The provisional is not opposed to order; it conditions its formation. Order is not given; it takes shape through relations. Relations stabilize only provisionally, as constellations open to reconfiguration.
Coherence is an effect, not a given.
Order, in this sense, remains provisional. Provisinal Orders
23 May – 11 July
Opening: 23 May, from 5 PM
@zwirnlos57 ( Monika Sebert)
@ursulacommandeur@aline.bagre@celikcerensu
Joh Bock
#frautzcontemporary#processbased#provisionalorders#timebasedmedia#ceramicartist#fiberartist#lübeck
So, last month I got to be part of the @arselectronica X @piksel.creativesolutions Data (&) Fragility exhibition in Istanbul. Just wanted to share a bit of my work from the show.
𝕾𝖙𝖊𝖊𝖑 𝖋𝖑𝖊𝖆
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Steel fleas ripple the metal veil as they move. Referring to Nikolai Leskov’s story The Steel Flea, this imagery highlights the paradox beneath technological progress: the repetitive cycles of labour’s devaluation leave subtle yet persistent marks—much like waves on a veil.
Deep Assemblages was recently on view at @noise_media_art at Bomontiada as part of the ƧӨFƬ ΣЯЯӨЯ selection, curated by the wonderful @kn___studio for @objktone 🖤
Deep Assemblage No.1
Single-channel 4K video (3840×2160), color, sound, loop,2025
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The series approaches images as assemblage: mutable constellations of software, displays, bodies, and habits that cohere just long enough to make something count as real. Built within artificial visual orders, each composition binds algorithmic procedures to learned spatial codes; recognition persists yet never settles. Perception stalls, fragments reattach, and distributed decisions by human and technical cognizers reroute the scene in real time. In this traffic, representation is not a mirror but an operation: the boundary between virtual and real is continually negotiated by the assemblage itself. Ambiguity becomes a method of reality construction.
Located at the far end of a speculative rendering of Three Mile Island, deep in the forest, are the biodigital creatures of @celikcerensu featured in A RADIANT FUTURE.
Part of Ceren Su Çelik’s Primordial Soup series, this work reimagines prehistoric life through a posthuman lens where biology and technology entwine across deep time. Fossils both organic and digital defy decay, persisting as traces from ancient eras and futures yet to unfold. Layers of computational residue, biological memory, and synthetic sediment form a shifting archive where history is continuously rewritten.
Within A RADIANT FUTURE, where Three Mile Island is transformed from a site of catastrophe into a node of AI-driven power and data extraction, Çelik’s biodigital creatures disrupt linear narratives of progress. They embody the fusion of ancient life and synthetic futures, revealing history not as a closed chapter but as a site of ongoing mutation where power, industry, and narrative itself are continuously repackaged and contested in the face of accelerating technological forces.
🚨Today is the last day to experience A RADIANT FUTURE online and in VR at epoch.gallery.
“Tayyare Hakkında Malumat Vereceğim” 4 Ocak’a kadar @bilsartistanbul ’da.
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"I will give information about the airplane" is on view at Bilsart until January 4.
The work brings together the aerial attacks on Istanbul with a fictional character named Rakik Mayreni. The video features Mayreni's letters, which were generated using a language model trained on historical data from the era. In this sense, it draws an analogy between historiography and artificial intelligence algorithms, emphasizing the preservation of the specific and the unique over the general in both contexts.
Special thanks to the open-call jury members @ebruyetiskin@erdalinci and @hulyaozdemirstudio as well as to @lolajoriga and @emirakhasanoglu for their support during the exhibition. 📷@bivayti
#bilsart #bilsartistanbul #cerensucelik #bilsartaçıkçağrı
Install view of Reverse Sample No. 3 at Wintercircus Ghent.
Exhibition Drifting Landscapes on view until 4 May.
🎥 courtesy of the @wintercircusghent | curator @dianedrubay
