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DAF has progressively built a presence in Europe that goes beyond the dimension of a simple training project, establishing itself as a recognizable, stable, and active cultural organism within the international dance system.
Its institutional identity emerges from the continuity of its work, the quality of its relationships, and a network of direct collaborations with theatres, directors, and partners who engage every year in a concrete dialogue with the development process of young dancers.
Rather than belonging to a pre-existing structure, DAF has generated its own institutional architecture: a geography of exchange, observation, and legitimization that consolidates its role within the contemporary European landscape.๐
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DAF is today a unique model within the international landscape: a system in which twenty premiรจres take shape every year, twenty original creations conceived for the students of the International Program.
A strategy that has redefined the meaning of choreographic creation within a study path, transforming it from a final episode into an active principle of development, selection, and transformation of the performer.
An internal repertory organism close to the real physiology of a theatre, where the creative process is not simulated, but activated in the very moment choreographic thought begins to generate itself๐
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DAF was founded eighteen years ago as a response to a structural void: not a study program, but a system of thought applied to the artistic development of the performer.
An environment where body, perception, and consciousness are organized to move through languages, training systems, and choreographic structures without being reduced to a predictable form.
Not merely shaping dancers, but artistic organisms capable of receiving, decoding, and transforming the creative process into presence, identity, and thought.โจ
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๐๐ป๐๐ฒ๐ฟ๐ป๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ถ๐ป๐ฒ-๐๐ฝ ๐ฎ๐ฌ๐ฎ๐ฑ/๐ฎ๐ฒโจ๐
๐ต๐ฌ๐พ ๐ช๐น๐ฌ๐จ๐ป๐ฐ๐ถ๐ต๐บ ๐ฉ๐:
ANNE JUNG
PHOEBE JEWITT
MAURO ASTOLFI
GIOVANNI NAPOLI
CHARLIE SKUY
GIULIANA MELE
CHARLES BRECARD
LESLIE TELFORD
TRAVIS CLAUSEN-KNIGHT
ALESSANDRA CHIRULLI
MARIOENRICO DโANGELO
NOEMI DALLA VECCHIA & MATTEO VIGNALI
ALESSANDRO PIERGENTILI
ETAY AXELROAD
VINCENZO DE ROSA
FRANCESCA FRASSINELLI
MARIA COSSU
BEATRICE BODINI
SUBIN CHO
YINGYU LYU
๐๐๐ ๐ฆ๐ง๐จ๐๐๐ก๐ง๐ฆ ๐๐ก ๐ง๐๐ ๐ช๐ข๐ฅ๐๐
We are happy to share a new important step in the journey of the students of our international program.
Olson Blake Michael has begun his professional career with TANZ HARZ, the company directed by Tarek Assam at the Nordharzer Stรคdtebundtheater Halberstadt/Quedlinburg in Germany. Within TANZ HARZ, Blake becomes part of an already active continuity, sharing the same professional context with other former DAF students who have been working steadily within the company for several years. His presence does not appear as an isolated episode, but as part of an artistic trajectory that continues, over time, to find concrete confirmation.
Our warmest thoughts and most sincere wishes go to Blake for this new artistic adventure.๐๐
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@blake_the_boar@tanzharz
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๐๐๐ ๐ฆ๐ง๐จ๐๐๐ก๐ง๐ฆ ๐๐ก ๐ง๐๐ ๐ช๐ข๐ฅ๐๐
We are happy to share a new important step in the journey of the students of our international program.
Martina Benuzzi has begun her professional career with TANZ HARZ, the company directed by Tarek Assam at the Nordharzer Stรคdtebundtheater Halberstadt/Quedlinburg in Germany.
Within TANZ HARZ, Martina becomes part of an already active continuity, sharing the same professional context with other former DAF students who have been working steadily within the company for several years. Her presence does not appear as an isolated episode, but as part of an artistic trajectory that continues, over time, to find concrete confirmation.
Our warmest thoughts and most sincere wishes go to Martina for this new artistic adventure.๐๐
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@martina.benuzzi@tanzharz
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โจ๐๐๐ ๐๐ป๐๐ฒ๐ฟ๐ป๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ฟ๐๐ถ๐๐๐ ๐ฎ๐ฌ๐ฎ๐ฑ/๐ฎ๐ฒ๐ | ๐ฌ๐ถ๐ป๐ด๐๐ ๐๐๐
From May 19 to June 1, DAF welcomes Yingyu Lyu, a Chinese contemporary choreographer and dancer based in Paris. Trained between China and France, Yingyu Lyu develops a research practice in which the roots of Chinese classical dance meet the practices of European contemporary dance, shaping a physical language that is precise, fluid, and deeply personal. Her work has been presented in international contexts including Centre Pompidou, Fabbrica Europa, Florence Dance Festival, Cannes Dance Festival, Tunis Opera Dance Festival, and the Opening Ceremony of the Paris 2024 Olympic Games. In 2025, she received the Best Performer Award and the Audience Award at SOLOCOREOGRAFICO Frankfurt.
DAFโs choreographic residencies take shape as true cognitive laboratories, where dance moves beyond the dimension of physical practice to become a field of inquiry, a tool of observation, and a device for constructing thought. The creative process unfolds as a system of research, capable of generating original mechanisms and activating a real dialogue between artist and dancers, where the experience is never linear, but constantly renegotiated. Each season presents itself as a perceptual experiment: an interweaving of trajectories that meet, transform, and rewrite themselves, continuously opening new fields of possibility. In this space, dance takes on the value of a language of knowledge, resonating with the deepest tensions of contemporary culture.
Strength, connection, and power: the dancers of the DAF NEXT International Program.#mauroastolfiworks#contemporaryart#contemporarydance#danceartists#danceartsfaculty#danceacademy#dancer#
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โจ๐๐๐ ๐๐ป๐๐ฒ๐ฟ๐ป๐ฎ๐๐ถ๐ผ๐ป๐ฎ๐น ๐๐ฟ๐๐ถ๐๐๐ ๐ฎ๐ฌ๐ฎ๐ฑ/๐ฎ๐ฒ๐ | ๐๐ฟ๐ฎ๐ป๐ฐ๐ฒ๐๐ฐ๐ฎ ๐๐ฟ๐ฎ๐๐๐ถ๐ป๐ฒ๐น๐น๐ถ
Resident artist within the DAF International Program, Francesca Frassinelli returns this year for her regular appointment with the students of the professional project, after a season that has brought her as a guest artist to some of the leading European theatres. Her return is not simply another presence in the seasonโs calendar, but the continuation of a creative relationship that, year after year, builds an increasingly profound connection with the dancers of the international program. A new original creation brings her back into the studio as an active part of a process in which choreographic work is not limited to the transmission of material, but becomes a true experience of passage: a place where the body is observed, questioned, and reorganized.
DAFโs choreographic residencies take shape as cognitive laboratories, spaces where dance moves beyond the dimension of physical practice to become a field of inquiry, a tool of observation, and a device for constructing thought. The creative process unfolds as a system of research, capable of generating original mechanisms and activating a real dialogue between artist and dancers, where the experience is never linear, but constantly renegotiated. Each season presents itself as a perceptual experiment: an interweaving of trajectories that meet, transform, and rewrite themselves, continuously opening new fields of possibility. In this space, dance takes on the value of a language of knowledge, resonating with the deepest tensions of contemporary culture.
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โจโ๐๐๐๐๐๐๐ผ๐๐ ๐ฟ๐๐ฃ๐๐ ๐๐ฃ๐ฉ๐๐ง๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก ๐๐ค๐ง๐ ๐จ๐๐ค๐ฅ 2026โโจ
From July 27 to August 1, the studios of Dance Arts Faculty in Rome host the twelfth edition of Romestate Dance International. An event dedicated to the encounter with artists active within the international dance scene, each bringing distinct practices, visions, and approaches to interpreting and developing movement. For several days, the DAF studios become a shared environment for work and research, offering the opportunity to closely observe creative processes, bodily sensitivities, and the different approaches through which contemporary dance is conceived, developed, and transmitted today.
@romestate_dance_international@danceartsfaculty