Bahut studio

A closer look at our 50×70 cm double-faced Plot Twist poster, offset printed in a limited run of 250 🎭 Should we make this (and more posters) available on our website? 📮 The first 10 people to comment “Plot Twist” will receive a free copy (folded to 25×17.5 cm, 16mo) — available across Italy and Europe 🤍

Last year we partnered with @gramma_studio for the design of their new website. Gramma is a photography and visual culture consulting firm founded by Giulia Tornari and Lorenza Anselmi. Gramma engages in dialogue with photographers, the publishing industry, corporate clients and public and private institutions. Gramma’s expertise ensures that visual narratives are thoughtfully crafted, through the conception, design and execution of communication projects, exhibitions and cultural initiatives. Creative Direction: @bahutstudio Development: Farhan Ahmed Typeface: Brown LL by @lineto_com

Last day to visit Hidden Collections, the exhibition by @giorgiodinoto at @museonazionaleromano , is tomorrow, February 14th, so don’t miss this chance. But if you do you can always buy the book, edited by @quodlibet_edizioni and available online and in bookshops. Curated by #alessandrodandinidesylva Texts by Edith Gabrielli, Agnese Pergola, Alessandro Coco and Andrea Pinotti Design @bahutstudio Exhibition views by Eleonora Cerri Pecorella

2026 means 5 years as @bahutstudio and 10 years of collaboration. Our first project together, the visual identity for the exhibition Start Up. Quattro Agenzie per la Produzione del Possibile was designed back in 2016. We’ll keep scheduling and eating healthy meals, thanks @jimothylacoste for inspiring us back then (even though this one is from 2018).

See u in 2026 💤 thanks u all for 2025 🫶

Visual identity and design for the exhibition Il Tempo della Devozione. Libri d’ore italiani tra Medioevo e Rinascimento now open at Accademia Nazionale dei Lincei in Rome On view @accademianazionaledeilincei Dec. 12, 2025 – Feb. 15, 2026

Sun is back, see you later tonight at @villa_medici for les pensionnaires Nuit Blanche and Noire 🤍🧡🖤

Hidden collections @museonazionaleromano 15/10/25-11/01/26 Curated by #alessandrodandinidesylva Book published by @quodlibet_edizioni Architectural fragments, Temple of Portunus, Fortuna Virile, masked film negative 112x147cm print “Everything that was painted red or yellow, or covered with cardboard or other materials to ‘cut out’ the subject, would remain white in the final print, thus eliminating all the information that, in the original shot, surrounded the artefact. In short, I had found artefacts that had not only been selected and preserved, but that also bore the marks of an operation of exclusion — of erasure carried out to preserve only the information considered most important.” “Tutto quello che veniva verniciato di rosso o giallo, o coperto con cartoncini e altri materiali per “scontornare” il soggetto, sarebbe rimasto bianco nella stampa finale, eliminando così tutte le informazioni che, nello scatto originale, circondavano il reperto. Avevo trovato insomma dei reperti che, non solo erano stati scelti e conservati, ma essi stessi mostravano i segni di un’operazione di esclusione, di cancellazione funzionale alla conservazione di informazioni ritenute più importanti.”

Our new website and new identity are out now. Designed by @bahutstudio this new visual direction reflects Set Architect’s core principles in architecture and design: essential, archetypal, and non-generic. The renewed logo and website are central to this shift, echoed across printed materials and presentations. set-architects.com

BOOK LAUNCH: Andrea Martinucci (@andreamartinucci ) - 5 secondi At Triennale Milano (@triennalemilano ) 20.05.2025 H 18.30 Speakers: Lisa Andreani (@kellyykelly___ ), independent curator and PhD researcher at IUAV University of Venice; Andrea Martinucci (@andreamartinucci ), visual artist; Edoardo Visalli (@edoardovisalli ), founder of Bahut studio in Rome and editor at Arbor Editions Moderator: Damiano Gullì, Curator for Contemporary art and public program at Triennale Milano, and contributor to the book Like a flipbook, the volume—published by Arbor Editions and curated by Lisa Andreani—invites readers to reflect on the possibility of pausing, slowing down, and letting go. This is precisely what happens in 5 secondi, the work that gives the book and the exhibition—presented at the Fondazione Baruchello (@fondazione_baruchello ) in Rome—their title. Martinucci documents an action performed in a public space. The central gesture—a simple fall—is broken down into one hundred and twenty frames, revealing the transformative potential of a fleeting instant. On one side, the volume gathers a polyphony of voices — Maria Alicata (@maria_alicata ), Lisa Andreani (@kellyykelly___ ), Damiano Gullì in conversation with the artist, Serena Schioppa (@serenaschioppa ), and Carla Subrizi (@carlasubrizi )— who reflect on the meaning and perception of a minimal span of time. On the other, it presents the artist’s exhibition project in the form of a cinematic flipbook and a record that emerges from the pages. Photos by Alessia Calzecchi (@alessiacalzecchi ) Published by Arbor editions (@arboreditions ) Design by Bahut (@bahutstudio ) Edited by Lisa Andreani (@kellyykelly___ ) 5 secondi. Andrea Martinucci Publication date: 2025 Pages: 356 Dimensions: 14.5 × 21 cm Binding: Sewn binding Language: Italian / English ISBN 978-88-944161-6-9

Presentation today at @leporello.books of ALMANAC by @federizio . Published in 2024 by @skinnerboox and @leporello.books Graphic design by @bahutstudio

Identity for @villa_medici Festival Film is one of the first output we designed since our collaboration with the Villa started in 2023. 2025 will mark the 5th edition of the Festival which continues to explore our relationship with images through cinema and contemporary art. Identity and design: @bahutstudio Typeface: @abcdinamo Images: courtesy of @daniele.molajoli and @villa_medici