝗍 π—‹π—ˆπ—…π–Ύ π—ˆπ–Ώ 𝗍𝗁𝖾 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹ (𝖺 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹ π—π—π—ˆ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—Œ π—π—ˆπ—‹π—„π—Œ π–Ώπ—ˆπ—‹ π—π—π–Ύπ—†π—Œπ–Ύπ—…π—π–Ύπ—Œ π—π—ˆ π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†). π–³π—π—‚π—Œ π–Όπ—ˆπ—…π—…π–Ίπ–»π—ˆπ—‹π–Ίπ—π—‚π—ˆπ—‡ 𝗂𝗇𝗂𝗍𝗂𝖺𝗍𝖾𝖽 𝖻𝗒 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π–Όπ—Žπ—‹π–Ίπ—π—ˆπ—‹ 𝖣𝗒𝗅𝖺𝗇 π–±π—‚π–Όπ—π–Ίπ—‹π–½π—Œ, 𝖺𝗇𝖽 π—Œπ—π–Ίπ—‹π—‹π—‚π—‡π—€ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹ 𝖬𝗂𝖼𝗁𝖺𝖾𝗅 π–§π—ˆπ—‰π–Ύ π—π—ˆπ—Žπ–Όπ—π–Ύπ—Œ π—ˆπ—‡ 𝖺 π–Όπ—ˆπ—‡π—Œπ—π–Ύπ—…π—…π–Ίπ—π—‚π—ˆπ—‡ π—ˆπ–Ώ π—π—ˆπ—‰π—‚π–Όπ—Œ 𝗋𝖺𝗇𝗀𝗂𝗇𝗀 π–Ώπ—‹π—ˆπ—† 𝗍𝗁𝖾 π–Ίπ—Žπ—π—π–Ύπ—‡π—π—‚π–Όπ—‚π—π—’ π—ˆπ–Ώ π—‰π–Ύπ—‹π—Œπ—ˆπ—‡π–Ίπ—… π–Ίπ—‹π—π—‚π—Œπ—π—‚π–Ό π–Ύπ—‘π—‰π—‹π–Ύπ—Œπ—Œπ—‚π—ˆπ—‡ π—π—ˆ 𝗍𝗁𝖾 𝗁𝗂𝖾𝗋𝖺𝗋𝖼𝗁𝗒 𝖾𝗆𝖻𝖾𝖽𝖽𝖾𝖽 𝗂𝗇 π–Όπ—ˆπ—…π—…π–Ίπ–»π—ˆπ—‹π–Ίπ—π—‚π—π–Ύ π—‰π—ˆπ—π–Ύπ—‹ π–½π—’π—‡π–Ίπ—†π—‚π–Όπ—Œ 𝗐𝗁𝗂𝗅𝖾 π–Όπ—ˆπ—‡π—π—‚π—‡π—Žπ–Ίπ—…π—…π—’ 𝖾𝗑𝖺𝗆𝗂𝗇𝗂𝗇𝗀 𝗐𝗁𝖺𝗍 𝗂𝗍 π—†π–Ύπ–Ίπ—‡π—Œ π—π—ˆ π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—† 𝗍𝗁𝖾 𝗂𝖽𝖾𝗇𝗍𝗂𝗍𝗒 π—ˆπ–Ώ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹ π–»π—ˆπ—π— π—ˆπ—‡ 𝖺𝗇𝖽 π—ˆπ–Ώπ–Ώ π—Œπ—π–Ίπ—€π–Ύ. π–³π—π—‚π—Œ π–Όπ—ˆπ—‡π–Όπ–Ύπ—‹π— π—‚π—Œ π—Œπ—Žπ—‰π—‰π—ˆπ—‹π—π–Ύπ–½ 𝖻𝗒 π–£π–Ίπ—‡π—Œπ—„ π–ͺπ—ˆπ—†π—‰π—ˆπ—‡π—‚π—Œπ— π–₯π—ˆπ—‹π–Ύπ—‡π—‚π—‡π—€/π–ͺπ—ˆπ–½π–Ίπ–ͺπ—Žπ—…π—π—Žπ—‹, π–§π—ˆπ–Ώπ–Ώπ—†π–Ίπ—‡π—‡ & π–§π—Žπ—Œπ—†π–Ίπ—‡π—‡π—Œ π–₯π—ˆπ—‡π–½, 𝖢𝗂𝗅𝗅𝗂𝖺𝗆 𝖣𝖾𝗆𝖺𝗇𝗍 π–₯π—ˆπ—‡π–½π–Ύπ—‡, 𝖺𝗇𝖽 π–ͺπ—‡π—Žπ–½ π–§ΓΈπ—ƒπ—€π–Ίπ–Ίπ—‹π–½π—Œ π–₯π—ˆπ—‡π–½. #concertforcomposerperformer #concert #composer #performer #aarhus #concerto
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5 months ago
Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour – Marta Bo@seismografmagCurrent Resonance vendte arbejdet pΓ₯ vrangen i en absurd, sveddryppende performance, hvor publikum blev trukket med ind i det hΓ₯rdtpumpede arbejdsritual.Det er sjΓ¦ldent, at der spilles pΓ₯ lugtesansen, nΓ₯r man gΓ₯r til koncerter. Lige sΓ₯ sjΓ¦ldent er det, at musikerne stΓ₯r i pandebΓ₯nd og trΓ¦ningsshorts og performer et to timers workout-program, for ikke blot at fΓ₯ fortΓ¦llingen, men svedlugten helt ud over scenekanten. Current Resonance holdt sig ikke pΓ₯ Yoga-mΓ₯tterne, og i vΓ¦rket musical workout inviterede de publikum ud pΓ₯ gulvet for at deltage i en akavet workoutsession. Det var grotesk – og ret sjovt.Graft, et vΓ¦rk et sted mellem performancekunst, musikforestilling og idrΓ¦tstime, bestod af fem vΓ¦rker, der alle udforskede samme tema, nemlig Β»arbejdeΒ«. Den britiske term, der har lagt navn til forestillingen, betyder netop Β»hΓ₯rdt arbejdendeΒ«, og med neurotisk Monty Pythonsk vedholdenhed tog de konceptet til yderligheder. Graft fremlagde det moderne menneskes fetichering af hΓ₯rdt arbejde, som en besΓ¦ttelse af sΓΈgen efter mening og formΓ₯l. I centrum for vΓ¦rkernes mere og mere fordrejede fortΓ¦llinger om arbejdets former stod hver af de fire komponister i komisk fornΓ¦gtelse, som fire moderne Sisyfosser.#sound #new #newmusic #concert #copenhagen #art #artist #artistsoninstagram #listen #performer #sisyphus #work #workworkworkworkwork #workout #fitness #fitnessjourney #danish #culture #kultur
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Current Resonance turned the idea of work inside out in an absurd, sweat-drenched performance that pulled the audience into a hard-pumped ritual of labour – Marta Bo @seismografmag Current Resonance vendte arbejdet pΓ₯ vrangen i en absurd, sveddryppende performance, hvor publikum blev trukket med ind i det hΓ₯rdtpumpede arbejdsritual. Det er sjΓ¦ldent, at der spilles pΓ₯ lugtesansen, nΓ₯r man gΓ₯r til koncerter. Lige sΓ₯ sjΓ¦ldent er det, at musikerne stΓ₯r i pandebΓ₯nd og trΓ¦ningsshorts og performer et to timers workout-program, for ikke blot at fΓ₯ fortΓ¦llingen, men svedlugten helt ud over scenekanten. Current Resonance holdt sig ikke pΓ₯ Yoga-mΓ₯tterne, og i vΓ¦rket musical workout inviterede de publikum ud pΓ₯ gulvet for at deltage i en akavet workoutsession. Det var grotesk – og ret sjovt. Graft, et vΓ¦rk et sted mellem performancekunst, musikforestilling og idrΓ¦tstime, bestod af fem vΓ¦rker, der alle udforskede samme tema, nemlig Β»arbejdeΒ«. Den britiske term, der har lagt navn til forestillingen, betyder netop Β»hΓ₯rdt arbejdendeΒ«, og med neurotisk Monty Pythonsk vedholdenhed tog de konceptet til yderligheder. Graft fremlagde det moderne menneskes fetichering af hΓ₯rdt arbejde, som en besΓ¦ttelse af sΓΈgen efter mening og formΓ₯l. I centrum for vΓ¦rkernes mere og mere fordrejede fortΓ¦llinger om arbejdets former stod hver af de fire komponister i komisk fornΓ¦gtelse, som fire moderne Sisyfosser. #sound #new #newmusic #concert #copenhagen #art #artist #artistsoninstagram #listen #performer #sisyphus #work #workworkworkworkwork #workout #fitness #fitnessjourney #danish #culture #kultur
37 0
6 months ago
/17.9.25 | 20:00 | UngK, Aarhus50kr. [free for AUT members] () & /, / ( ). / , / . @danskkomponistforening / @kodakultur, @aarhsdk, @statenskunstfond#concertforcomposerperformer #concert #composer #performer #aarhus #concerto
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π—–π—Όπ—»π—°π—²π—Ώπ˜ 𝗳𝗼𝗿 π—–π—Όπ—Ίπ—½π—Όπ˜€π—²π—Ώ/𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗿 17.9.25 | 20:00 | UngK, Aarhus 50kr. [free for AUT members] π– π–Ίπ—‹π—π—Žπ—Œ 𝖴𝗇𝗀𝖾 π–³π—ˆπ—‡π–Ύπ—„π—Žπ—‡π—Œπ—π—‡π–Ύπ—‹ (𝖠𝖴𝖳) & π–’π—Žπ—‹π—‹π–Ύπ—‡π— π–±π–Ύπ—Œπ—ˆπ—‡π–Ίπ—‡π–Όπ–Ύ π—‰π—‹π–Ύπ—Œπ–Ύπ—‡π— π–’π—ˆπ—‡π–Όπ–Ύπ—‹π— π–Ώπ—ˆπ—‹ π–’π—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π–―π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹, 𝖺 π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ίπ—‡π–Όπ–Ύ 𝗍𝗁𝖺𝗍 π—‹π–Ύπ–Ώπ—…π–Ύπ–Όπ—π—Œ π—ˆπ—‡ π—π—ˆπ— π—ˆπ—‡π–Ύ 𝖼𝖺𝗇 π—‚π–½π—‚π—ˆπ—†π–Ίπ—π—‚π–Όπ–Ίπ—…π—…π—’ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύ 𝖺 π–Όπ—ˆπ—‡π–Όπ–Ύπ—‹π—π—ˆ π–Ώπ—ˆπ—‹ 𝗍𝗁𝖾 π—‚π—‡π–Όπ—‹π–Ύπ–Ίπ—Œπ—‚π—‡π—€π—…π—’ 𝗉𝗋𝖾𝗏𝖺𝗅𝖾𝗇𝗍 π—‹π—ˆπ—…π–Ύ π—ˆπ–Ώ 𝗍𝗁𝖾 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹ (𝖺 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹ π—π—π—ˆ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—Œ π—π—ˆπ—‹π—„π—Œ π–Ώπ—ˆπ—‹ π—π—π–Ύπ—†π—Œπ–Ύπ—…π—π–Ύπ—Œ π—π—ˆ π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†). π–³π—π—‚π—Œ π–Όπ—ˆπ—…π—…π–Ίπ–»π—ˆπ—‹π–Ίπ—π—‚π—ˆπ—‡ 𝗂𝗇𝗂𝗍𝗂𝖺𝗍𝖾𝖽 𝖻𝗒 π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π–Όπ—Žπ—‹π–Ίπ—π—ˆπ—‹ 𝖣𝗒𝗅𝖺𝗇 π–±π—‚π–Όπ—π–Ίπ—‹π–½π—Œ, 𝖺𝗇𝖽 π—Œπ—π–Ίπ—‹π—‹π—‚π—‡π—€ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹/π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—†π–Ύπ—‹ 𝖬𝗂𝖼𝗁𝖺𝖾𝗅 π–§π—ˆπ—‰π–Ύ π—π—ˆπ—Žπ–Όπ—π–Ύπ—Œ π—ˆπ—‡ 𝖺 π–Όπ—ˆπ—‡π—Œπ—π–Ύπ—…π—…π–Ίπ—π—‚π—ˆπ—‡ π—ˆπ–Ώ π—π—ˆπ—‰π—‚π–Όπ—Œ 𝗋𝖺𝗇𝗀𝗂𝗇𝗀 π–Ώπ—‹π—ˆπ—† 𝗍𝗁𝖾 π–Ίπ—Žπ—π—π–Ύπ—‡π—π—‚π–Όπ—‚π—π—’ π—ˆπ–Ώ π—‰π–Ύπ—‹π—Œπ—ˆπ—‡π–Ίπ—… π–Ίπ—‹π—π—‚π—Œπ—π—‚π–Ό π–Ύπ—‘π—‰π—‹π–Ύπ—Œπ—Œπ—‚π—ˆπ—‡ π—π—ˆ 𝗍𝗁𝖾 𝗁𝗂𝖾𝗋𝖺𝗋𝖼𝗁𝗒 𝖾𝗆𝖻𝖾𝖽𝖽𝖾𝖽 𝗂𝗇 π–Όπ—ˆπ—…π—…π–Ίπ–»π—ˆπ—‹π–Ίπ—π—‚π—π–Ύ π—‰π—ˆπ—π–Ύπ—‹ π–½π—’π—‡π–Ίπ—†π—‚π–Όπ—Œ 𝗐𝗁𝗂𝗅𝖾 π–Όπ—ˆπ—‡π—π—‚π—‡π—Žπ–Ίπ—…π—…π—’ 𝖾𝗑𝖺𝗆𝗂𝗇𝗂𝗇𝗀 𝗐𝗁𝖺𝗍 𝗂𝗍 π—†π–Ύπ–Ίπ—‡π—Œ π—π—ˆ π—‰π–Ύπ—‹π–Ώπ—ˆπ—‹π—† 𝗍𝗁𝖾 𝗂𝖽𝖾𝗇𝗍𝗂𝗍𝗒 π—ˆπ–Ώ π–Όπ—ˆπ—†π—‰π—ˆπ—Œπ–Ύπ—‹ π–»π—ˆπ—π— π—ˆπ—‡ 𝖺𝗇𝖽 π—ˆπ–Ώπ–Ώ π—Œπ—π–Ίπ—€π–Ύ. π–³π—π—‚π—Œ π–Όπ—ˆπ—‡π–Όπ–Ύπ—‹π— π—‚π—Œ π—Œπ—Žπ—‰π—‰π—ˆπ—‹π—π–Ύπ–½ 𝖻𝗒 @danskkomponistforening / @kodakultur , @aarhsdk , 𝖺𝗇𝖽 @statenskunstfond #concertforcomposerperformer #concert #composer #performer #aarhus #concerto
63 0
8 months ago
The Bakery by @nielslyhnelokkegaard and Remember Sound [ @niklasbrandenhoff & @databaseaesthetics ]photos by @tobiasnicolai
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The Bakery by @nielslyhnelokkegaard and Remember Sound [ @niklasbrandenhoff & @databaseaesthetics ] photos by @tobiasnicolai
56 0
1 year ago
MINU Festival arbejder med en helt anden form for risikovillig vΓ¦kstkapital – det fΓΈles bΓ₯de friskt og som en nΓΈdvendig samtale, man gerne vil tage del i. MΓ₯ske er der alligevel hΓ₯b for menneskeheden?Rasmus Holmboe har besΓΈgt den unge kΓΈbenhavnske festival, som startede tiny i 2021, men nu har vokset sig stor og uomgΓ¦ngelig i det danske musiklandskab.LΓ¦s i @seismografmag#sound #soundart #artist #artistsoninstagram #musica #music #musically #musician #composer #electronicmusic #cultura #culture #danish #copenhagen #listen #concert #festival
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MINU Festival arbejder med en helt anden form for risikovillig vΓ¦kstkapital – det fΓΈles bΓ₯de friskt og som en nΓΈdvendig samtale, man gerne vil tage del i. MΓ₯ske er der alligevel hΓ₯b for menneskeheden? Rasmus Holmboe har besΓΈgt den unge kΓΈbenhavnske festival, som startede tiny i 2021, men nu har vokset sig stor og uomgΓ¦ngelig i det danske musiklandskab. LΓ¦s i @seismografmag #sound #soundart #artist #artistsoninstagram #musica #music #musically #musician #composer #electronicmusic #cultura #culture #danish #copenhagen #listen #concert #festival
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1 year ago
!The Bakery - 30/11 - 11.00 to 16.00 @ 5EBy Niels Lyhne LΓΈkkegaard & Remember Sound (Dylan Richards & Niklas Brandenhoff).
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π‘΄π’‚π’Œπ’Šπ’π’ˆ π’Šπ’ 𝒕𝒉𝒆 π‘©π’‚π’Œπ’Šπ’π’ˆ! The Bakery - 30/11 - 11.00 to 16.00 @ 5E By Niels Lyhne LΓΈkkegaard & Remember Sound (Dylan Richards & Niklas Brandenhoff).
32 1
1 year ago
- Β  - & - β„ŽNiels Lyhne LΓΈkkegaard & Remember Sound (comprising composers and musicians Niklas Brandenhoff and Dylan Richards) invite you to the grand opening of The Bakery, Saturday 30/11 at 11.00 AM at 5E.Structured as a long chain rondo that takes on different forms, the pop-up bakery will be open for approximately 5 hours, and stretch between a bakery, a conversation salon, listening games, and new music in trio format. Amongst other things, you will be served homemade cakes and waffles in an attempt to create situations that might suggest other ways of being together than what is often the case when a new work is premiered.

The episodes will vary in content but have roughly the same length throughout the day. Among the episodes, one can experience β€œStop - Waffle Time!”, β€œThe Soft d”, β€œSounding Coconut Macaroons”, β€œSights and sounds in ophthalmology”, β€œSoftening for saxophone (performed by Niels Lyhne and special guest; James Black)” and β€œOverhead (soft) Clapping Piece.”

Through the day, the trio tries to establish a softer place that is not fully baked into a fixed artistic form – a bakery that might suggest ways out of the separation of disciplines and soften the boundaries between the audience and performer, and between the performers themselves. A key concept related to the work is reconciliation – The Bakery explores how, through the softening of the hard, we might reconcile with traumas and perhaps build bridges, friendships, and create changes across previous conflicts, divisions, privileges, and structural conditions (also in the environments surrounding new music in Denmark).
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π“π‘πž 𝐁𝐚𝐀𝐞𝐫𝐲 - Β π‘Žπ‘› π‘Žπ‘™π‘™-π‘‘π‘Žπ‘¦ π‘Ÿπ‘œπ‘›π‘‘π‘œ & π‘£π‘œπ‘₯π‘π‘œπ‘ π‘π‘œπ‘-𝑒𝑝 π‘ β„Žπ‘œπ‘ Niels Lyhne LΓΈkkegaard & Remember Sound (comprising composers and musicians Niklas Brandenhoff and Dylan Richards) invite you to the grand opening of The Bakery, Saturday 30/11 at 11.00 AM at 5E. Structured as a long chain rondo that takes on different forms, the pop-up bakery will be open for approximately 5 hours, and stretch between a bakery, a conversation salon, listening games, and new music in trio format. Amongst other things, you will be served homemade cakes and waffles in an attempt to create situations that might suggest other ways of being together than what is often the case when a new work is premiered.

The episodes will vary in content but have roughly the same length throughout the day. Among the episodes, one can experience β€œStop - Waffle Time!”, β€œThe Soft d”, β€œSounding Coconut Macaroons”, β€œSights and sounds in ophthalmology”, β€œSoftening for saxophone (performed by Niels Lyhne and special guest; James Black)” and β€œOverhead (soft) Clapping Piece.”

Through the day, the trio tries to establish a softer place that is not fully baked into a fixed artistic form – a bakery that might suggest ways out of the separation of disciplines and soften the boundaries between the audience and performer, and between the performers themselves. A key concept related to the work is reconciliation – The Bakery explores how, through the softening of the hard, we might reconcile with traumas and perhaps build bridges, friendships, and create changes across previous conflicts, divisions, privileges, and structural conditions (also in the environments surrounding new music in Denmark).
116 1
1 year ago
COMPOSITE by Dylan Richards for MINU 2023A collaboration between Dylan Richards and Lorenzo Colombo that encircles the vectors and implications of the β€œcomposite”.A series of forays into in the communion between the composer and performer, the bifurcated nature of the contemporary psyche, financial instrumentation, ocularity, the politics of mimesis, virtual spaces, and material intelligence.Reactions to recursive recreations of selves, both past and present.photos by Tobias Nicolai#experimentalmusic #databaseaesthetics #conceptualmusic #otakuculture
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COMPOSITE by Dylan Richards for MINU 2023 A collaboration between Dylan Richards and Lorenzo Colombo that encircles the vectors and implications of the β€œcomposite”. A series of forays into in the communion between the composer and performer, the bifurcated nature of the contemporary psyche, financial instrumentation, ocularity, the politics of mimesis, virtual spaces, and material intelligence. Reactions to recursive recreations of selves, both past and present. photos by Tobias Nicolai #experimentalmusic #databaseaesthetics #conceptualmusic #otakuculture
55 0
1 year ago
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