aurèce vettier

1- pinaster delirans (imp0ssibl3 tr33/4) (after transmutation into peradam) 200 cm x 90 cm x 90 cm AV-2026-U-783 2-et folium eius non defluet et omnia quæcumque faciet prosperabuntur (after transmutation into peradam) ca 60 cm x 40 cm x 40 cm AV-2024-U-666 Collection of the artist 3-salix murmurans (after transmutation into peradam) ca 70 cm x 70 cm x 110 cm AV-2026-U-789 4-resinifera arcana (after transmutation into peradam) ca 70 cm x 70 cm x 110 cm AV-2026-U-790 5-et nubes imberem laetitiae effundant (after transmutation into peradam) ca 50 cm x 50 cm x 70 cm AV-2025-U-752 Private Collection Bronze Sculptures from AI-generated forms, gilded with gold leaf (body) and palladium leaf (leaves and flowers) — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — Curation by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

aurèce vettier veliflora obscura Oil painting on canvas from an AI-generated image 120 cm x 90 cm AV-2026-U-794 — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

« du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

« du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

1-a view of the garden of the earthly delights (attempt) Oil painting on canvas from an AI-generated image 40 cm x 50 cm AV-2024-U-669 2-an impossible earthly encounter of magnificent galaxies (attempt) Oil painting on canvas from an AI-generated image 40 cm x 50 cm AV-2024-U-705 — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris Curation by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

« du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

Portrait of @aurecevettier by @romaindarnaud — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — Curation by @dominiquemoulon Thanks @sebastienborget , @cenestpasvale

aurèce vettier umbrifolium errans (fossilized) Bronze Sculpture from AI-generated forms, black patina AV-2026-U-791 — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

aurèce vettier an invitation from an old soul across the night (attempt) AV-2024-U-704 aurèce vettier an aurora borealis seen from the window of a parisian apartment (attempt) AV-2024-U-703 Oil paintings on canvas from AI-generated images 40 cm x 50 cm — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris Curation by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

aurèce vettier radicosma serica (healing flowers from Mount Analogue) Oil painting on canvas from an AI-generated image 150 cm x 120 cm AV-2026-U-792 — « du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale

« du savoir-rêve », exhibition of @aurecevettier curated by @dominiquemoulon , is currently on view until May 13th, 2026 at @artverseparis 5 bis Rue de Beauce 75003 Paris — « When landscapes appear in aurèce vettier’s work, they emerge as spaces held at a distance, their atmosphere retaining a particular opacity. The image is structured around partially indeterminate zones, around forms of incomplete visibility. This aesthetic corresponds to the way memories reconfigure themselves within dream activity. It engages a notion of dream-knowledge: a form of knowledge shaped through contact with unstable images. The technologies and techniques mobilized by the artist are fully part of this construction. aurèce vettier trains generative artificial intelligence models on images related to childhood, embracing the idea that the algorithm introduces new continuities. This process produces a plurality of propositions, some of which are then translated into painting by a decorative painter. His role belongs to a logic of studio practice and craftsmanship. This first body of work, rooted in sur-reality, maintains a direct connection with a second field of investigation: nature. aurèce vettier constructs bespoke datasets by gathering visual elements from diverse sources in order to compose a potential herbarium within latent space. These fragments of augmented nature also take material form in oil on canvas, but also in Aubusson tapestry and in bronze, notably through the lost-wood casting technique. In these works, levels of detail drawn from observation coexist with zones of computational approximation. aurèce vettier’s practice thus unfolds in a constant oscillation between sur-reality and sur-nature. It articulates memory and invention, archive and projection, calculation and studio practice, proposing a visual experience in which the living and the dreamlike answer one another. » Curatorial text by @dominiquemoulon Photos by @romaindarnaud Thanks @sebastienborget , @cenestpasvale