23 years ago I watched as my Dad’s coffin was carried through the crematorium to sound of Oasis, and in 2025 I got to travel around the world with them on tour. The universe is strange and bittersweet.
Thank you to every single person who played a part in this year, no matter how big or small. There are so many of you, but I am thankful beyond measure. It’s been the honour of a lifetime to be trusted to tell this story, and in turn has led me to create my proudest work to date.
There’s lots more to share, but for now here’s the four of us on the final night in Sao Paolo.
“𝘛𝘩𝘪𝘴 𝘪𝘴 𝘧𝘰𝘳 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘸𝘩𝘰 𝘤𝘢𝘯’𝘵 𝘣𝘦 𝘩𝘦𝘳𝘦 𝘵𝘰𝘯𝘪𝘨𝘩𝘵, 𝘺𝘰𝘶 𝘬𝘯𝘰𝘸 𝘸𝘩𝘰 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦, 𝘸𝘦 𝘬𝘯𝘰𝘸 𝘸𝘩𝘰 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦, 𝘭𝘪𝘷𝘦 𝘧𝘰𝘳𝘦𝘷𝘦𝘳.” - @liamgallagher
@oasis // Postcards from Toronto & Chicago 🇨🇦 🇺🇸
I’m not ashamed to admit I cried my eyes out watching that man have his moment at the front barrier in Chicago. I wanted to drop the camera and hug him and scream that song as loud as he was. Music is so powerful.
Shot alongside the almighty @jaydavison_ (with some beautiful postcard entries from @harriettkbols & @edfousset_film in Chicago).
In another life - I spent the best part of a decade writing, recording, touring and dreaming in a band called Meadowlark. I got to tick a lot of bucket list dreams whilst navigating the tumultuous music industry of the 2010s. Things don’t always work out how you expect and yet, in spite of all that, our song ‘Fly’ just hit 50 million streams on Spotify. A crazy and serendipitous milestone, and one I’m immensely proud of.
I’m back on Substack and ready to over share, starting with a lengthy post about the ‘Postcards’ concept we adopted for the @oasis world tour - Link in my bio!
I’m also considering starting a mentorship platform in the very near future for filmmakers/photographers looking to get into the live music industry and professionals who are keen to level up. If that’s something you might be interested in then drop me a DM so I can reach out to you first!
📷: @peterproducer
8 Days of Super 8 - Day 5
▶️: Exclusive BTS @oasis Live ‘25
🎬: @danielbroadley
🎥Units
Manchester & London: @wilcre
Tokyo & NYC: @danielbroadley
Sao Paulo: @gabrieltwa
LA: @skatetochurch
🧪:
UK: @on8mil
Japan: @highland_super8_lab
Brazil: @s3tstore
🎞: @kodak_shootfilm 500T, 200T & 50D Super 8
“So much of Oasis’s past was captured on celluloid, it only felt right to bring back those same mediums that made up the visual fabric of their history. Nodding to the past, whilst propelling them into the modern age of social media by incorporating digital cinema techniques to accompany it. My hope is, that despite this campaign being a part of the fast-expiring rat race of internet content, this documentation of the tour can somehow outlive the platform it’s bound to, and eventually feel as timeless as all their previous work.” – Daniel Broadley
Join in and celebrate the 60th anniversary of the Super 8 Film Format with our 8 Days of Super 8!
#MadeWithKodak
@oasis X São Paulo - The Final Show
Dir/Edit: @danielbroadley
Cameras: @jaydavison_@gabrieltwa@joshuahalling@harriettkbols
Aerial: @rec.byluucas
Colour: @colourbydaniel
Film: @kodak_shootfilm
I woke up in 2025 with no idea that I’d be doing a world tour with oasis. Now I’m out the other side it’s as if it never happened at all, like some feverish dream. The final two shows were reflective and celebratory, whilst a lingering sadness hung in the air, that it would all be over once the final chord of Champagne Supernova rang out. Serendipitous.
@oasis
Final postcards from São Paulo 🇧🇷
Watching this visual concept take over the world this year has been a joy. Thanks to all those who inspired me to try it on this project in the first place.
For anyone interested in learning more about how it came to be then check out the ‘oasis’ highlight on my profile and swipe through.
