Good Bones by Nick Meyer
Back in stock online now and in-store tomorrow!
Good Bones uses images seen and made over the past 7 years to try to find a way to navigate a moment in time. The pictures are made in the world but without an idea of place in mind. Rather, through, sequencing, they are taken out of context to form a new understanding of the world around us in the hopes of finding an optimistic future.
Invisible Sun by Amani Willett
INVISIBLE SUN is a visual meditation on survival, transformation, and fragility by artist Amani Willett. The project traces the impact of childhood medical traumas and the ways they continue to reverberate through the present.
Confronting these early challenges amid new chronic health challenges, Willett turned to intensive therapies. Within this process he encountered vivid, unsettling memories, often of his younger self, that became a generative source for the work.
The resulting images weave together photographs of his children, experimental photographic processes, dark landscapes, and AI-generated visions. Moving between the haze of memory and the clarity of the present, INVISIBLE SUN gives form to what the body remembers when the mind does not. It is an exploration of fragments, vulnerability, and resilience, offering a visual language for what is most often left unspoken.
LAMF: Three Days in Berlin, 1987 (Signed) by John Gossage
John Gossage’s LAMF: Three Days in Berlin, 1987, first conceived as a hand-assembled book exclusively for his friends, is a consummate example of the photobook as art.
Gossage used a custom telephoto lens and 6000 ASA film to shoot the area around the Berlin Wall and into the ‘no-man’s land’, capturing the dark atmosphere of a divided city. This new edition of LAMF, made in close collaboration with the photographer, features an expanded edit of 44 images (twice as many as the original) printed in lush tritone with special silkscreen UV varnish to emulate the original’s tipped on gelatin silver prints.
The book also comes with a new interview with publisher Jordan Weitzman about the book’s genesis and Gossage’s long fixation on Berlin, also the subject of his acclaimed books Stadt des Schwarz and Berlin in the Time of the Wall.
What was once one of the rarest books in Gossage’s oeuvre, can now be had by all: a masterpiece of the photobook medium by one of its most prolific practitioners, and a moving artifact of Cold War history.
Back in stock! Alone Together by Devin Yalkin (Signed)
Alone Together is an introspective photographic project by Devin Oktar Yalkın reflecting on the passing of home and the sense of longing that follows. Set in the family house in Brigantine, New Jersey, the book unfolds through a series of monochrome images that trace the subtle remnants of a life once lived there.
The monograph explores themes of impermanence and renewal, revealing how domestic spaces, once filled with emotion and routine, gradually turn into vessels of memory. Haunting and contemplative, Alone Together reminds us how spaces remember us, and how, in turn, we carry them.
Mawmaw by Anthony Wilson
Arriving soon! Available to order online now.
Mawmaw is an intimate, long-term exploration of West Virginia’s grandfamilies – households where children are being raised by their grandparents. Spanning all four seasons, the work moves beyond the usual narratives around the opioid crisis to examine the many reasons grandparents step into a caregiving role: incarceration, death, unpreparedness, or neglect.
Through photographs made between 2021 and 2026, the book weaves together everyday life — from birthdays and play to exhaustion and resilience — to show both the triumphs and the struggles of these families. At the heart of it all are the grandmothers themselves, who keep these children fed, happy, and most importantly, deeply loved.
New Genesis by Abdulhamid Kircher
New Genesis examines how American systems of care repeatedly fail the women and children most dependent on them. Made between 2022 and 2025, the project extends Abdulhamid Kircher’s exploration of lived trauma impacted by the intersecting violences of capitalism and domestic insecurity.
At the center of the book is Sierra Kiss and her young family. A friendship developed after Kircher made portraits of Kiss in her home in Los Angeles. Over the course of the four years they have known each other, Kircher has documented her experience of homelessness, addiction, repeated pregnancies and domestic abuse. The work reveals a broken system of support – from shelters to churches and social services – eroded by chronic underfunding and government policy. When the scaffolding of the world we inhabit fulfills its own promise to keep women in states of dependency and impoverished people in states of powerlessness, how can we expect new generations of healthy, safe and cared for families to flourish?
Kircher’s photographs trace the repetition, exhaustion and confinement that define daily survival as Kiss fights to create a loving and stable domestic environment for her children. Kircher seeks to share her lived experience with all its complexities, contradictions and struggles. Depicting with vulnerability the contours of her life alongside the moments of joy and innocence her children find within circumstances structured to limit them.
Birds and Other Angels by Barbara Bosworth
Signed copies available for pre-order online now. Arriving this June!
Birds and Other Angels by Barbara Bosworth features large-format color photographs of birds in the hands of the people who study them, reflecting on care, attention, and the fragile interdependence between humans and the natural world. The essay, “My Favorite Angel Lives in the Met” by Laura Howes
Bosworth writes, “Birds, to me, are wonderment. A flash of color, a song. I feel fortunate to have grown up in a family that paid attention to them.
The photographs in this book were made with an 8x10 film camera while working with bird banders in northeast Ohio and central Massachusetts. Bird banding is a method used to study behavior, track migration routes, and monitor populations. Licensed banders catch and then release the birds, collecting data that becomes part of a larger ecological archive.
Birds are deeply affected by shifts in climate, land use, and human presence. They remind us our world is fragile. With the banders, I found a generous community of people who treat the world with respect. My wish, before it is too late, is for us to all care for the environment, and pay attention to the birds and angels in our lives.”
Wet Ground by Aria Shahrokhshahi
Wet Ground is a long-term body of work by British-Iranian artist Aria Shahrokhshahi, developed through repeated stays living and volunteering in Ukraine since 2019. Made from inside the war rather than in response to it, Shahrokhshahi’s activist approach rejects spectacle in favour of proximity, focusing on the rhythms, contradictions and fragile continuities of daily life shaped by prolonged violence and uncertainty.
Shot in stark black and white, Shahrokhshahi moves beyond the visual shorthand of war imagery to present scenes that are often inscrutable, absurd, domestic, performative or oblique. A recurring focus on youth and subculture finding ways to survive and thrive reflects the radical and improvised paths life in Ukraine takes in the present moment. Wet Ground lingers in the spaces around conflict, where threat, loss and anticipation shape the daily existence of a generation of young Ukrainian men and women, even as they continue to carve out moments of resistance, rebellion and joy.
Italian Story (Signed) by Andrea Modica
“The photographs in this book were made over the past four decades, primarily in Italy, entirely with an 8×10 view camera. I suspect I will continue this work for as long as I am taking pictures.
The title reflects the complexity of the Italian word storia, which holds meanings as diverse as history, story, situation, issue, fuss, hassle, tale, or lie. Depending on context, it may also refer to a love story, brief or ongoing. Italian Story is a broad narration: a record of events, a historical fiction.”
- Andrea Modica, 2026
Italian Story is a deeply personal and poetic journey through Italy, spanning over forty years of photographic work by American photographer Andrea Modica.
Born into a third-generation Italian-American family, Modica began traveling to Italy as a young woman, gradually building a visual archive of the country’s landscapes, people, rituals, and moments of quiet intimacy. These photographs, taken across decades and regions, form a lyrical exploration of identity, memory, and belonging filtered through Modica’s singular, tactile photographic language.
Freddie by Rory Mulligan
Freddie, Rory Mulligan’s debut monograph, is a body of black and white photographs that spans more than a decade of the artist’s work. Spurred on by the death of a childhood friend and unrequited first love, Mulligan turned to photography and towards home to unpack his personal history, relationships with other men and his own place in the canon of documentary photography.
Crystalline yet strange images of suburbia are punctuated by charged portraits and self-portraits resulting in a poetic, rhythmic rupture of traditional documentary narrative. Mulligan’s process of creating this work was deliberately paced, often stepping away from it for months or even years at a time to focus on other projects. He considers Freddie to be something beyond simply personal, it is a revelation of the artist and his navigation through loss and search for intimacy and self-affirmation.
A flip through of Asunder by S. Billie Mandle
S. Billie Mandle’s Asunder is an immersive and disquieting photographic meditation on attention, contradiction, and the quiet entanglement of beauty and destruction.
Devoid of external text or identifiers, the book arrives almost mute echoing the slow, flickering reveal within.
Three years in the making, Asunder began in the aftermath of the 2020 Glass Fire in Northern California—one in a series of increasingly catastrophic wildfires reshaping the region’s landscape and psyche.
Printed in dark, velvety tones on unbleached, pulpy paper—a tactile reminder of the fragility and material history of trees—the book opens with a glowing orb gradually overtaking the frame across thirteen pages. This visual prologue sets a foreboding, otherworldly tone. A quote from Dante’s Inferno marks the descent: “...the pathway had been lost.”
What follows might resemble a walk through the forest, but it unfolds more like a stumble. Mandle’s images don’t lead the viewer through a landscape—they pause, hesitate, and invite waiting. At first glance, the scenes may appear quiet or familiar, but subtle disruptions surface: scorched trunks, brittle branches, the dense residue of loss. The sequence shifts from light to dark, drawing the viewer into a looping, claustrophobic narrative.
