Blue Ka Wing

Dance film《Peak Hour in the House》 Director | Blue Ka Wing Choreographer | Blue Ka Wing Director of Photography | Wilfred Wong Camera Operator | Wilfred Wong Gaffer | Wilfred Wong Camera and Light Assistant | Brian Toh, Oddalys Salcido Performers | Pinky Wu, Maggie Chan, Jonathan Yang, Gabriel Heathman, Ivy Tsui, Mei Ting Fang, Yung Chih Teng, Wency Lam, Athena Leung, Lizzie Johnstone Sound & Music | Jonathan Yang, Maggie Chan Art Director | Blue Ka Wing Organ Costume Designer | Esmé Dann Colorist | Anson Cheng Editor | Blue Ka Wing Still Photographer | Eloïse Frey 🌿Official selection of 《Peak Hour in the House》 - FIFTH WALL FEST Edition V (New Manila, Philippines) - Brighton Screendance Festival 2024 (Brighton, United Kingdom) - Together We Dance ! A 30-Year Journey: Dance Film Nights - PLUS by Hong Kong Dance Alliance (Hong Kong) - FIELDS by The Place and Studio Wayne McGregor (London, United Kingdom) - SHAPE 2 (Atlanta, USA) - The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) - The 43rd International Festival of Films on Art (FIFA) (Québec, Canada) - Online platform ARTS.FILMS (Québec, Canada) - Cinedans FEST '25 (Amsterdam, Netherlands) - 2025 92NY Future Dance Festival (New York, United States) - Segal Theatre Film and Performance Festival 2025 (New York, United States) - Festival Quartiers Danses (Montreal, Canada) - Frame Rush 2025 (London, United Kingdom) 🏆Award of 《Peak Hour in the House》 - Special Mentions from The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) #screendance #dancefilm

Dance film《Peak Hour in the House》 Director | Blue Ka Wing Choreographer | Blue Ka Wing Director of Photography | Wilfred Wong Camera Operator | Wilfred Wong Gaffer | Wilfred Wong Camera and Light Assistant | Brian Toh, Oddalys Salcido Performers | Pinky Wu, Maggie Chan, Jonathan Yang, Gabriel Heathman, Ivy Tsui, Mei Ting Fang, Yung Chih Teng, Wency Lam, Athena Leung, Lizzie Johnstone Sound & Music | Jonathan Yang, Maggie Chan Art Director | Blue Ka Wing Organ Costume Designer | Esmé Dann Colorist | Anson Cheng Editor | Blue Ka Wing Still Photographer | Eloïse Frey 🌿Official selection of 《Peak Hour in the House》 - FIFTH WALL FEST Edition V (New Manila, Philippines) - Brighton Screendance Festival 2024 (Brighton, United Kingdom) - Together We Dance ! A 30-Year Journey: Dance Film Nights - PLUS by Hong Kong Dance Alliance (Hong Kong) - FIELDS by The Place and Studio Wayne McGregor (London, United Kingdom) - SHAPE 2 (Atlanta, USA) - The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) - The 43rd International Festival of Films on Art (FIFA) (Québec, Canada) - Online platform ARTS.FILMS (Québec, Canada) - Cinedans FEST '25 (Amsterdam, Netherlands) - 2025 92NY Future Dance Festival (New York, United States) - Segal Theatre Film and Performance Festival 2025 (New York, United States) - Festival Quartiers Danses (Montreal, Canada) - Frame Rush 2025 (London, United Kingdom) 🏆Award of 《Peak Hour in the House》 - Special Mentions from The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) #screendance #dancefilm

Dance film《Peak Hour in the House》 Director | Blue Ka Wing Choreographer | Blue Ka Wing Director of Photography | Wilfred Wong Camera Operator | Wilfred Wong Gaffer | Wilfred Wong Camera and Light Assistant | Brian Toh, Oddalys Salcido Performers | Pinky Wu, Maggie Chan, Jonathan Yang, Gabriel Heathman, Ivy Tsui, Mei Ting Fang, Yung Chih Teng, Wency Lam, Athena Leung, Lizzie Johnstone Sound & Music | Jonathan Yang, Maggie Chan Art Director | Blue Ka Wing Organ Costume Designer | Esmé Dann Colorist | Anson Cheng Editor | Blue Ka Wing Still Photographer | Eloïse Frey 🌿Official selection of 《Peak Hour in the House》 - FIFTH WALL FEST Edition V (New Manila, Philippines) - Brighton Screendance Festival 2024 (Brighton, United Kingdom) - Together We Dance ! A 30-Year Journey: Dance Film Nights - PLUS by Hong Kong Dance Alliance (Hong Kong) - FIELDS by The Place and Studio Wayne McGregor (London, United Kingdom) - SHAPE 2 (Atlanta, USA) - The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) - The 43rd International Festival of Films on Art (FIFA) (Québec, Canada) - Online platform ARTS.FILMS (Québec, Canada) - Cinedans FEST '25 (Amsterdam, Netherlands) - 2025 92NY Future Dance Festival (New York, United States) - Segal Theatre Film and Performance Festival 2025 (New York, United States) - Festival Quartiers Danses (Montreal, Canada) - Frame Rush 2025 (London, United Kingdom) 🏆Award of 《Peak Hour in the House》 - Special Mentions from The 5th Edition of the ROLLOUT Dance Film Festival (Macao, China) #screendance #dancefilm

The Hong Kong Academy for Performing Arts Dance 3 《Romantic 4:48am》 Choreographer: Blue Ka Wing Dancers: Degree 1 students of Contemporary Dance 🗓️ 29/5 FRI 19:30 🗓️ 30/5 SAT 15:00 🗓️ 30/5 SAT 19:30 📍 Dance Studio 1, 4/F, HKAPA

Collector of moments, student of life.

#不設劃位｜舞蹈影片放映系列：身體的邊界與詩意 今次不設劃位電影節特別呈現三部舞蹈短片，它們共同打破了舞台的界限，將身體的語言帶入城市與邊界的當代語境中。這些作品不僅僅是舞蹈表演的錄影，更是身體動作與電影語言的結合，專為鏡頭創作的影像。 藝術家藍嘉穎的兩部作品，巧妙地拆解了動作與場景的傳統定義。《籃球舞蹈員》將籃球運動技術轉化為編排性舞蹈，透過錯置場景，對比了受外物限制的「運動中的身體」與虛擬的「想像中的身體」，探討肢體生產的過程。這與她的另一部作品《Peak Hour in the House》一樣，專注於鏡頭前舞蹈的編排，實現了電影攝影與舞蹈媒體的完美融合。 同時，Anson Sham的半虛構紀錄片《那年冬天，我們在邊境牆前讀書跳舞》，則將身體置於地緣政治的夾縫中。影片中，兩位藝術家在中港邊界以玩味性的「讀書跳舞」遊戲，在魔幻寫實的氛圍下，揭示了我們身處空間的暗湧與複雜性。 兩位創作者共同利用舞蹈影像這一媒介，捕捉身體在非傳統場景中（從球場到邊界）的獨特語彙，邀請觀眾重新審視身體、限制與現實之間的複雜關係。 記得鎖定放映場次！ 放映詳情： 📅 4月24日 (五) ⏰ 晚上 8:00 PM 及 9:00 PM (兩場） 📍 地點：觀塘（登記Link in Bio，放映早兩天會收到詳細地址)

@idancejapan 2023 @Kagoshima Supported by Hong Kong Arts Development Council @hkadc_official It’s been a magical trip. Curiosity brought me to join i-Dance Japan for the first time in 2015. I was amazed by everything there. The nature, the food(this is the kitchen where made me fall in love with okra!), the lovely Contact Improvisation movers. And a short trip in Kagoshima with Mandy @mingyinmandy as a beautiful finale. 8 years later(2023), I came back for checking in with myself. Meeting the old and new faces/bodies. To learn some more practical skills. How to contact with people efficiently. Love is the key, for real 🔐 It’s always so hard to say “goodbye”. So I would rather say “See you down the road”, thanks to @kentarotakahashi13 reminding us this poetic sentence with a beautiful scenery popping up while you say so. 🛣️ (And! 2.5 years later, 5 of us are performing together! On this Friday night at @urbanguild 🇯🇵) @wataru.murakami.nas @teshirogiha @kentarotakahashi13 @chpoon_89 Be grateful for every encounter in life. What a journey.

@idancejapan 2023 @Kagoshima Supported by Hong Kong Arts Development Council @hkadc_official It’s been a magical trip. Curiosity brought me to join i-Dance Japan for the first time in 2015. I was amazed by everything there. The nature, the food(this is the kitchen where made me fall in love with okra!), the lovely Contact Improvisation movers. And a short trip in Kagoshima with Mandy @mingyinmandy as a beautiful finale. 8 years later(2023), I came back for checking in with myself. Meeting the old and new faces/bodies. To learn some more practical skills. How to contact with people efficiently. Love is the key, for real 🔐 It’s always so hard to say “goodbye”. So I would rather say “See you down the road”, thanks to @kentarotakahashi13 reminding us this poetic sentence with a beautiful scenery popping up while you say so. 🛣️ (And! 2.5 years later, 5 of us are performing together! On this Friday night at @urbanguild 🇯🇵) @wataru.murakami.nas @teshirogiha @kentarotakahashi13 @chpoon_89 Be grateful for every encounter in life. What a journey.

A special gift for these 2 kind ladies. 🇭🇰Hong Kong Minibus sign x i-Dance Japan 2023🇯🇵 @idancejapan 2023 @Kagoshima Supported by Hong Kong Arts Development Council @hkadc_official It’s been a magical trip. Curiosity brought me to join i-Dance Japan for the first time in 2015. I was amazed by everything there. The nature, the food(this is the kitchen where made me fall in love with okra!), the lovely Contact Improvisation movers. And a short trip in Kagoshima with Mandy @mingyinmandy as a beautiful finale. 8 years later(2023), I came back for checking in with myself. Meeting the old and new faces/bodies. To learn some more practical skills. How to contact with people efficiently. Love is the key, for real 🔐 It’s always so hard to say “goodbye”. So I would rather say “See you down the road”, thanks to @kentarotakahashi13 reminding us this poetic sentence with a beautiful scenery popping up while you say so. 🛣️ (And! 2.5 years later, 5 of us are performing together! On this Friday night at @urbanguild 🇯🇵) @wataru.murakami.nas @teshirogiha @kentarotakahashi13 @chpoon_89 Be grateful for every encounter in life. What a journey.

識你果陣，你兩歲，而家八歲，傾嘅野又唔同左了，見到面又唔再扭擰，唔洗warm up 🍻今日三個不約而同地著左藍色

上星期跟他吃飯，一起討論《鄰居的鄰居》，我絕對需要他的觀後感和建議，因為他作為《鄰居》2015年第一版的靈魂人物，啟發了這個作品很多，其中Walk In The Park這首歌，從溫柔到暴烈地唱了24次”Loving, wanting, hurting, healing”，重複的力量撼動了我的身體，於我來說是凌晨時分的另類「搖籃曲」，（搖藍🩵曲？！），搖到我去一種從未體驗過的狀態，當時也開始建立起一些自己感興趣的身體語彙。 . 他的智慧、才華、叛逆、童真、膽量、玩世不恭，卻總能接住我的心事……我的dramatic stories，給我中肯的建議，同時鼓勵著我前行。 . 很慶幸一畢業就遇上你，令我對音樂和Singer-songwriter的standard定了在一個高位，成日比正野我聽，帶我去不同類型的場合，認識很多厲害的音樂人和藝術家，讓我大開眼界。 . 我是在一個熱鬧拜年飯局的氛圍下，收到他離開的消息，頓時瞳孔放大，外表冷靜，內心激動，打麻雀的聲音繼續伴奏著……我意識到生命裡，失去了一個可以很安心地，毫不保留地傾訴心底話的人。人生中，每失去一個交心朋友，孤獨感就會上升5%。縱使我有幻想過這一天的來臨，但還是會很不捨，不過，一想到你的笑容、un腳、串咀的模樣，不禁被你感染了，頓時不敢做老套怪，默默流下的眼淚也收回了，太多美好回憶，我會用最型最浪漫的方式去想念你。 . 這篇對他來說，也非常老土，不過鬼仔睇中文字麻麻地，是9但啦。 . 又不過，10/2當日，你明明說下星期要再約多次，話因為唔夠喉，但下星期你就走左去，真係好串，我好嬲，你食言，天蠍座會記住你一世，梁卓堃。

. Visual: Meet-the-artists section at @cinedans 2025 Subtitle: Excerpt from @theneighborsneighbor (Inspired by “4.48 Psychosis“) Sound: YOU