What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (
@burnstorm ) explores this question and more: âThrough my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I createâwhether photographic or collage-basedâare imbued with a visceral connection to the physical environments Iâve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.â
Featured here are âEvil Eye Transmuted onto Organzaâ and âEvil Eye,â two works by the artist currently on view in Buffalo Prescottâs đđđ§đŁđđĄÂ 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibitionâs public opening later this month.
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Featured works:
1) Amelia Burns, âEvil Eye Transmuted onto Organza,â 2026, digital image on organza, steel rods or acrylic, 118 Ă 124 Ă 70 1/2 in / 299.7 Ă 315 Ă 179.1 cm.
2)Â Amelia Burns, âEvil Eye,â 2026, digital collage on photo rag, 30 Ă 36 in / 76.2 Ă 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm