@draaimolen_ that was absolutely crazy 🤯
Special thanks to @pariah_uk & @blawan for having us at the Pit, truly no stage like it
More to come from us soon😌
✹ beat-making workshop /w @bigmurk this sunday in collaboration with @dfnd.tunis ✹
✹ this workshop will cover basic fl studio techniques for making beats, while discussing approach, workflow and how to find your own style.
big murk will demonstrate at a beginner level how to make a beat, then play some beat projects while breaking down the process and elements involved in his type of music.
in addition to q&a about making beats and navigating music work.
✹ big murk is an independent palestinian-jordanian producer, drummer and mc based in amman, specializing in uk grime and hip-hop’s subgenres. with a style centered around unconventionally programmed drum patterns, murk is always aiming to make his beats as bouncy and neck-snapping as possible.
📍 dayone
📅 sun. 17 may - 2pm
👥 open to musicians, composers, djs producers & curious learners (beginner level)
💸 20dt (you can give more if you can)
🔗 sign up via the link in our bio
dm us or reach out via [email protected] with questions or to express interest!
sound. real. collective.
One of the sharpest sounds coming out of Amman right now belongs to @bigmurk , who features on this year’s #DazedMENA100 list.
At just 24, the Jordanian Palestinian producer, MC, DJ and drummer is shaping the city’s underground with a sound that pulls from grime, trap and bass-heavy club music. Grounded in community and resistant to polish, Big Murk is pushing rougher, more uncompromising sounds while keeping the scene local and collaborative.
Tap the link in bio to read the full Dazed100 list 🔗
#NewNoise: After months of speculation around a possible link-up, Jordanian-Palestinian artists Rknddn and Shbash have teamed up with Big Murk on single, ‘Absar Leish’.
Produced by Big Murk, the beat is dark and functional, built around a sub-heavy bassline and cinematic synths. It moves with steady pressure, leaving little room for downtime. There’s no hook or traditional chorus, just a continuous exchange of verses that keeps the focus firmly on delivery and writing.
Thematically, both artists stay within familiar territory, origin stories, independence, calculated moves, and the realities of building a career in rap on their own terms, a meditation on lived experience rather than exaggerated posturing or flexing.
Shbash approaches the beat with his usual control, balancing melodic phrasing with a firm, grounded tone. His verses carry a sense of weight without overstatement. Rknddn counters with a more aggressive approach, leaning into dense rhyme patterns and shifting cadences that keep the momentum moving. The contrast creates a back-and-forth that feels intentional rather than competitive.
As a first collaboration between three trailblazing forces in the regional hip-hop scene, ‘Absar Leish’ captures distinct styles intersecting cleanly, offering a clear snapshot of where Jordanian rap is right now, hinting at where it could go if this partnership continues.
For more noise-making people and movements from across the region, visit or download the #SceneNOW app available on iOS and Android.
٢٠٢٥
١. صورة عفوية الي ببلجيكا
٢+٣. مهرجان درايمولن الموسيقي (هولندا)
٤. ؟؟؟؟؟
٥. مهرجان اوتلوك الموسيقي في كرواتيا
٦. هبل
٧. درامز
٨. دي جي (عمّان)
٩. دي جي (امستردام)
١٠. رحت على فلسطين
١١. جمجمة في فلسطين
١٢. بيت جديد نسبيّاً
١٣. انا و صاحبي شرف
١٤. حفلتنا ب زاوية (عمّان)
١٥. انا و صاحبي حمتيني
١٦. اسمي مكتوب عالشسمه
١٧. الفنّان جيمز ماساياه (بريستول)
١٨. تصوير دعاية (شغل)
١٩. انا و صاحبي يزن
٢٠. ☁️
