I T A L I A N W O R K
Pair of High-Back “Radical Craft” Chairs in Full Woven Straw,
Italy, 1970s.
A highly unusual and decorative pair of high-back chairs, dating to the 1970s. These pieces represent a sophisticated example of the “Radical Craft” movement, where designers and artisans rediscovered traditional, humble materials to create avant-garde, sculptural forms. Each chair features a monumental, vertical silhouette entirely enveloped in a meticulous hand-weaving of natural straw (cordoncino). This technique creates a rich, rhythmic texture that covers the structural frame seamlessly from the top of the elongated backrest to the base. The imposing height of the backrest provides a throne-like, totemic presence, while the organic nature of the material offers a warm, tactile contrast to the geometric precision of the design. These chairs are exceptional examples of furniture as “Functional Art,” blurring the lines between domestic seating and primitive sculpture. Their timeless aesthetic makes them a perfect fit for a contemporary “Wabi-Sabi” interior or as a powerful, earthy statement in a modernist gallery setting.
#italianchairs #italianfurniture #strawchair #radicalcraft #popfolk
.
.
T I T T I F A B I A N I
Modular System ‘Book’ Cabinet,
Designed for IFT Ideal Form Team,
Italy, 1969.
.
.
.
#idealformteam #ift #tittifabiani #postmoderndesign #italianfurniture
.
.
G H E R A R D O B O S I O
Monumental Desk designed for Casa T. in Firenze,
Italy, 1934.
From Domus, October 1934.
#gherardobosio #italianfurniture #domusmagazine #florence
.
.
L E O P O L D A N Z E N G R U B E R
Majolica statue/planter,
Designed for ICS,
Vietri, Italy, 1920s
.
.
.
#icsvietri #leoanzengruber #vietriceramics #italianceramics #leopoldanzengruber
.
.
G I U S E P P E B A R O V I E R /
A R T I S T I B A R O V I E R
A ‘Murrine Floreali’ small bowl,
Italy, 1910s
.
.
.
.
#artistibarovier #muranoglass #giuseppebarovier #veniceglass #italianglass
.
.
I L A R I A M A R E L L I
‘Ara’ Floor Lamp for Nemo, Award-Winning Design, Italy, 2004
The Ara floor lamp is a contemporary masterpiece of Italian lighting, designed by Ilaria Marelli for the prestigious brand Nemo in 2004. A winner of the prestigious “Light of the Future” award in its debut year, Ara is celebrated for its clean, monolithic presence and its highly functional dual-lighting system. The structure consists of a vertical anthracite-finished body that houses an adjustable rotating diffuser in the upper section. This allows for a double lighting effect: a powerful indirect uplight toward the ceiling and a customizable, diffused wash of light along the vertical axis. The geometric rigor of the design—a slender “L” shape—makes it an architectural element rather than just a fixture, capable of defining the space it inhabits. Ilaria Marelli is one of the leading voices in contemporary Italian design, and the Ara family remains one of Nemo’s most iconic collections. This lamp represents the perfect transition into the 21st-century aesthetic, where high-performance technology meets minimalist luxury. Thanks to its slim profile and sophisticated dual emission, the Ara lamp is ideal for executive offices, high-end residential living rooms, or minimalist galleries. It provides exceptional lighting versatility, from intimate ambient moods to bright, indirect illumination.
PRODUCT DETAILS
Dimensions: Height 180 cm / Width 41 cm / Depht 28 cm
Materials: Die-cast Aluminum, Steel base, Methacrylate
.
.
M A S S I M O I O S A G H I N I
Rare ‘Faro’ Table Lamp for Memphis Milano, Italy, 1988
A rare and iconic “Faro” table lamp, designed by the visionary Massimo Iosa Ghini for the 1988 Memphis Milano collection. This lamp is a definitive masterpiece of Bolidismo, a design movement founded by Ghini that emphasized dynamism, streamlined curves, and a futuristic reimagining of Art Deco aesthetics. The Faro lamp features a striking, rocket-like silhouette. Its central body in satin anodized aluminum is suspended within a dramatic chrome-plated steel tripod structure. At the apex, a small circular glass disc diffuses the light, creating an ambient glow that emphasizes its sculptural form. This piece represents the evolution of Memphis from the colorful laminates of the early 80s toward a more sophisticated, “High-Tech” and aerodynamic luxury. As an original 1988 vintage piece, the Faro is a high-value item for serious collectors of Memphis Milano and avant-garde Italian design. Massimo Iosa Ghini is one of the few designers who successfully bridged the gap between the radical provocation of the 80s and the sleek, industrial elegance of the 90s.
PRODUCT DETAILS
Dimensions: Height 40 cm / Diameter 20 cm
Materials: Chrome-plated Metal, Anodized Aluminum, Sandblasted Glass
.
.
S T I L N O V O
Large Stilnovo Model CP3529 Chandelier in White Lacquered Aluminum, Italy, 1960s
A rare and monumental Model CP3529 chandelier, designed and produced by the prestigious Italian lighting firm Stilnovo during the 1960s. This striking suspension lamp is a masterclass in Italian mid-century modernism, featuring a grand, disc-shaped body in white lacquered aluminum characterized by its iconic series of circular apertures. The CP3529 is highly sought after for its sophisticated interplay of light. The perforated aluminum structure houses a multi-bulb system that projects a brilliant, diffused glow both downwards and through the circular cut-outs, creating a captivating visual rhythm on the surrounding surfaces. The contrast between the clean, matte white finish of the shell and the polished chrome accents of the sockets exemplifies the high-end industrial craftsmanship for which Stilnovo’s Milanese workshops were renowned. As a suspended chandelier, this piece commands attention and defines the volume of any room. Its expansive scale and streamlined silhouette make it a perfect centerpiece for grand dining rooms, mid-century modern living areas, or high-ceilinged galleries.
PRODUCT DETAILS
Dimensions: Height 110 cm / Diameter 40 cm
Materials: Lacquered aluminum
.
.
.
.
#italianlighting #italiandesign #stilnovo #brunogatta #midmoderndesign
