Prof. Dr. Bonaventure Soh Bejeng Ndikung is a curator, author and biotechnologist, currently serving as director and chief curator of Haus der Kulturen der Welt (HKW) Berlin, Germany and chief curator of the 36th São Paulo Biennale. He is the founder and was artistic director of SAVVY Contemporary in Berlin, as well as the artistic director of sonsbeek20–24, a quadrennial contemporary art exhibition in Arnhem, the Netherlands. He also worked as curator-at-large for Adam Szymczyk’s Documenta 14 in Athens, Greece and Kassel, Germany in 2017 and was guest curator of the Dak’Art biennale in Dakar, Senegal, in 2018. Additionally, he served as the artistic director for the 12th and 13th editions of the Bamako Encounters photography biennial in Mali, taking on this role in 2019 and 2022. Together with the Miracle Workers Collective, he curated the Finland Pavilion at the 58th Venice Biennale, 2019. Prof. Dr. Ndikung was a guest professor in curatorial studies and sound art at the Städelschule in Frankfurt, and he is currently a professor in and head of the faculty of Spatial Strategies Master’s program at the Weissensee Academy of Art in Berlin. He was the recipient of the first OCAD University International Curators Residency fellowship in Toronto in 2020. His published works include, inter alia, The Delusions of Care (2021), An Ongoing-Offcoming Tale: Ruminations on Art, Culture, Politics and Us/Others (2022) and Pidginization as Curatorial Method (2023).
All ROADS to the GREAT HALL 🏃♂️ 🏃♀️ 🏃♂️
You are cordially invited to attend the opening of the contemporary art exhibition
ZADO KELI: ECLIPSE OF A CONTINENT?
By EDWIN BODJAWAH
Curated by Kwasi Ohene-Ayeh
Exhibition Opening Saturday 20th December, 2025 5:30pm-8:30pm
Opening Daily Mon. - Sat. 9am - 5pm
Closing Date 15th February, 2026
The exhibition will take place at the Museum of Science and Technology, Accra on the Liberia Road near the TUC Hall.
For any further info. please contact Isaac on 0553402817, Sena on 0544599791
#blaxtarlineskumasi #blaxtarlines #kwasioheneayeh #edwinbodjawah #knust #museumofscienceandtechnology
You are cordially invited to attend the opening of the contemporary art exhibition
ZADO KELI: ECLIPSE OF A CONTINENT?
By EDWIN BODJAWAH
Exhibition Opening Saturday 20th December, 2025 5:30pm-8:30pm
Opening Daily Mon. - Sat. 9am - 5pm
Closing Date 15th February, 2026
The exhibition will take place at the Museum of Science and Technology, Accra on the Liberia Road near the TUC Hall.
For any further info. please contact Isaac on 0553402817, Sena on 0544599791
#blaxtarlineskumasi #blaxtarlines #edwinbodjawah #knust #museumofscienceandtechnology
Turkson's multidisciplinary practice, encompassing sculpture, mixed media, and digital collage, focuses on the human body as a site of transformation. Turkson examines how inherited biases, societal pressures, and even dietary choices shape our physical forms. Her current digital collages construct new bodily forms from sourced imagery of things we consume or apply to ourselves. By layering these elements, she creates a direct visual metaphor for her core thesis: that identity is built from countless cultural, societal, and nutritional influences that are consumed. Her work challenges fixed notions of identity, presenting the body instead as a malleable archive, endlessly constructed from both natural and artificial forces.
1. Title: Elloduent
Medium: Digitally printed paper, ornamental frame Dimension: 21x29.7cm
2. Title: I can fly
Medium: Digitally printed paper, ornamental frame
Dimension: 29.7x42cm
Video credit: @joel_asare
Photo Credit: @lightnpixel
Directors: @richmond_okyere1@japheth_omar
#blaxtarlines #compoundhousegallery #knustmuseum #contemporaryart
#knust
#art
#painting
#sculpture
#architecture
Enyonam's work investigates the intersection of sculpture and architecture. She engages with concepts of memory, space, and materiality, often working with cement and fabric to take moulds of architectural elements, particularly doors and structural surfaces. These imprints serve not as direct reproductions, but as subtle translations that explore presence, absence, and the passage of time. By drawing from lived and built environments, Fusese reimagines architecture as more than structure, seeing it instead as a vessel that carries emotional weight and personal histories. Her practice invites viewers to consider the tactile and intimate connections we form with the spaces we inhabit, and the quiet stories embedded in their surfaces.
1. Title: Ghost Shelf
Medium: Wooden shelf, cement slurry, fabrics ( canvas ,towel, and bedsheets), push pins.
Dimension: 58L × 41H × 30W inches
2. Title: Silent Passage
Medium: Cement slurry, fabric (Khaki), iron rods, wooden door, and push pins.
Dimension: 80H ×36L × 2W inches
Video credit: @joel_asare
Photo Credit: @lightnpixel
Directors: @richmond_okyere1@japheth_omar
#blaxtarlines #compoundhousegallery #knustmuseum #contemporaryart
#knust
#art
#painting
#sculpture
#architecture
Jessica's practice engages with themes of memory, ancestry, and transformation. Working across painting, photography, and digital manipulation, she develops hybrid works that merge tactile and digital processes. She prepares her canvases by pouring and splashing colour surfaces, onto which she transfers images digitally and incorporates mandala patterns. Her recent body of works titled “Beyond Mandala; Where Colours Speak” (2025) expands on her ongoing interest in colour as a form of communication and spiritual grounding. This layered approach creates a visual language where colour, texture, and pattern become metaphors for interconnectedness, cycles of life, and the shifting nature of identity.
1. Title: Joy in motion II
Medium: Acrylic paint on canvas
Dimension: 15 x 25 inches
2.shifting partten I
Medium: Acrylic paint on canvas
Dimension: 20 x 20inches
3. Shifting partten II
Medium: Acrylic paint on canvas
Dimension: 15 x 25 inches
4. Living circle IIII
Medium: Acrylic paint on canvas
Dimension: 15 x 25 inches
5. Fragment of Mandala IIII
Medium: Acrylic paint on canvas
Dimension: 20 x 20 inches
Video credit: @joel_asare
Photo Credit: @offinjessica
Directors: @richmond_okyere1@japheth_omar
#blaxtarlines #compoundhousegallery
#knustmuseum #contemporaryart
#knust
#art
#painting
Okyere's practice is informed by scientific research, ecological thought and science fiction. He questions and interrogates what it means to live in a world massively constituted by other worlds and beings. This fuels his research and practice, which often leads to the creation of unidentified and entangled forms ranging from installations, paintings, sounds, animation and sensory forms of art.
1. Title: Thrownness, 2025. Diptych Medium: Oil, Steel pipe, on canvas. Dimension: 52.8 × 85.32 inch
2. Title: A thousand stones, 2025. Diptych
Medium: Acrylic, Steel pipe and rhinestone on canvas.
Dimension: 52.8 × 85.32 inch
3. The Continents, 2025.
Medium: Oil, steel pipe, Acrylic, scarf, beads on canvas.
Dimension: 72 ×72 inch.
Video credit: @joel_asare
Photo Credit:@lightnpixel
Directors: @richmond_okyere1 , @japheth_omar
#blaxtarlines #compoundhousegallery #knustmuseum #contemporaryarts
#knust
#artstudio
#painting
Join us for the GHANA GLASS PROJECT 2025!
In collaboration with Raquel van Haver and KNUST/blaxTARLINES, we’re hosting a special Art Talk and Workshop exploring glass, craft, and community.
📍 Art Talk
Friday, 21st November — 9:30am
blaxTARLINES Project Space
📍 Workshop
Saturday, 22nd November — 8:30am
Ceramic Session
Featuring an incredible project team and in partnership with institutions across Ghana and the Netherlands.
All are invited, come learn, engage, and be part of the conversation.
@blaxtarlines@knustmuseum@raquelvanhaver@emilkovacglass@lamcordaro@heiseymuseum@stichtingstokroos
#blaxtarlineskumasi #blaxtarlines #glassmuseum
#knust #redclay #sccatamale #redclaystudio #knustmuseum
We had the pleasure of hosting Blessed Assurance Model School at the KNUST Museum today.
They visited our ongoing exhibition, Abubumabaa King Otumfuo Osei Tutu II: The Rewoven Tapestry of Tradition and Modernity, celebrating the Silver Jubilee of Otumfuo Osei Tutu II’s reign as Asantehene.
The group was also guided through our concurrent exhibition, 70 Stories: KNUST at 70, as well as our ongoing departmental exhibition, Between Worlds, Becoming Otherwise, at the Department of Painting and Sculpture, KNUST.
Video credit: @joel_asare
Photo Credit: @joel_asare
#blaxtarlineskumasi #compoundhousegallery #knustmuseum #contemporaryarts
#knust #knustmuseum
#artstudio
#painting
