Freedom and equalityđïž
Oslođ
Bboy since 2006 - injured since 2014.
Actor since 2003.
Resilience is my dance floor.
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Sharing this moment from @cielo.world Fabianâs judge solo at @harstad.orbit Battle đȘ
One of the truly unique voices in the Norwegian hip-hop dance scene â an all-rounded artist who brings depth, honesty, and presence into everything he does.
Fabian is real with his craft.
Whether you see him on TV, on stage, in a battle, or in a performance, there is always something special there â something that connects. The magic is always present.
Today is also his birthday đ
So I just want to give a big shoutout and love for the artist he is, for the energy he shares, and for the dedication he carries in his dance.
Wishing you a beautiful day â keep shining âš
This is from when I had the pleasure of inviting him to Harstad, where he shared this powerful judge solo.
đ„: @fram.inord@henriettebbesen
@cielo.world tusen takk for at du ville vĂŠre dommer pĂ„ eventet vĂ„rt. Du er en person som har blĂždd for denne kulturen, dedikert deg selv og ofret masse. Du er et ekte hiphop hode Ă„ vi er stolte over og ha hatt deg med pĂ„ laget i Ă„r. Tusen takk â€ïžđđœ
@rhythm.danseklubb
#mossbattlesession
Neste Breakedommer ut er Sir.Fabian.
Fabian startet sin breake-reise pÄ RomsÄs i 2006, drevet av en sterk lidenskap og nysgjerrighet for kulturen.
Navnet Sir.Fabian kommer av en dedikasjon til hans fĂžrste crew Floor Knights. I mange Ă„r reiste han verden rundt og representerte Norge og Floorknights i battles med gode resultater.
Han mÄtte pÄgrunn overbelastning gi seg som aktiv bboy, men hans kjÊrlighet for breaking ga seg aldri, derfor finner du han fortsatt alltid i en cypher. Vi husker han som en av Norges mest dedikerte bboys pÄ sin tid med hjerte for gamet.
vi er kjempe stolte over og ha han med pĂ„ laget i Ă„r. đđđœâ€ïž
SĂžndag 1 mars i Moss Kulturhus
Moss battle session
1vs1 Hiphop
1vs1 Breaking
@rhythm.danseklubb
#mossbattlesession
Some more power moves and signature blow ups that I canât do anymore. My collarbone will probably do its own dance solo if I try one last time.đ
I realised this past year how short my main passion actually was lived. And how little footage I have of it outside the movies. I had a ton that I burned on a cd that got destroyed and after that I never really cared to film much since I loved the moments more.
So sorry for the quality since itâs all scrapes from what I could find. But I feel proud of the moves I managed to unlock through years of dedication.
I even created some moves still not done today and was the first to combine some moves like the torpedoâ, criticalâ or double bb millâ in Scandinavia. S/O to bboy lil Cesar for creating it in the 90sđđŒ
Please, correct me if Iâm wrong.
Much respect to all breakers in Norway who keep these moves alive in Norway today. It brings me great joy to seeđđ„°
And all past generation of bboys and bgirls who showed me all aspects of breaking so I could reach this lvl in the first place.
It was very fun to be able to fly. To do my favourite art form and to compete around Europe/US in my late teens. The privilege to live my dreams. Thank you to anyone who was a part of it. I had so much fun. To new adventures. Probably on my legs this time.đđŒ
If anyone has more footage from the local community I would love to see.
#hmmm #powermoves&blowups
Sess snippet and thoughts about dancing
In a world full of conflict. I have never felt it more important to inspire others to dance. I really want to thank all dance artist before me that has shared their potential to the point where I could find it some how. Especially male artist. They have inspire a path where boys could try to place their emotions, feelings and mental state into something positive. Expressing who you are and where you come from in healthy way. Developing discipline, physical, mental strength and community. In a world where itâs so hard to be seen or place your masculine energy or even anger at all. Without getting a red card on a field, or detention at school. Itâs also hard to find creative fields if you have problems standing still. And instead of being wasted on video games, drugs, alcohol or being rude in a comment section or worse, hurting people in real life.
I have also noticed a change in violence, regarding hip hop music. As the lyrics and visuals have been getting more crime focused. In my opinion. There has been crime related music for a long time. But because of inspiring and dedicated dancers before me they have shown me and many others a better way to move to it, since I was little.
Why donât the media take dancing more serious these days?
What was the reason LA didnât want breaking in the next Olympics, one year prior to the event in Paris? My self and a lot of people working on it never got a clear answer. Showing hip hop in something as healthy as an Olympic sport is a rare find in todays media. Most media today are bought for lobby or jokes. But should we be joking about something so needed as an option for physical and creative expression? When so many are worried about youth crime in Europe/USA or the rest of the world? Correct me if Iâm wrong here but I heard prisons in the U.S needs to be filled at least 98% with prisoners to get funding? Also this is where a lot crime related music was first funded for some
Reason.. Hip hop dancing was born as a tool to stop crime, in the streets of New York. Made by the youth. But today I still find reasons to dance as an adult in a different country.
Round up in comments đđŒđđŒ
99% of this footage are after the injury, so basically in pain during the whole video.
I pushed to long..
As an adult today, I will say this.
The indifference I have been met with in the Norwegian health system has been ridiculous. The amount of time and money wasted on leads that lead to nothing. I fought to preserve my talent for as long as I possibly could. Now, all I can do is post memories about the times I tried to get back from pain. I almost canât even remember the time when it didnât hurt, since itâs so long ago.
But, it may all be ok. Maybe I will perform magic again and draw out something great out of my invisible hat of nothingness once again, because my old friend rage is knocking on my door once more and I feel furious.
With much love.
Health system, please go fuck yourselves.
Thanks in advance.
To all my dancers out there.
If it hurts.
STOP.
FIX IT.
Then dance moreâ€ïž
10 years of pain sparks new beginnings.
It took me 10 years to post about this.
As you can see I donât have much words in this clip. Basically trying to cheer myself up by acting tough but itâs more of a weak moment to be honest.
I donât have a problem with being vulnerable anymore, fortunately. Itâs a part and beauty of life as well as dance.
I also donât have a problem with being wrong anymore . Which has turned out be one the biggest blessing so far.
I donât need to be right, I just want to learn more and so I did,
I learned the pleasure of getting the opportunity to apologise and thanking someone for learning in the process.
I have also learned the pleasure of complementing someone when getting the opportunity.
But most of all the value of saying hi and smile to someone:)
I could go on and on, on how much I have learned from pain.
Pain can be so much different and all the same at ones.
But for this moment Iâm talking about the physical pain.
And how itâs been between 5-70% painful everyday for 10 years.
I have used all my time money and effort to try fix it and I have not given up yet.
But breaking was over for me 10 years ago, I just forced myself thru all of it, this past years, because I love breaking so much, but I canât continue anymore.
Pain sparks new beginnings.
I will never stop dancing.
And hopefully I can provide something more positive and bigger than myself to the breaking community in different ways. But yeah, I canât do breaking anymore and thatâs totally fine, honestly, because I have learned/done so much and itâs been really great and Iâm so thankful for every opportunity, thatâs why I took the ones I could. also dancing other styles has actually helped in some ways. But the physical pains are worse than ever, still, mostly my shoulder blades, collarbone, neck and back is all messed up, it was bad for 4 years, it snapped in a battle, didnât fix it well enough for the first 3 years, grew different, 10 years later itâs worse than ever.
But as a human, dancer, artist I feel better than ever. Because of the knowledge that comes with pain
I will continue dancing but I will still be in pain, so the learning continues.
Thank you for reading.
