Builders and trades often ask: Do I need content?
Yes. You do.
The world lives online. Your clients live on Instagram. You need to be where they are and make sure your content resonates with them.
Alongside the hugely diverse amount of content I create for all sorts of industries, one I have consistently delivered results in is construction.
DM me today, let's get the ball rolling.
When Hel freezes over, the light will shine! ✨🌙
We were wilding out on a busy Friday night to bring Crescent City to life! This shoot brought all the fun, slightly scary, and incredibly epic vibes. Classic Melbourne weather tried to throw off our plans, but wait until you see the final results at the end of this Reel. 😲
Huge shoutout to @dusktimereads and @callmeanniecosplays for absolutely nailing these characters. You both brought the pages right into reality!
Send this to your Crescent City bestie who needs to see these portals! 📬👇
The Dream Team:
📸 Organised by: @goldenwingpress
📹 Video: @corndogliam
🎬 Bts: @jonny_shredz
🤝 Assistant: @annjeaaaaaaaa
💻 Behind the Magic:
Shot practically with real people and authentic lighting. Edited and graded in Lightroom and Photoshop. Iphone Spatial Scene for the 3d effect. AI was used as a creative tool specifically for scene cleanup and to help build the glowing portals.
#crescentcitycosplay #sjmbooktok #melbournecreatives #fantasyphotography
My favourite shot of @callmeanniecosplays from Friday night shooting with @goldenwingpress
Makes me want to shoot some Neon cyberpunk goodness - anyone? 👀
Yesterday (... and today)
With the addition of a second 6k Pro, it's opened up the ability to shoot multicamera productions like seminars, podcasts and much more.
Also the first time having contractors on in a while now and 1) it feels good 2) omg it makes life so much easier!
More of this plz.
Caught during one of the only times I got out of the media office to shoot at TGX 26.
Leading a large media team was a lot of fun. Incredibly tight deadlines, in the moment required coverage, coordination of sponsored deliverables (shout out to Juz for beasting paid spots) all made possible by some insanely talented volunteer photographers and huge assists by the @mob_zombies team.
One of them is @dashi.dan who captured this frame.
Sneaky man.
Life is going great. Freelance is taking off, we are making our OWN short film (in prepro) and Em started University for the first time in their life. 2026 is on track to be our busiest but most fulfilling mOB year ever.
An important step in the process that most videographers miss is the colour grade.
Shooting in a LOG or RAW profile causes the image to look "grey" or "dull". It's when you get said image onto the colour page that it really comes to life.
If your video guy isn't grading to at least this level, you need to ask them why they don't? Because it can really push your image to the next level.
These images come from some content I shot and am now editing for @theforgeinstitute.inc - a cause that runs deep for me and Em, and I've finally got time to jump into supporting the best way I know how. With cameras haha.
I'm finding myself sitting at the secondary set up more than the primary rig. I've feel like the main setup has had so much work done on it over the last five years that I associate it with intense, deep work.
Editing large-format projects that require hours of work to complete, or time sensitive release windows, or strict, short deadlines.
Sitting over here feels like it gives me more of a creative mindset. I couldn't figure out why, until I watched a video by @jessesenko called "what happens when you're not distracted". In it he talks about having a creative space that's detached from "the noise" and somehow I feel like the main rig has become "the noise" in my brain?
Idk. Watch his video. It may make more sense.
