We are very excited to perform our project SCATTERISM for the first time alongside @_mapmaking project and GSMD EPM babes at @iklectikartlab this Sunday. It will be a gorgeous evening of interdisciplinary collaboration and work in progress sharing, hope to see you there!
FREE EVENT
Sunday 10th May 7pm
IKLECTIK, Peckham Levels
95a Rye Lane, Southwark, London, SE15 4ST
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Harp and drums collide in fast-paced, improvised sound worlds shaped by tape, resampling, and hidden electronics—reflecting the overwhelm of London life.
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📷 by the amazing
@trottalice
@bambi_e8@lebz7
12.12.2025 🔥🔥🔥 that was ridiculously fun! Ty so much to all who came and danced with us! Full session over in Mixcloud.com/Lebz7
Lebz b2b Big Phil, more in 2026 👀
What a wonderful evening Monday was. A huge thank you to all who joined us on Monday for the screening and Q&A of 'Kerma'. We were so pleased to meet some of you and share our project with you, especially those who have a personal connection to Ingrid - this was really special for us too. Your feedback and support was so encouraging - so thank you again.
A special thanks to Ellie Kingston-Hogg, Chisenhale Art Place administrator for helping to organise, host and promote the event, for providing drinks for the event and for documenting the Q&A - your help and support has been invaluable. And thank you to Reece McMahon, Chisenhale Dance Space's executive director, for facilitating the event in the dance space and helping us with technical logistics. It's an absolute honour and privilege to screen 'Kerma' at Chisenhale. We hope there will be many more years of stories to unfold in this beautiful and historical space.
A special thanks also goes to Arthur Davies-Evitt for being a much needed rock throughout the project, many of the unknowns and risk-taking have felt like fun and manageable challenges with you onboard. It was an absolute joy to be hosted by you on the Q&A panel. Thank you to Roisin Larkin for always putting in 100% (despite a very busy work schedule!) and instilling so much confidence in me through your impressive expertise. And to Philippa Godsalve for the beautiful creative collaboration on the project but also for always lending so much support to the project beyond your department.
@chisenhaledance@chisenhalestudiosartists@chisenhaleartplace@arthur_daviesevitt@licey.splicey@biggus.phillus@trottalice
Friday night at @paperdresslive was magic – bleeps, Celtic harp and a load of modular goodness with @off___jazz .
Big shout to the amazing crowd that came and supported and to @cooks.but.were.chefs for a killer show. Swipe for a clip 💫
A special live edition of the Boglands show this evening, @biggus.phillus is joined by @hoy_chorale for a chat and some songs ahead of the full band experience show at the George Tavern on 10th November - tickets on Dice!
A very special screening of Kerma is taking place this evening at @the.bath.house.hw followed by a Q&A with Ingrid Kerma and filmmakers Alice Trott, Philippa Godsalve and Arthur Davies-Evitt.
There are some spots left - event link in bio!
Doors 7 pm
Screening 7:45 pm
Q&A 8:45 pm
The film is composed by the incredibly talented harpist and composer Philippa Godsalve. It was an organic collaboration of flowing communication with a shared sense of depth and essence in Ingrid's story. Knowing Philippa's previous work, and her capacity to observe, interpret and translate into soundscapes, the score was always in very safe hands. Realising the score with her partner Arthur, who also produced on the film, added to the dynamic of expertise and sensitivity to narratival interpretation, as well as enriching the collaboration process.
Philippa shares some of her thoughts on the creative process of scoring Kerma...
“Ingrid’s reflections on her creative processes were an endlessly rich source of inspiration for my own. Ingrid explains that she paints not to create art, but as a discovery, a meditation and a process to find out within herself what it is to be alive. The score was developed to reflect the abstract, textural and spiritual nature of Ingrid’s work and throughout the process I often came back to her words about creative flow, finding out through experimentation what sound the film wanted.
The film is warm and intimate, so the music tries to convey a closeness towards Ingrid. The frenetic and rough surfaces of her paintings are echoed in sounds of audio jacks hitting metal harp strings, bowed cymbal and violin textures overlayed with fluttering clarinet and synths which in turn creates an aural intimacy.
With the invitation from director Alice for my own unlimited creative exploration, together with the philosophies of Ingrid, I have created some of my best most personal work which allowed me to grow and develop my practice and voice as a composer and sound artist.”
Friday’s at Bambi require serious dancing shoes, and several rounds of martinis!
Mr @lebz7 and @biggus.phillus always providing the grooviest of nights.
Up until 9PM we have @biggus.phillus with the Boglands show, taking us on a boggy walk through experimental and traditional folk music, field recordings, drone and ambient
Closing out our live shows for the week we have @biggus.phillus soundtracking your Sunday evening with 2 hours of ambient, drone, folk, trad and experimental 🌿
