A new destination for contemporary culture in Milan.
Casa Gregotti opens this September | By invitation only
Home-galleries can be seen as a response to the concept of the home as not just a living space but that it can also be a place of meaning, memory, and connection. If art fairs resemble Marc Augé’s non-places, transitory spaces where time is fragmented and connections are often fleeting—home-galleries bring art back into a lived-in environment, designed to foster authentic and lasting relationships.
In this sense, the home-gallery becomes a container of experiences and relationships, a space that goes beyond its physical function and gains value through time and human interaction. A return to the physical space, emphasizing context and the quality of the relationship between art and its audience.
Missing Architecture by Igor Grubić was created in collaboration with the Islamic community of Modica as part of I Vespri. Civic Forum in Five Acts.
The project reflects on the
absence of mosques in Sicily, despite the island’s long Arab history and its contemporary Muslim community.
Starting from this absence, Grubić imagines a temporary and symbolic architecture: a minaret that becomes a space for dialogue, visibility, and coexistence.
Through Missing Architecture, the voice of the muezzin resonates publicly from dawn to dusk for the first time, opening a new relationship between public space, memory, and community.
The accompanying photographic documentation captures both the evolution of the project and
the collective participation it generated.
Yesterday at Casa Gregotti, we celebrated the opening of “Igor Grubić: La strada dentro la casa”, a new exhibition created in collaboration with @laveronica_gallery
For over twenty years, @igor_grubic has explored themes of memory, urban transformation, and collective dynamics, engaging with the scars and stratifications of post-socialist Europe. Through photography and video, his work focuses on what changes over time, on places of passage, and on the traces left by history within urban space.
A special thank you to everyone who joined us for the opening, and to @terredaenor , who helped make this evening so special.
On the occasion of Art Week, Casa Gregotti presents an exhibition dedicated to Sonia Delaunay (1885–1979), who redefined the relationship between art, color, and everyday life.
From painting to textiles and fashion, her work transforms color into movement and lived experience.
By invitation
A dinner dedicated to Sonia Delaunay, conceived as an extension of the artist’s work, where the dialogue between art, material, and a contemporary vision also takes shape at the table.
FUORI CASA
More Sweetly Play the Dance and Remembering Morandi
📍Palazzo Citterio, Milan
🗓️6 February - 5 April, 2026
At Palazzo Citterio’s Sala Stirling, William Kentridge stages a poetic dialogue between past and present.
On one side, the immersive power of More Sweetly Play the Dance, a procession of moving figures flowing through space like a collective ritual shaped by memory, migration, and history. On the other, a tribute to Giorgio Morandi, where simple objects are transformed into living presences, suspended between silence and time.
A meeting of stillness and movement, painting and animation, contemplation and narrative. An experience that is not just observed, but felt and lived.
GEOMETRIE TESSILI
Disegni per tessuto nell’opera di Sonia Delaunay
April 15 – April 30, 2026
Casa Gregotti presents an exhibition dedicated to the textile designs of Sonia Delaunay, a central figure of the European avant-garde between the two World Wars.
The exhibition brings together drawings by Sonia Delaunay in dialogue with a selection of historical artists including Adriana Bisi Fabbri, Giacomo Balla, Fortunato Depero, Alberto Magnelli, Atanasio Soldati, and Leonardo Dudreville.
📸@fabio_mantegna
📸Giacomo Grasse, vintage photograph of a shawl on Sonia Delaunay textile
By invitation
At Easter, the egg returns as a universal symbol of rebirth. This simple yet powerful image runs throughout the work of Felice Casorati, becoming a quiet signature of his practice.
Present in his still lifes from as early as 1914, eggs shift from marginal details to central forms, pure elements that shape balance and space.
Rich in meaning, they echo Renaissance ideas of birth and salvation, while also suggesting fragility and uncertainty. In their essential silence, they become absolute images: small forms that hold the poetry of the everyday.
Felice Casorati
Limoni, 1962
Tempera on laid paper
35 x 30 cm
Courtesy Luca Gregotti Archivio 900
