daisy woodward

@daisyaecw

london-based writer and editor 🖍 contributing editor @anothermagazine 📕 [email protected] 📮
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Weeks posts
Happy birthday to my beautiful mama @crosemarywoodward , the definition of sunshine, kindness, bravery, silliness, and endless love. How lucky we are to have you 💗
140 30
18 days ago
Skies of 2025 in chronological order ☁️ 🌳 From work and solo wanderings in Geneva and Oslo to giggle-filled seaside sojourns in Margate and Achiltibuie. Trips to see my Berlin and Edinburgh bbs, treasured family times in France and BC, and a special visit to two cuties in Richmond, VA. Topped off by some 🤌 end-of-year moments in Peckham, Wales and Twickers.
46 2
4 months ago
Midweek moodz as the 4pm dusk, 9am sleet, and cosy festive feels kick in. 1. Girl and goat giggles via @thehistory.source 2. BjĂśrk, Lil Keni & Keda, 1992 via @sheetnoise 3. Sea wading by @fontanesi 4. Leslie Caron as The Sphinx, 1948 via @smeszaros 5. Matchita, sleeping
45 6
5 months ago
17 years yesterday since we lost my dear old dad — strange how time helps you learn to shoulder grief a little better each year, but the sense of missing someone grows stronger and stronger every year that you haven’t seen their face, heard their laugh or sat down for lunch (his most cherished ritual) and a good old chat… One thing is for sure, losing someone too soon (or at any time, in fact) is the biggest wake up call to live life to the fullest and, in my dad’s case, make every lunch count! Ps. I chose this song as my dad’s favourite game was to choose a song and replace the word “love” with “lunch“. This one is a cracker. Pic 1. Dad painting a pasta bowl Pic 2. A lunch-themed postcard Pic 3. A picture of us when my love of lunch was written all over my cheeks
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6 months ago
I spoke to the brilliant @benkweller for @thecreativeindependent about his latest album, Cover the Mirrors. He wrote it in the wake of the devastating loss of his son Dorian, and it is such a powerful and beautiful work, made up of all the different moods and shades of grief. As a longtime fan of Ben’s music, this interview was a particularly meaningful one for me, and I was very moved by Ben’s candidness and kindness, and his outlook on life and creativity. Link in my bio to read. Thank you @bstosuy for the commission.
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6 months ago
Happy 50th birthday to my big brother @samueldwoodward — from our very first meeting (seen here) until now, you’ve always been there for me with the biggest heart and the best hugs. Love you very much 💗
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1 year ago
For the latest issue of @qpmagazine , I had the opportunity to profile the British artist and brilliant thinker Tacita Dean, hooked to her show at the @menilcollection — one of my favourite art collections. A real pleasure all round 💗
45 2
1 year ago
The many, many unforgettable and haunting moments of David Lynch’s cinema... imagery in which costume and make-up play an absolutely central part. Here just a reminder of the iconic creations by some of the artists who made magic with Lynch over the years. As @daisyaecw wrote for @anothermagazine , Lynch specially valued the costume and production designer Patricia Norris, noting: “Patty reads the scripts and dials into the character and dresses them, she has great taste ... When someone comes out of the dressing room, they are the character, the clothes are perfect.”  * Mulholland Drive: Amy Stofsky costume, with Jack Fisk as production designer; Selina Jayne-Dornan key makeup artist; Patricia Miller key hair stylist Blue Velvet: Patricia Norris production design; makeup supervisor Jeff Goodwin   Wild at heart: Patricia Norris production design; Amy Stofsky costume; Michelle Bühler makeup artist; Fríða Aradóttir hair stylist  #ripdavidlynch #patricianorris #amystofsky
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1 year ago
Skies of 2024, in reverse chronological order ☁️ 🌞
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1 year ago
Sculptural consumerism… 1. Cabaret de l’Enfer (The Cabaret of Hell), Paris via @retroscifiart 2. Brigitte Bardot, visiting the Bocca della Verità, Rome, 1968 3. Debra Byrd, Barry Manilow and Lady Flash Reparata on tour in the mid-70s 4. Orcus, Garden of Bomarzo, Italy 📸 by Milton Gendel
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1 year ago
Alexander Calder’s set and costume design for Henri Pichette’s play Nucléa, which premiered at the Theâtre National Populaire in Paris in 1952 ❤️
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1 year ago
Holding it together… Erwin Wurm, 1998
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1 year ago