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BODY-DE-BUILDING In-situ performative intervention séries #01 #streetworkouts #bodybuilding #whiteman

Déʂҽɳʋσûƚҽɱҽɳƚ Interactive performance ritual Conceptualized by Collectif EXO•s Shown at @legenerateur Show Your [frasq], 2026 Déʂҽɳʋσûƚҽɱҽɳƚ is not a wellness ritual. Déʂҽɳʋσûƚҽɱҽɳƚ is a protocol. Déʂҽɳʋσûƚҽɱҽɳƚ is an epistemic sabotage. Déʂҽɳʋσûƚҽɱҽɳƚ is psycho-shamanic debugging of the social space. Déʂҽɳʋσûƚҽɱҽɳƚ is an exorcism plunging beyond sanitized spiritualism into the terrifying limits of the unknown. Inhabited by @renyan.liu @atea.dhan @bynone__ Photos by @bernard_bousquet_ Tech sound / lighting: Milan DENIS, Vincent VEY

Some more images from our collective performance Notre Nuage, 2026, Paris At @lmparisien @festival_ecarts_sciencespo With @collectif.l.etinciel Directed by @atea.dhan @renyan.liu Images by @mr.martiq

Performance Notre Nuage At @lmparisien For @festival_ecarts_sciencespo With @collectif.l.etinciel Directed by @atea.dhan @renyan.liu Images by @mr.martiq @emmhtp

EXPOSĘ, 2026. Iteration 01 from the public performance series. Site-specific intervention, Paris. 30 mins. Tape, text, body. Part of ongoing research practice within @eurartec Image captured by @louuloudi

Performance “Give Us Some F” at @legenerateur 2026 Paris Performer: @bynone__ @charliejjimenez Projectionist: @atea.dhan Tech Assistant @louuloudi @outofbounds20xx Photos by Bernard Bousquet

Performance “Give Us Some F” Performer: @bynone__ @charliejjimenez Roaming Projectionist: @atea.dhan Tech Assistant: @outofbounds20xx @louuloudi At @legenerateur , Pile ou Frasq, 2026, Paris. F? What does the F stand for? And what truly represents Whiteness? Who holds the power to define the Étranger? Wrestling with an illusory symbol. Wrestling with whitened selves. But who is the real opponent? How do you force a faceless statue to climax? How do you link two bodies, strangers to each other, yet structurally the exact same? How do you suck up to a system that is as silent as a white wall, using nothing but your own exhaustion? We call body art “art.” We turn the body into a standing, impenetrable monolith. We scream without words in the middle of a contemporary white cube, throwing out voiceless accusations, hoping that the context alone will make our suffering sublime, right? Right? Are you also tired? Video captured by Thibault Paris @legenerateur Sound & Light Techs: Vincent VEY & Remi WOODALL

Breaking the spell of whiteness. New project. Ritual of Disenchantment. Psycho-shamanic performance by Collectif EXO•s. More soon. With @atea.dhan @renyan.liu Image captured by @tom_sha

Video from our event GLITCHES OF CORPS(e Performers @sweepmeee @arghflow @bynone__ @gyorfironia Curated by @gyorfironia videography @lightsofscarlett edit @gyorfironia

At Modern Musée des Arts #perfomance #performanceart #kissing_at #contemporaryart

WINGED VICTORY OF SAMOTHRACE at @museelouvre White parian marble 5,57 x 2.75m The Winged Victory of Samothrace, one of the most famous statues at the Louvre, graces the top of the monumental Daru staircase. The Winged Victory of Samothrace is one of the rare Greek statues whose exact original location is known. It was made as an offering to the gods for a sanctuary on the Greek island of Samothrace. Placed at a height, people could see her from afar. That is why, in a nod to her original lofty home, she now adorns the top of the Daru staircase. Nike, the winged goddess who heralds victory, is seen just as she is about to alight on a ship. During the 1850s and 1860s, major works were underway to expand the Louvre and make it more modern. The former palace had already been partially transformed into a museum. The emperor Napoleon III had a new wing built to make more room to showcase more art. The old staircase built by his uncle Napoleon I was no longer adequate to access all the galleries. The only things left from that time are the ceilings leading to the Italian painting collections and the name Daru, a minister under Napoleon I. The Winged Victory of Samothrace was placed in her new home on the upper landing in 1883, some 20 years after the statue was discovered. #performance #art #kissing_at #louvre #paris

DAN GRAHAM — TWO CUBES, ONE CUBE ROTATED 45° (1985) at @palaisdetokyo Aluminum, double-sided mirror, glass, wood 47.5 x 79 x 89 cm Dan Graham’s work Two Cubes, One Cube Rotated 45° (1985) was originally designed on a child’s scale for the exhibition Chambres d’amis, organized by Jan Hoet in Ghent in 1986, where fifty-one artists were invited to create a work in the homes of city residents. Built in the garden of architect Dirk Defraeye, the temporary pavilion functioned as a play area (Children’s pavilion). This is therefore a model of the work, composed of two interpenetrating cubes, constructed from an equal number of glass panels and double-sided mirrors. Inside the structure, the viewer becomes an actor in the work, experiencing its movement, the modification of its viewpoints, and the change in space through the play of reflections and light. Two Cubes, One Cube Rotated 45° was then constructed in full size, on an adult scale, during the Dan Graham exhibition organized in 1987 at the ARC-Musée d’Art Moderne de la Ville de Paris. The installation operates on a mode of critical perception. Thus, artists working in this register implement plastic processes and devices, whose perception by the viewer (retinal, acoustic, bodily, etc.) induces a renewed awareness of their presence with the work and their relationship to others, thereby extending an artistic situation to the dimensions of the social political body. The aim is to highlight subjective behavior, or even to modify or destabilize it, and to heighten the viewer’s state of consciousness (awareness of the present moment, context, and process of perception). The works and situations created are often metaphorical of patterns of behavior in society, outside the realm of art. All of Dan Graham’s work, through his frequent use of mirrors, delayed video images, and transparent glass, is emblematic of this exploration of critical perception. #art #performanceart #kissing_at #artlover #paris