@photolondonfair returned with new energy at @olympialondon
This year’s fair feels more open, ambitious and alive, giving photography space to breathe and bringing new energy to both established and emerging voices.
Across our daily tours, we explored highlights from @stevenmeiselofficial ’s striking London portraits to @alfredojaar ’s powerful reflection on representation, alongside Focus and Positions, where artists such as @maurizioanzeri stood out as one of our favourites.
@photolondonfair continues to show why photography is such a compelling space for collectors: rich in stories, strong in ideas and full of artists at pivotal moments in their careers.
Explore our Photo London report, where we look at the fair as a case study for collecting photography today. 🔗 in bio.
#PhotoLondon #PhotoLondon2026 #OlympiaLondon #PhotographyCollector #artcollectors
We are delighted to welcome Alessandro De Stasio as a speaker at The Art Business Conference in New York on Thursday 21 May.
Alessandro is the visionary Co-founder and CEO of Artscapy, the award-winning alternative investment platform specialised in art. With over 15 years of art collecting experience and a robust background in digital businesses, Alessandro combines innovative thinking with strategic insights to keep Artscapy at the cutting edge of technological advancements. His passion for art and commitment to placing collectors first ensures that Artscapy provides expert guidance, data-driven market insights, and a seamless experience in art collection and management. Alessandro’s focus on alternative assets and investments has made Artscapy a leader in the field, helping users effortlessly diversify their portfolios and enrich their lives through art.
Alessandro will be speaking on our Panel “Monetizing your Collection : how is art finance evolving and adapting to suit a new generation of collectors?” to discuss how art finance is evolving and adapting to suit a new generation of collectors. The panel will outline the different services currently offered & how they are differentiated.
Discover more about our New York programme including confirmed sessions, speakers and side events in the link in our bio.
Photography is one of the most accessible art markets, but also one of the most selective.
Our latest report explores how value, scarcity, and market positioning really work in photography, alongside a dedicated @photolondonfair case study.
We’ll be at Photo London this week with clients. DM us if you’d like to join one of our tours at the fair.
Full report via the 🔗 in bio.
#PhotoLondon #PhotographyMarket #ArtCollectors #FineArtPhotography #ArtMarket #ContemporaryPhotography
Visiting Venice for the 61st Venice Biennale? Here are the shows you absolutely shouldn’t miss 👀
#venice #venicebiennale #biennaledivenezia #exhibitionsinvenice #venezia
Overnight, Banksy installed a new statue in central London. By morning, collectors were watching.
We now know who Banksy is, but attention and value don’t move evenly across his market.
A $23M Love is in the Bin showed that Banksy’s market rewards authorship, story, and public meaning. Meanwhile, the broader print market has become far more selective.
“It’s a Banksy” is no longer enough on its own.
→ Read the full market analysis 🔗 in bio.
#Banksy #ArtMarket #StreetArt #ArtCollectors #ContemporaryArt
Record-breaking sales in works on paper don’t lift the rest of the market.
Works on paper are becoming one of the most active segments today, but activity and value aren’t moving in the same way.
More collectors are entering the category, and participation is expanding.
But pricing dynamics are becoming more segmented.
Understanding how this plays out is what shapes better collecting decisions.
🔗 in bio to read the full analysis.
#ArtMarket #ArtCollecting #WorksOnPaper #ContemporaryArt #ArtReport
Photography offers one of the most accessible entry points into art but not all works carry the same weight in the market.
Volume sits at the lower end.
Value concentrates at the top.
The difference? Artist positioning, scarcity, and institutional recognition.
Join our curated tours this May to navigate the market with an advisor’s perspective.
🔗 in bio.
#PhotoLondon #ArtTour #ArtCollecting #PhotographyArt #ArtMarket #Artscapy
From private views to studio visits and VIP fair access, Artscapy Club offers a more direct way into the art world.
Connect with artists, curators, and fellow collectors in settings designed for conversation and discovery.
Join the club. 🔗 in bio.
#ArtscapyClub #ArtCollectors #ArtWorldAccess #ContemporaryArt #ArtEvents #CollectingArt #ArtAdvisory #ArtCommunity #ArtExperience #PrivateView
Katharina Grosse’s market looks consistent with large sprayed canvases, bold colour, recognisable scale. But in practice, it isn’t.
From White Cube to Art Basel and Centre Pompidou-Metz, her large-scale works show how colour moves freely between canvas, architecture and ground where artist, site and viewer converge.
That visibility supports demand but pricing has become far more exact.
Two works that look similar can perform very differently. The difference isn’t the artist, it’s how the work is read.
→ Read the full market analysis (link in bio)
#KatharinaGrosse #ArtMarket #ArtCollectors #ContemporaryArt #ArtAdvisory #SellingArt
More supply usually weakens a market.
Hockney’s market doesn’t follow that rule.
It has expanded rapidly, but almost entirely at the lower end. Prints and digital works now dominate volume, while value remains concentrated in a small group of iconic works and series.
Access has widened, but competition has not. It is still focused and selective.
🔗 in bio to read the full report.
#DavidHockney #ArtMarket #BlueChipArt #ArtCollectors #ArtAdvisory #ArtMarketInsights #ContemporaryArt #ArtWorld
When an artist passes, the market doesn’t simply reprice, it recalibrates.
What looks like an immediate jump in value is often just the first phase: a compression of attention, supply, and unresolved questions into a single moment. From there, the market begins a slower process of sorting before prices ultimately stabilise or decline.
The posthumous market is a cycle shaped by estate control, institutional validation, and the strength of the artist’s best work.
🔗 in bio to read the full report.
#ArtMarket #ArtAdvisory #PosthumousMarket #ArtCollectors #ContemporaryArt #ArtEconomics #ArtInsights #AuctionMarket #ArtStrategy #CollectingArt
Antony Gormley’s market doesn’t behave like a typical blue-chip.
• Sculpture dominates liquidity and turnover
• The £250k–£1m segment drives the majority of value
• Pricing is becoming more selective
For collectors, that means stronger liquidity in core sculptural series — but shorter-term performance is less predictable, with stronger outcomes typically realised over longer holding periods.
For the full breakdown (series, sizing, strategy), report 🔗 in bio.
#ArtMarket #AntonyGormley #ArtInvesting #Sculpture #ArtCollectors #ArtAdvisory #AlternativeInvestments
