So much has gone into getting here both physically and mentally.. but finally is here ! JIBARO is here.. it's hard to put words what it means to me personally. It's been a long journey to get here and we did it!.
As a huge fan of @albertomielgo work, following him more than a decade now, i can't describe how i felt when he offered me in a zoomcall be his lighting supervisor. WTF!
That was my beginning on Jibaro adventure, with no Houdini/arnold experience, with the biggest / most talented team i ever worked before and creating Jibaro universe side by side with a Oscar-winner director in Love death and Robots. No pressure LOL.
Now.... finally i got the courage to watch the movie in all of its glory, a finished product on Netflix platform , something that i never thought it would happen.
We went through with ups and downs, hard times and a lot of struggle... but in the end, I could not be more proud and happy for the experience working with incredible artists/technicians, most of who becomes friends for life...
Definitely, a pivot point in my career.
My enormous respect goes out to the entire team for their incredible effort and contribution to this movie, Truly thankful to be part of this amazing journey.
Thank you Pinkman.
#lovedeathandrobots #jibaro #season3 #netflix #pinkman #
M.H.C. 38
THE EB
@getplasticity has completely changed the way we build concepts.
It lets us think through form instead of fighting tools. Pushing shapes quickly, refining just as fast, and staying in that creative flow where ideas actually evolve.
Less friction. More exploration.
That freedom makes all the difference.
Explore the full project at makehastecorp.com
M.H.C. 38
THE EB
One of the most enjoyable parts of this project was working with materials.
Keeping things minimal. Letting light do the work.
Subtle changes in roughness, tone, and reflection completely shifted the character of the car. Small adjustments, big impact.
That kind of restraint turns rendering back into exploration.
And that’s when it starts feeling fun again.
Explore the full project at makehastecorp.com
M.H.C. 38
THE EB
Late nights with this one.
Not really designing, more like thinking.
Staring at the car. Moving lights around. Asking myself what mood actually felt right.
When you’re dealing with something that carries this much history, every decision feels heavier than usual. Even the lighting. Especially the lighting. How much to reveal. What to hold back. When to stay quiet.
There were moments where I stopped and asked if I was doing it justice. If this was the right way to let it exist.
In the end, it became less about the perfect render and more about finding an honest mood. One that steps out of the way and lets the car speak for itself.
Explore the full project at makehastecorp.com
M.H.C. 38
THE EB
A lot of this project happened in the details.
Tiny adjustments.
Edges moving just a few millimeters.
Surfaces tweaked, undone, and redone again.
That’s the part I get obsessed with. When the big idea is there, but it still isn’t right yet. The quiet tuning. The patience. Pushing and refining until it finally clicks.
Explore the full project at makehastecorp.com
M.H.C. 38
THE EB
THE EB has been living in my head, and in CG, for the last month. Exploring proportions, pushing surfaces, breaking it, fixing it again, and honestly just having a lot of fun discovering the car as it evolved.
This project reminded me why I love working in CG. The freedom to test ideas quickly, to experiment without limits, and to let a design grow naturally through iteration. No pressure to get it right on the first pass. Just follow the form and see where it leads.
Really excited to finally share it.
More to come.
Explore the full project at makehastecorp.com
M.H.C. 38
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THE EB
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Finally, it’s here.
Developed entirely in house over the last month, THE EB is a modern reinterpretation of the iconic EB110. Inspired by the ambition and optimism of late 1980s design, the project revisits the original idea through a contemporary lens. Sharper proportions, disciplined surfaces, and a deliberate reduction of excess define the form.
The silhouette leans into bold wedge geometry and angular massing, balanced by an architectural restraint that prioritizes clarity over nostalgia. Every surface was reconsidered, not to replicate the past, but to translate its intent into something precise, modern, and forward facing.
THE EB is less about homage and more about evolution. A study in controlled aggression, proportion, and purpose.
Explore the full project at makehastecorp.com
