Why I started Biskit Underground
Biskit Underground began as an experiment in the narrative potential of audio-visual sets—a way to explore how sound and image transform each other.
Electronic music has always fascinated me—it can transport, shift emotions, and reshape perception. But in most clubs and festivals, visuals are either an afterthought or completely absent. When they do exist, they often feel sharp, hyper-digital, and repetitive—lacking story.
For me, electronic music, already a digital expression, needs contrast—something more organic, soft, textured, and abstract. This contrast allows the mind to add its own meaning and interpretation to the visuals, making each individual’s experience of the sound and set unique. The goal of visuals in this context is to enhance the sound without taking away from it. There’s a delicate balance between visuals as background and visuals demanding attention—too much of either and the experience feels lost. It’s about shaping a journey where sound and visuals co-exist as equal parts of the experience, subtly shifting perception and guiding the viewer into another world. I rarely saw this kind of visual storytelling, so I decided to create it myself. My first set was in 2021 for a NYE party with friends—a small experiment that later grew into the idea for Biskit Underground.
It’s designed to exist anywhere—not just clubs and festivals, but any space. Whether setting a mood or playing in the background, these AV experiences are meant to be immersive, anytime, anywhere.
🎥 Slide through to see a single scene transform through sound and image.
👉 Raw footage → Generative forms → Archival layers → Final composition.
At its core, Biskit Underground is an evolving conversation between sound and image—a way of asking: How can visuals reshape the way we hear music?
Full sets on YouTube—link in bio.
@biskitunderground
#BiskitUnderground #AVSet #VisualArtist #ElectronicMusic #AudioVisualExperience #GenerativeArt #ImmersiveVisuals #ExperimentalFilm
