Here's a bit of a new thing from our set at @ritualunionbristol . Huge thanks to @ceribain for manning the camera for us!
This Wednesday 9th April we return to @mattandphreds in Manchester! Looking forward to being up North again!
@crosstownconcerts@strange_brew_briz #kingheron #kingherontrio #bristoljazz #bristolmusic #nujazz #jazzfusion #jazzrock #contemporaryjazz #guitartrio #mattandphreds #manchester #manchestergigs #manchesterjazz
Making their Champion Version debut, Bristol nu-jazz trio King Heron meld lyrical expression, hard-edged basslines and fluttering soundscapes to form their own distinctly progressive fusion sound. ‘Oobleck’ begins with Jacob Houghton’s punchy guitar motif before Cerith Evans’ intricate bassline and Cameron Macdougall’s drum patterns are introduced, adding depth and complexity to this stunning composition. The drums provide a steady yet dynamic backdrop, allowing the guitar and bass to explore various textures and moods. The track exemplifies King Heron’s innovative approach to jazz fusion, seamlessly blending elements of jazz, rock, and electronic music. ‘Neustart’ opens up with a reversed guitar improvisation before Cameron’s crisp, syncopated drum loop comes in setting a dynamic pace. Cerith’s bassline is both deep and resonant, providing a solid foundation. Jacob’s guitar introduces melodic phrases that intertwine with the rhythm section, creating a rich, textured soundscape. The track’s progression showcases the trio’s ability to blend lyrical expression with hard-edged basslines, exemplifying their distinctive fusion style. Both tracks highlight the trio’s deep trust and connection, as they explore new jazz fusion impressions together. ‘Oobleck/Neustart’ is characterized by a blend of lyrical expression, hard-edged basslines, and fluttering soundscapes, forming a distinctly progressive fusion sound. Get this now.
