On 2 June I am hosting a panel at @referencepoint180 as part of @londonfestivalofarchitecture 🏗️🏛️✨
Who gets to ‘belong’ to architecture? How can the ‘humanities’ belong to architecture? Is ‘belonging’ the only goal?
I’ve got a wonderful panel lined up:
〰️ Kay Sedki, Tutor in Professional Practice and Architectural Futures
〰️ Candela De Bortoli, Editorial Director of Classics Of The Future @cotf_classicsofthefuture@candebortoli
〰️ Eva Tisnikar, Architectural Researcher
Together we will discuss how our work negotiates both architecture and the humanities, and reflect on how this relationship is continually redescribing itself. (Some visual prompts attached. Is all critique a subway car? What would society, if?)
〰️ Stay late for drinks and music from @canebau_ 🙂↔️
Come along! It will be fun! ❤️🔥✨
Link to tickets in my bio.
You never know what you have until it’s gone… and comes back… leaves… returns… closes… opens. An ode to the pastel hued, iron wrought, bedazzled Gothic rollercoaster that is the Albert Bridge. Your keep me forever guessing.
🤍🥚🤍🥚 Been thinking a lot about eggs in art in recent months. While egg hunts are at their fever pitch, here are some favourites! 🥚🤍🥚🤍
1. Detail of the ostrich egg from Piero della Francesca’s ‘Brera Madonna (1472–4)
2. Maria Bartuszova’s ‘Endless Egg’ (1985)
3. Salvador Dali’s ‘egg’ home, in Portlligat, Cadaqués (c.1960)
4. Sarah Lucas’ ‘1000 Eggs: For Women’ (2024)
5. Hideyuki Oka’s ‘How to Wrap Five Eggs’ (1975-6)
#eggs
