Dhaynne

𝑰 𝑾𝒂𝒏𝒕 𝒕𝒐 𝑴𝒆𝒂𝒏 𝑾𝒆𝒍𝒍 (𝑳𝒂𝒕𝒆 𝑺𝒖𝒎𝒎𝒆𝒓 𝑹𝒂𝒊𝒏) 2024, oil on canvas, 32 x 43 inches (Thank you @uypt for straightening this photo, I’m no woman of tech)💔—- ily

been wanting to paint the feeling of your eyes adjusting in the dark- a blue night- or dawn. - cold light —- I noticed that all my life in NY- late summer- everything is blue or just when winter is leaving.— I don’t like Joan Didion’s writing (not yet) but I read those two pages^ every year when I remember to. The only writer so far who’s flat out described my favorite time of day/ night. Almost cried when I first read it coz what r the odds of reading about that Thnks for reading 𝑩𝒖𝒕 𝑾𝒉𝒂𝒕 𝑫𝒐𝒆𝒔 𝑰𝒕 𝑴𝒆𝒂𝒏 𝒕𝒐 𝑹𝒆𝒂𝒄𝒉, 𝑾𝒉𝒂𝒕 𝑫𝒐𝒆𝒔 𝑰𝒕 𝑴𝒆𝒂𝒏 𝑻𝒐 𝑭𝒂𝒍𝒕𝒆𝒓 2024, oil on canvas, 33 x 40 inches

♒️ January, February, March ok bye

graphite ✏️ , 2026, watched a documentary once on NY point guards n started drawing Mark Jackson/ drawing from clips of old games

graphite✏️ 5.5 x 8.5 inches, 2026

Thanks if you sent me something to contribute to this drawing- (combined my and your imagery) been stuck in my head since August 2025 and it’s propelled me to start drawing again :) and just to have fun widditttt Drawing is really forever 🌃, 8 x 11.5 inches, 2026

𝘔𝘢𝘳𝘪𝘢𝘯𝘰, 2025 14 x 18 inches Oil on canvas

September - October - a lil bit of now and + 2021 (in legendary @katewalz ) full circle moment ! So many different lifetimes since

Bye July, August

𝑮𝒆𝒏𝒕𝒍𝒆 𝑬𝒂𝒓𝒕𝒉, 𝑼𝒏𝒇𝒐𝒍𝒅𝒊𝒏𝒈 𝑨𝒓𝒎𝒔 2025, oil on canvas, 30 x 40 inches From my second birthday party

☀️ MAY JUNE JULY 🪩 ☀️ 🍒 (not in that order)

Opening Thursday, July 3rd in Baltimore! Feeling so grateful to be a part of this show. It will be my first time showing my work outside of NY and alongside all Filipino artists. Thank you so much @divinagraciaphoto and @ciarrakwalters for letting me be a part of this❤️ 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦𝘺 𝘓𝘦𝘧𝘵 𝘜𝘴 brings together eight Filipino-American artists who consider how memory becomes material in art creation and how often, unintentionally, these works become acts of care, ritual, and record. The artworks chosen examine cultural inheritance and the unspoken labor of belonging through the lens of migration. Using their work to make sense of their presence as artists and Filipino-Americans today, these artists are moving beyond honoring the past and are in an active conversation with it. From July 3rd to August 2, 2025, 𝘞𝘩𝘢𝘵 𝘛𝘩𝘦𝘺 𝘓𝘦𝘧𝘵 𝘜𝘴 will take place at The Alchemy of Art. Curated by Baltimore-based artists Anna Divinagracia and Ciarra K. Walters, the exhibition will feature work by Thea Canlas, Miguel Caba, Ashley Dequilla, Ryan Frigillana, Dhaynne Torres, Kat Navarro, along with Divinagracia and Walters. Supported by Towson University’s Asian Arts & Culture Center and Off the Rox. Early Summer at the Pier 2025, oil on canvas, 18 x 24 inches