LORDWAVYBONE

You Only Live Once, That’s The Motto N*gga - YOLO!

Visage De La Maison, 2026 © Bryce Jones.
 The Private Self, Unperformed Version. Dimensions: 36 x 20 IN (91.4 x 50.8 CM). Medium: Mixed Media On Canvas Acrylic, Spray Paint, Pencil + Marker On Stretched Heavy Duty Canvas. The Start of A New Life, Your REAL Life. Amen.

Don’t Matter Where You Are, Don’t Matter What You Do 2026 © Bryce Jones. Starting a new month with a painting that took a few weeks to complete—created slowly, from where I am mentally. As I navigate career paths while balancing multiple responsibilities, my sense of grounding continues to shift. I find myself searching for home within an environment I once believed I had left behind. These two faces represent self—existing simultaneously, adapting, and negotiating identity in transition. Medium Mixed media - Acrylic, spray paint, pencil and marker on stretched heavy duty canvas. Dimensions: 22 × 28 IN (55.9 × 71.1 CM) Amen.

N*ggas Talkin’ Reckless, Must B Out His Mind 2026 © Bryce Jones. These faces come from confusion, but also certainty. A reminder not to underestimate yourself or your creativity. People are watching—sometimes closer than you think. Influence is layered, perception is deceptive, and not everyone is who they present themselves to be. Trust. Medium Mixed media - Acrylic, spray paint, and marker on stretched heavy duty canvas. Dimensions 20 × 36 IN (50.8 × 91.4 CM) We Live We Love We Laugh.

When You With Me You Gon’ Get Real Motivated.

Mental Confinement, 2025 © Bryce Jones. Series Breakdown Release I: Suppression Release II: Fracture Release III: Rupture Medium Mixed media — Acrylic, spray paint, and marker on stretched heavy duty canvas. Dimensions Each panel:
20 × 36 IN (50.8 × 91.4 CM) Installed Together:
60 × 108 IN (152.4 × 274.3 CM) Mental Confinement reflects a year of personal and creative growth. The series traces the progression from stagnation to clarity—beginning with hesitation, internal pressure, and moving toward release. Early in the year, I carried countless goals but struggled to place myself in spaces that challenged me creatively. Over time, learning how to move within those environments—observing, networking, and trusting my instincts—became part of the work itself. Read from left to right, the fragmented faces represents a gradual shift in headspace. What begins as suppression and fracture slowly ruptures into something more honest and self-aware. These faces are not portraits, but states—markers of internal conflict, ambition, and the ongoing desire to be better. This series stands as both a record and a release. I’m grateful to God and to myself for trusting the process. This body of work marks a turning point—one defined by momentum, self-belief, and the commitment to keep pushing forward. Amen.

Faces Away From Home, 2025 © Bryce Jones. “Faces Away From Home” explores identity during displacement—the feeling of being physically present while mentally elsewhere. The fragmented faces represent shifting states of self rather than fixed identities, shaped by memory and transition. Color functions as environment, allowing figures to appear, distort, and fade without closure. Medium:
Mixed Media — Acrylic paint and marker on stretched heavy-duty canvas. Dimensions:
30 × 30 IN (76.2 × 76.2) CM. Details:
Signed and dated by the artist. Amen.

Untitled, 2025 © Bryce Jones. Simply Driven By Momentum + Music. Painted With A Purpose. Mixed Media on Heavyweight Paper Sheet
Acrylic Markers, Charcoal, Pencil Dimensions: 12” × 9” IN (30.48 × 22.86 CM). Signed + Dated On The Back. Amen.

The Faces Of Freedom, 2025 © Bryce Jones. I kind of treated this like a science experiment on myself. This instrumental is so melodic, nostalgic, old-school, and laid back — it fits my personality if you know me. I fell in love with it. I took a nap with the beat playing, and when I woke up I felt inspired in a way that made me feel like a little kid again. I was excited to act on the images I saw in my mind, both from when I slept and when I woke up. With the song looping, I tapped in and pushed myself toward a more minimal, focused style — less color, smaller scale, more intention. The melody carries a certain purpose, and I resonated with that. It made me paint with purpose too. Mixed Media on Heavyweight Paper Sheet
Acrylic Markers, Charcoal, Pencil Dimensions: 12” × 9” IN (30.48 × 22.86 CM) Amen. I’m So Not Sorry For The Spam Today. Thank You! @alanthechemist

Psychological Facial Features, 2025 © Bryce Jones. Psychological Facial Features is a visual dissection of emotion — the blurred intersection between identity and thought. Each canvas examines how internal states reveal themselves through abstracted facial structures. Using mixed media — spray paint, acrylic, marker, and pastel — the series balances order and spontaneity, structure and distortion. Every face becomes less a portrait and more a reflection of the mind’s turbulence: overthinking, clarity, exhaustion, and resilience. Through repetition and variation, Psychological Facial Features invites viewers to recognize themselves in the chaos — to see how emotion, like art, is layered, uncontained, and constantly shifting. Dimensions: Figure 1: 24 x 18 in (45.72 x 60.96 CM). Figure 2: 20 x 16 in (40.64 x 50.8 CM). Made In Silence, Internal Dialogue (2025)
22 x 28 in (55.88 x 71.12 CM). Figure 3: 20 x 16 in (40.64 x 50.8 CM). Figure 4: 24 x 18 in (45.72 x 60.96 CM). Mixed Media — Spray Paint, Marker, Pencil, Acrylic Paint New Works For Sale, Amen.

Now & Forever, 2025 © Bryce Jones. Taking a monochromatic approach, this series was inspired by Drake’s “Now & Forever.” The recurring lyrics function as time stamps — markers of chapters, habits, and thoughts we revisit no matter how far we think we’ve moved. The scribbled clusters represent the internal noise beneath composure, while the eyes remain observant, aware, and guarded. Each canvas becomes a checkpoint in the cycle of letting go and holding on at the same time. This series is less about the song itself and more about what it pulled out of me — the parts of ourselves we confront only when we’re alone, looping the same emotion until we finally understand it. Mixed Media on Heavyweight Paper Sheet
Acrylic Markers, Charcoal, Pencil Dimensions: 12” × 9” IN (30.48 × 22.86 CM) Amen.

I Don’t Know Where I’m Going, But I’m Going Anyway - 2025 © Bryce Jones. These works were created over the last few days. A transitional period in my life — a phase where everything feels uncertain, but movement was still required. The faces are not portraits; they’re reflections of my emotional state as I took a leap of faith into the unknown. The chaos, the scribbles, the distortions — they mirror the feeling of trying to hold myself together while life keeps pushing forward. I’m evolving, processing, and still figuring it all out. This series represents my choice to keep moving, even when I don’t have all the answers. Mixed Media on Heavyweight Paper Sheet
Acrylic Markers, Charcoal, Pencil Dimensions: 12” × 9” IN (30.48 × 22.86 CM) Just Talk To God, Amen.