On 25 March we screened Khartoum, a mesmerising meditation on belonging, memory, and ruin. The film’s landscapes, both urban and elemental, seem alive, whispering that the earth and mountains made its people.
Khartoum unfolds through five interwoven lives, tracing a song of land, memory, and survival. Khadballah comes from a place where “the earth and trees sing,” a world of rhythm and resilience that pulses beneath the chaos of the city, beehive of routines and corners. Wilson and Lokain prowl like lions of their own realm, guardians of a fragile kingdom. Little boys speak of jets, wars, and the folly of adults, asking the simplest and most devastating question: “Why did you start all this?” Their words expose the greed and power that corrupts, epic, Shakespearean.
Majdi, with his shisha and pigeons, flies in dreams over Khartoum, imagining a city untouched by war. His joy before conflict was weekends, socials, shared laughter, now a haunting echo of what was lost.
The film paints kingdoms and cultures, diverse, interwoven by struggle and hope. It invites us to stand tall amid devastation, to feel the pulse of the land and the longing of its people, their defiance, their grace, their inheritance of song.
Big thank you to my brilliant colleagues in the University and Museum for co-organising the film screening of Khartoum. Privileged to hear insights from the chairperson of The Society for Study of the Sudans UK, Aziz el Nur.
In all the time I've organised events you rarely get a full house for a free event. All 90 seats were taken for our event.
Please watch Khartoum to learn about Sudan. The stories, the people, the shooting and editing, the resistance, the pain and joy...makes it a riveting watch, encourages you to research the war, as well as Sudanese histories, identities and films.
This event was a collaboration between Voices and Visions of Sudan, the Manchester Institute of Education Anti-Racism Network, and the Centre on the Dynamics of Ethnicity.
Voices and Visions of Sudan – A Cinematic Reflection by Sudanese film curator Talal Afifi and presented by Almas Art Foundation, Aya and Maona Art. Sponsored by the BFI.
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