Beth Shapeero

오랜만에, 정말 마음에 드는 작품을 볼 수 있었다 🖤✨️

Beth Shapeero Above | ‘Blue Lines 1’ 100 X 80 CM Painting £1100 Please DM [email protected] to discuss Currently on show @artfair_daegu

Very excited to be showing in Korea 🇰🇷 @artfair_daegu 💕💕

New big ones 💅🏽

✨✨✨Print Sale✨✨✨ I’m doing a rare studio sale (actually never done this before) to help fund a trip to show in Korea. 9 prints available. The smaller size are £200 and the larger ones £300. I’ll cover P+P in UK. Details below…. DM to purchase please and thank you 🤩 🙏 Slide 1: just me 💋 so the post doesn’t get buried by insta - photographed by Daniela Luquini Slide 2: Lipstick 3, 38x56cm £200 🔴 Slide3: Lipstick 2, 41x71cm £300 Slide 4: Lipstick 6, 40x50cm £200 Slide 5: Black Lipstick 4, 50x76cm £300 Slide 6: Black Lipstick 2, 50x76cm £300 🔴 Slide 7: Black Lipstick 1, 50x76cm £300 🔴 Slide 8: Black Lipstick 3, 34x76cm £200 Slide 9: Lipstick 5, 43x59cm £200 Slide 10: Lipstick 4, 42x59cm £200 🔴 The last few slides are details of the prints 💕 All are unique silkscreen mono prints produced as a series @glasgowprintstudio . I like to work on recycled paper from other projects hence the mix of sizes and paper types and sometimes painted elements slip in there. Please share with anyone you know who may be interested and keen to support artists! I can post free to UK, £20 Europe, £40 ROW 🌍

@trongate103 is such an important part of Glasgow’s cultural infrastructure. I can’t quite believe what is happening here. I moved to Glasgow 15 years ago because of the vibrant and supportive arts scene and in my first year volunteered @transmissionglasgow . Then got my first ever proper arts job as a youth arts coordinator based @gmacfilm and used @glasgowprintstudio since 2012 where @haxtonstudio and I had a solo show (photographed) in 2023 as part of our collaboration @two_step_collab . The print studio in particular has been such an enormous part of my creative path. I’ve made some of my best work there, and it’s been the nest of a collaboration that has shaped my practice - and life. This is so sad - that this is happening and being allowed to happen. I love Glasgow and I’m so proud to live here and call it home but when the people who run the city take to little care of it and its inhabitants it’s devastating. City property, ran by @glasgowcc are pushing the art organisations out by raising the rents, which will create yet another empty property in our city centre, for what - another fucking fire? And WHY???? So they can raise the value of their portfolio. So shortsighted, so corrupt, so insanely wrong. There’s a lot of good people working for the city, so who is accountable for this? Why can’t we stand up to them and protect the things that make our city cool? Sign the petition, go to the protest tomorrow, see you there 💥 @jessholdy 1st slide photo credit

We’re so excited about our exhibition ‘Let it Come Down’ opening this Friday @stallanbrand in Glasgow. We are celebrating 2 incredible Glasgow photographers and producing 2 new 35 x 35 prints for the show. All invited - we really hope to see you there! We are @shapeero.murray - myself and the @andymurrayandymurray We are excitedly working with artists @gemdagger and @matthewarthurwilliams ✨

Working on a series of black and white prints with Fraser at Glasgow Print Studio in 2022. Photographed by Jessica Holdengarde. @two_step_collab @haxtonstudio @jessholdy @glasgowprintstudio

Beth Shapeero Above | 'Underbelly', 2025 Mixed Paint on Canvas Painting 110 X 80 £1400 Available framed or unframed from sistercontemporary.com Underbelly is part of a new series of paintings developed in 2025. After relocating to a spacious studio near Glasgow – an abandoned 90’s call centre, Beth has been given the space to work on multiple large canvases for the first time, exploring how her style adapts to this new medium. She has leaned into using raw, untreated canvas and heavily diluted paint, savouring the softened edges, gentle diffusion, and the loss of control as colours bleed and merge across the fabric. When painting, Beth moves between completely letting go of trying to make a specific image and seeing where the forms will take her, working from instinct, —and picturing simplified images of memories or sensations. Often, these images are inspired by visceral physical feelings: a lump in the throat, anxious knots in the stomach, or moments of anticipation, such as the expectation of touch. In Underbelly, a dark form sits waiting. Ominous and still — a kraken, a looming presence, a potential threat. Does it reside within the body, or is it something external? And what is the difference? A perceived external threat settles inside us as fear. Though brooding and literally dark, the painting remains soft, even beautiful. The forms are gentle; the composition feels easy, almost comforting. Against the raw canvas, the bleeding edges hold a quiet tension between menace and tenderness. Sometimes the things that unsettle us most also offer a strange familiarity. Underbelly, a contemporary painting, would speak to many people. My friend @sjlfeatherstone shared a post of a @lemondesauvage paper earlier, and it feels that this painting would sit equally well on that paper as it would on a gallery wall. It suits an authentic space and place. Emotions expressed in this painting are not static and do indeed transcend. #inkscharcoal #glasgowcanvas #kraken #unsettlingandfamiliar #darksofttenderandbeautiful #bethshapeero #authenticcontemporaryart

#workinprogress

Beth Shapeero Above | ‘Still Life’ 2025 Painting Indian ink on 300gsm Fabriano paper 122 X 127 cm Framed £1200 Available via [email protected] or please DM for further details. #stilllife #oxymoron #timeandplace #sureart #indianink #minimal

New work in progress….