ax

Tell us more about the concept of the divine feminine, @axcreates The graduate in fine arts and design (interaction design) from @ntu_sg is one of the young talents featured in the July 2024 Overachievers edition of @female_singapore , available now at newsstands. Photography: Athirah Annissa Art Direction: Pang Jia Wei Hair & Makeup: Benedict Choo #DesignSchool #NTU #nayangtechnologicaluniversity #ArtSchoolStudent #ArtSchoolLife #FinalYearProject #FinalYearStudent #FEMALEMag #FEMALESingapore

moments (un)shrouded by failure. learning to accept the fact.

Join us for a special night at the Asia North exhibition, “Shoes at the Door,” centering queer APIMEDA (Asian, Pacific Islander, Middle Eastern, and Desi American) artists and community. You’ll move through the gallery using artist-created prompts, followed by a conversation with featured artists: Riya Devi-Ashby, Anna Divinagracia, and AX Qin. Thursday, May 21 at @mdffparkway 
6–6:30 PM: welcome & reception
6:30–7:30 PM: artist talks
7:30–8 PM: closing & mingle Refreshments will be provided Registration strongly encouraged (link in bio)

transference of consciousness (double chambered whistling vessel in the form of abstracted female reproductive system) 2026 earthenware, pit-fired

4-4-4-4 2025-6 latex, air pumps, electronics, 3d print

the body is a blade 2023-6 photographic print, drywall, wood, joint compound

melt the ice.

dermis (2025) fabric, silicone, electronics, aluminium my skin stretches beyond its confines (2025) clay, modelling compound, single-channel video, aluminium ON SHOW AS PART OF @mountroyalschoolofart FALL SHOW AT FOX 3 GALLERY MICA 10.31-11.09

through and through (2025) 60x85cm fist, paper, blood, aluminium

🦷 DAISY THE GREAT 10.08 🦷

watered down (2025) medium: found footage, generative art, generative audio, social media

in eternal return to true zero (2024) “in eternal return to true zero” dissects the dimensionality of the origin, proposing the concept of diaspora as not only a displacement from a homeland but also the migration of the home itself. As an extension of philosophical considerations of relative and paradoxical identities, the question arises of the relative and absolute origins from which such identity may be referenced. This exhibition characterises two distinct axes of displacement — space and time, defining and paralleling motions and the relative origin along either, both, and neither dimensions. Within the three artworks, the artists explore the tangents and intersections of their individual and collective practices. Each offers a precise contextualisation of its defined origin, and examines the resulting differences of separation in relation to and as shaped by varying levels of self- and other-hood. LIVEHUMANSUBJECT is one of the invited collectives exhibiting as part of #IMMERSIO2024 organised by @wearefilamen — the works will be on show at GMBB, KL from 22 Nov to 22 Dec. Thank you @abdulsha_k @kaitkkt for the opportunity and exhibition support 🙏🏼