Äntligen framme! 🛞🤍
Vit Volvo av @eriksvetoft aka Białe Volvo i min översättning till polska!
Wyd. / Förlag: Timof Comics @timof_comics
SE>PL @catascha
Red.: Dominik Szcześniak
Skład i łamanie / Typsättning @wojciechstefaniec
Bezpiecznej jazdy 🚐
Tack @kulturradet.se för översättningsstödet!
[The 2025 Best Exhibitions List Pt II 🥂]
As per tradition, C-print closes a year of travels and extensive exhibition visits with the annual best exhibitions list. Team C-print joined by writers and critics Kasia Syty and Zachary Whittenburg.
Full list and full texts on www.c-print.se
10.Nicola Arthen and Rodrigo Red Sandoval, Eavesdrop, Platform, Stockholm
”with this highly ambitious show, proves that it should not be overlooked as a space to be reckoned with. Mexican-born Sandoval’s selection of witty sculptural assemblages, for which found material and objects have been used, including a locally sourced 3 m long lamp post (!), align surprisingly well with Arthen’s boldly patterned tapestry.”
9. Amine Habki, I will sew up all the petals of your garden, Andréhn-Schiptjenko, Stockholm
”His works explore softer masculinities and tender scenes, often placing the viewer in medias res in moments that exude intimacy without feeling confrontational. They instead portray subtle gestures and emotional nuance, moving beyond hypersexual clichés and common stereotypes about Arab men.”
8.Carlos H. Matos, Finest Hour in Arcadia, PEANA, Mexico City
”In the spirit of Brutalism’s best practitioners like Paul Rudolph, Finest Hour was deeply disciplined and precise. Two standing “worktables” under suspended lamps offered up for close inspection quizzical miniatures that recalled Brancusi, Giacometti, Miró, and Noguchi.”
7.Kayo Mpoyi, Monster - en myt, Grafikens Hus, Stockholm
”However, what really stood out for us was Mpoyi’s residency show at the temporary storefront site of Grafikens Hus in Farsta, which takes on the shape of a raw “open studio”.
6.Bartosz Kowal, Ferdindand Evaldsson and Øleg&Kaśka (group show), Secret Histories, Coulisse Gallery, CLAY.WARSAW, Warsaw
”The result is a rare kind of visual coherence, almost disarmingly beautiful, without ever tipping into complacency. What lingered after leaving Secret Histories was not a single work…but a sensation, the feeling of having briefly stepped into another rhythm of time, one in which history, myth, and matter are not cited or aestheticized, but quietly inhabited.”
![[The 2025 Best Exhibitions List Pt II ]As per tradition, C-print closes a year of travels and extensive exhibition visits with the annual best exhibitions list. Team C-print joined by writers and critics Kasia Syty and Zachary Whittenburg.Full list and full texts on www.c-print.se10.Nicola Arthen and Rodrigo Red Sandoval, Eavesdrop, Platform, Stockholm”with this highly ambitious show, proves that it should not be overlooked as a space to be reckoned with. Mexican-born Sandoval’s selection of witty sculptural assemblages, for which found material and objects have been used, including a locally sourced 3 m long lamp post (!), align surprisingly well with Arthen’s boldly patterned tapestry.”9. Amine Habki, I will sew up all the petals of your garden, Andréhn-Schiptjenko, Stockholm”His works explore softer masculinities and tender scenes, often placing the viewer in medias res in moments that exude intimacy without feeling confrontational. They instead portray subtle gestures and emotional nuance, moving beyond hypersexual clichés and common stereotypes about Arab men.”8.Carlos H. Matos, Finest Hour in Arcadia, PEANA, Mexico City
”In the spirit of Brutalism’s best practitioners like Paul Rudolph, Finest Hour was deeply disciplined and precise. Two standing “worktables” under suspended lamps offered up for close inspection quizzical miniatures that recalled Brancusi, Giacometti, Miró, and Noguchi.”7.Kayo Mpoyi, Monster - en myt, Grafikens Hus, Stockholm
”However, what really stood out for us was Mpoyi’s residency show at the temporary storefront site of Grafikens Hus in Farsta, which takes on the shape of a raw “open studio”.6.Bartosz Kowal, Ferdindand Evaldsson and Øleg&Kaśka (group show), Secret Histories, Coulisse Gallery, CLAY.WARSAW, Warsaw
”The result is a rare kind of visual coherence, almost disarmingly beautiful, without ever tipping into complacency. What lingered after leaving Secret Histories was not a single work…but a sensation, the feeling of having briefly stepped into another rhythm of time, one in which history, myth, and matter are not cited or aestheticized, but quietly inhabited.”](https://sp1.picnob.com/p/pt_6758612322283368102662_0_6023d735de7a7f32a45326151523a34d.jpg?o=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&h=60ea79702958d3c34819d834bee89624)
