Adrien Manso’s practice moves fluidly between fine art and applied design, using whatever materials best serve the idea at the moment. From Posca markers and cardboard to airbrush, ink, and experimental textures, his process is rooted in speed, instinct, and accessibility. “You don’t think too much, you do it and you have to do it quick,” he says, embracing materials that allow for freedom rather than perfection. Whether working on quick life drawings or layered compositions, each surface becomes a testing ground where gesture, texture, and graphic clarity collide.
That same energy carries into his graphic design and client work, where his background in graffiti and drawing informs bold, immediate visual decisions. He treats every project as an extension of his artistic language, blending raw mark-making with structured design thinking. “It’s a mix of all my experience,” he explains. The result is a practice that erases the line between commercial and personal work, where experimentation, function, and expression exist in the same space.
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One year ago, I was in Belgrade, Serbia, representing Catalunya and painting on a silo at the port. Time flies, it was an amazing adventure! I hope to come back one day. Hola 🙋🏻‍♂️ @b.murals@fondacijasasamarceta@silosibeograd
#graffiti #belgrade #beograd #silosi #urbex #trementinaires #tuixent #healers #characterdesign
