Elegance, material, light.
Two delicate bronzes, poised between sculpture and design, where the rigour of the fan meets the organic poetry of the Lalanne universe.
In Place Pigalle–Halle aux Vins, Van Dongen captures the full brilliance of Paris in motion: a vibrant, inhabited, magnetic scene, where colour does not merely illustrate – it animates.
Painted in La Ciotat in 1907, this calanque reveals the full Fauvist audacity of Othon Friesz: a Mediterranean landscape of pink rocks, luminous blues and liberated brushwork, where nature becomes a vibration of colour.
At Le Cannet, Pierre Bonnard composes a vision both quiet and vibrant, where colour shapes space and unsettles perception.
Between interior and landscape, the scene slips away – leaving only a soft, luminous sensation.
Between line and volume, Auguste Rodin reveals the full power of the body in motion.
From drawing to sculpture, the same breath runs through his work: capturing the fleeting moment, the flesh, and inner tension with remarkable intensity.
With Lalanne, poetry takes shape even beneath our feet.
A tapis conceived as a work of art, between organic forms and domestic poetry.
A soft and singular presence, where imagination enters the space.
With his « Vase à deux anses », Picasso transforms the object into a sculptural, frontal, and deeply striking figure.
Black, white, and the power of graphic rhythm: an emblematic ceramic in which the artist’s full inventiveness comes to life.
Sunlight, sails and colour in motion.
With Les Martigues (1902), Francis Picabia captures the quiet poetry of the Provençal harbour.
Discover this luminous Impressionist view at Bailly Gallery.
