CONOR CLINCH

Thank you @bof for trusting me with this special Class of 2025 cover. So many amazing industry leaders together in one room. #bof500 @bof @imranamed @nikhilmansata @isabelleschoo @bleu_menthe_production @quentinchamardbois @blackflag.agency @conorjclarke @sheriff.projects

Thank you @imranamed @nikhilmansata and the incredible team at @bof for having me once again at the annual VOICES gala. Each year I get to meet and photograph so many fantastic and inspiring people 🤍 Movement directed by the talented @angelicawska Lighting Assistant @billiejstringer Digi tech @richardcookza Post @justinshurmerretouch Production @picnic_productions

A photographic showcase of The Natural History Museum’s @natural_history_museum diverse collection of mollusca, in collaboration with senior curator, Andreia Salvador. VENUS COMB, MUREX PECTEN [LIGHTFOOT], 1786 The venus comb shell is covered in more than 100 needle-sharp and evenly spaced delicate spines. They are formed by projections of the mantle that secrete the shell. Amazingly the mantle can also reabsorb the spines of the preceding whorl, so the animal and shell can carry on growing without the spines from the previous whorl blocking the aperture. The function of the spines is still not fully understood, but they might act like a cage to entrap mobile prey, to keep the shell from sinking or overturning on soft sediment, or as a defence against predators. Edition of 15 Credits: Photographer: Conor Clinch tiagiproduction @conorclinch Photographer’s 1st Assistant: Arthur Millier @arthurmillierradnall Photographer’s 2nd Assistant: Billie Stringer @billiejanestr Digi Op: Guy Gunstone @guygunstone Graphic Designer: Guillaume Lauruol @guillaumelauruol Set Designer: Solène Biff @solenebiff Set Designer Assistant: Amelia Tavenner @ameliatavenner Casting: Iman Drissia Coudoux @drissiajpgs Model: Athieng @ PRM Agency @prm_agency Model: Eliza @ Anti-Agency antiagencyldn Model: Felix @ SUPA Model Management @supamodelmanagement Hair Stylist: Yoko Setoyama @ dawes+co @yoko_setoyama Make-up Artist: Jimmy Stam @jimmystam_ Nail Artist: Kira Kira Nails @kirakira___nails Production: TIAGI tiagiproduction Executive Producer: Chantelle Shakila-Tiagi @notoriouscst Production Coordinator: Martha Barr @marthabarrproduction Runner: Bastian Knapp @knapp_bastian Senior Curator of Mollusca at The Natural History Museum: Andreia Salvador @ands_museum Sustainability Consultant: Kellie Dalton @kelliedalston Retoucher: Jacob Zinzan @jacobzinzan #fisheyelemag

Spring campaign for @manoloblahnik Photographer @conorclinch @acreativepartner Senior creative content manager @gabriellaminchella Production @thearcadeproduction Lighting @arthurmillierradnall @hectormarshallll Digi @guygunstone Set stylist @nathaliealfrancis

Grateful to have played a part in helping craft a new identity for L’Occitane. @loccitane Amanda Sublime campaign shot in Crete, Greece. Thank you for the trust @thisisdadou @loccitane @mygosh Photographer: @conorclinch @acreativepartner Creative Director: @thisisdadou Head of production @loccitane Tatiana Guidici Production: @mygosh.co Local production: @teamthisprod Art Director: @theirry_guerlain_studio Art Director @loccitane Belinda Hoessey Lighting assistant: @yria.tamari Digitech: @oy.photo Set design: @dimitra_louana_marlanti Set assistants: Argyrios Sarris Penelope Hansen Penelope Karniavoura Manolis Koutroubakis SFX: Stephan Gill & Boris Frey Post-production: @justinshurmerretouch Videographer: @iconomidis_alexandros

A study in silver 🌪️⁠ ⁠ Documented by @conorclinch ⁠ Set design by @georgiacurrell_set

@victoriabeckhambeauty with the brilliant @georgiacurrell_set 🎷

A new place to host all my work. A long time in the making - I’m excited to launch my new website. Link in bio 🖤

The Telegraph Luxury, Autumn accessories styling @sophie_tobin @telegraphluxury set design @alfieditrolio bookings editor @george_raymond_stead lighting @billiejstringer digi @tristantheassistant retouch @jacobzinzan

Summer through Greece 🇬🇷

When I was 18, I moved to London to further my career as a photographer, 10 years later then moving to Paris. I never really got the chance to discover or appreciate Ireland. Turning 30 this year (😫) , I wanted to go back to Ireland and discover the places I’d never been. Grateful to @wepresent for commissioning this dream project - returning to Ireland to photograph the Bealtaine Fire Festival, a celebration of the beginning of Summer and Ireland’s rich traditions, language, and folklore. Read the full interview by Bruno Bayley on @wepresent Thank you @alex.kahl @wepresent @wetransfer @hollymercedes27 Photo assistant @marksosiak @hill_of_uisneach

Les Essences de Diptyque @diptyque 🐚 Merci @nicolas_glrm @lucienpagescommunication